7.1 | / 10 |
Users | 0.0 | |
Reviewer | 2.0 | |
Overall | 2.0 |
Industrialist Pierre Verdier kills his mistress Jeanne Ancelin by throwing her off a train. Her husband, Ancelin, decides to take revenge on his wife's murderer...
Starring: Lino Ventura, Sandra Milo, Franco Fabrizi, Jacques Berthier, Daniel CeccaldiForeign | 100% |
Drama | 50% |
Film-Noir | 21% |
Crime | 16% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.66:1
Original aspect ratio: 1.66:1
French: DTS-HD Master Audio 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.0 | |
Video | 2.0 | |
Audio | 5.0 | |
Extras | 0.5 | |
Overall | 2.0 |
Edouard Molinaro's "Witness in the City" a.k.a. "Un témoin dans la ville" (1959) arrives on Blu-ray courtesy of Kino Lorber. The only supplemental feature on the release is a vintage French trailer for the film. In French, with optional English subtitles for the main feature. Region-A "locked".
Presented in its original aspect ratio of 1.66:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Witness in the City arrives on Blu-ray courtesy of Kino Lorber.
Witness in the City was beautifully restored in 2K by Gaumont in France and a few years ago made its high-definition debut via this Blu-ray release. Unfortunately, the master that was prepared by Gaumont after the 2K makeover is very problematic. In case you are wondering, the same faulty master that was supplied to Kino Lorber for this release was also used to produce the earlier French release.
The entire master has been finalized with improper film-to-video levels that collapse the native dynamic range of the visuals. As a result, instead of producing proper blacks, the master produces odd grays that flatten the visuals and often make them appear as if they are heavily filtered. You can see examples of the effects of the improper conversion in screencaptures #16, 17, 18, 19, and 20. Depending on how the camera captures light and shadow(s), vast portions of the film can have a very digital appearance because of the gray blocks that flatten the visuals. Also, a lot of the flattening is accompanied by distracting chroma noise, which is introduced by the improper conversion as well. You should be able to see the chroma noise in screencapture #1. On top of all of the above, there is plenty of good old-fashioned macroblocking, which I believe is present on the faulty master as well. All of these anomalies are part of a well-known conversion practice that affected numerous early masters that were prepared at Gaumont. (Another high-profile title that was affected by it is A Man Escaped, but there are many others). So, the 2K makeover of Witness in the City is excellent, but a competent party will have to access the raw files again and prepare a brand new proper master so that when the film transitions to Blu-ray it looks as good as it should. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: French DTS-HD Master Audio 2.0. Optional English subtitles are provided for the main feature.
It is immediately very obvious that the audio has been fully remastered. The dialog is very clear, sharp, and always easy to follow. There are no stability issues. I would describe dynamic intensity as excellent as well, but as always, you need to keep in mind that Witness in the City comes from the 1950s and has native limitations that make it impossible to produce striking dynamic contrasts. The English translation is very good.
Is Ancelin's profile completed and fate predetermined as soon as the camera captures him killing the wealthy industrialist? If you said yes, you should pick another night to view Witness in the City again because it is not the simple thriller your answer suggests. There are a lot of interesting threads in it to identify and ponder, and if you do, you will discover a very different film. Witness in the City was completed just months after Louis Malle's terrific directorial debut, Elevator to the Gallows, and both films have almost identical stylistic personalities. I don't think this is surprising because they were lensed by the same man, Henri Decae, who is widely considered to be the greatest post-WWII French cinematographer. Unfortunately, this release offers a flawed technical presentation of Witness in the City. It is included in Kino Lorber's French Noir Collection, a two-disc set.
(Still not reliable for this title)
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