Rating summary

Movie		5.0
Video		4.5
Audio		4.5
Extras		5.0
Overall		5.0

The Wizard of Oz Blu-ray Movie Review

Lovingly restored, carefully preserved, and masterfully presented...

Reviewed by Kenneth Brown September 25, 2009

"For nearly forty years this story has given faithful service to the Young in Heart; and Time has been powerless to put its kindly philosophy out of fashion. To those of you who have been faithful to it in return, and to the Young in Heart, we dedicate this picture."

So begins director Victor Fleming's The Wizard of Oz, a timeless, truly magnificent classic that's as charming and endearing today as it was seventy years ago. Born in an age when soul and spirit were invested in every frame, when digital effects had yet to be conceived, when craftsmanship sat upon the same cinematic throne as creativity, the seemingly simplistic story of a young girl's quest to escape a strange land of talking animals and sneering creatures has emerged as one of the most indelible, recognizable, and untouchable films in history. From actress Judy Garland's unforgettable rendition of "Somewhere Over the Rainbow" to her cries of joy upon returning home, Oz has few equals. From the bustling land of the Munchkins to the frightening kingdom of the Wicked Witch of the West, it boasts stirring artistry and design. From Dorothy's declaration that she isn't in Kansas anymore to her first, hushed utterance of "there's no place like home," it transcends age, capturing the imagination of anyone, young or old, lucky enough to set their eyes on the majesty of its yellow-brick road.

Warner Home Video's exquisite restoration of the film is an amazing sight to behold...

My affection for The Wizard of Oz traces back to my early childhood, when I was much too young to fully appreciate what was becoming one of the first major components in my cinematic consciousness. I just knew it made me laugh; that its songs made me smile; that its monstrous villains gave me chills; that its heroes provided me with a thrilling adventure in a colorful world filled with magic and wonder. Is there anyone who isn't already familiar with the story? Based on L. Frank Baum's turn-of-the-century children's book, "The Wonderful Wizard of Oz," Fleming's film tells the tale of Dorothy Gale (Judy Garland), a young girl swept away by a tornado and deposited in the mysterious land of Oz, an enchanting kingdom ruled by an all-powerful wizard (Frank Morgan) and besieged by two evil witches. When Dorothy's tumbling house kills the Wicked Witch of the East, her sister -- the cruel Wicked Witch of the West (Margaret Hamilton) -- swears to exact revenge. But the young girl has other things to worry about. Namely getting home, a quest that requires her to travel across Oz, enter the fabled Emerald City, and seek help from the Wizard himself. Fortunately, Dorothy befriends a trio of bumbling warriors along the way: a Scarecrow (Ray Bolger) who doesn't have a brain, a Tin Man (Jack Haley) who was never given a heart, and a Cowardly Lion (Bert Lahr) who lacks courage.

Oz has been an international sensation for seventy years now. During that time, it's become a part of global culture, influenced modern filmmaking as we know it, and solidified its place amongst the greatest films of all time. Even so, I didn't realize how timeless it had really become until I picked my son up from pre-school on a day when his teachers' had popped in The Wizard of Oz while the kids were eating lunch. Knowing his love for Pixar's finest, his affinity for comicbook flicks, and how much he enjoys watching the latest action-oriented, animated jaw-dropper, I was shocked by his sudden obsession with a 1939 Technicolor musical. Be it the songs, the characters, the world, or the exceedingly accessible storyline, he wanted to watch it again in its entirety. And again... and again... and again. My apologies if it seems like I'm drifting off target, but his instant attachment to Dorothy and her companions' story -- particularly in light of the faster, flashier, more expensive productions available to him -- is possibly the most telling testament I can offer about the still-palpable power of the film. Watching it with him is just as fulfilling. Chalk it up to nostalgia, delight, or respect, but I was surprised by how much I enjoyed Oz some twenty-five years after it first grabbed hold of my brain.

Modern cinelitists may scoff at its idealism and era-specific performances, cynics may balk at its rosy-cheeked exclamations and bursts of song, but The Wizard of Oz defies generation gaps, so much so that it's capable of surviving the harsh terrain of the 21st Century. In 1939, its clash between good and evil -- at a time when the world was recovering from one World War and gearing up for another, when the Great Depression was still ravaging the masses, when hope was a fleeting commodity -- offered a brief respite to weary peoples. Its visuals widened eyes and captured imaginations. Its songs left many in tears and many more with a sense that dreams just might come true. It's not so different today. In an age of widespread political and economic upheaval, The Wizard of Oz doesn't register as a naive relic of childhood or a featherweight fantasy. It's a reminder that anti-heroes, gore, pulse-pounding soundtracks, and grim-n-gritty cinematography don't explore the human condition as readily as cinephiles have convinced themselves such things do. Those skipping this Technicolor marvel in favor of bigger, badder fare (releases featuring three-clawed muties, battery-licking action junkies, or time-traveling assassins) will miss the opportunity to watch a film that has something to say; a film whose message is as relevant and legitimate in 2009 and is it was in 1939.

It may sound like hyperbole -- like the skewed ramblings of a nostalgic thirtysomething looking to reconnect with his childhood -- but the film's legacy and lasting appeal speaks for itself. Don't write off this Technicolor masterpiece as a cinematic artifact. Don't pass it by for lesser drivel lining the shelves. Don't assume it can't reach you in your older years or captivate your children in their innocence. The Wizard of Oz is a true Hollywood treasure; a film that still has the power to move, inspire, and affect the most hardened heart or pessimistic scowl.

The Wizard of Oz Blu-ray Movie, Video Quality 

What!? Heresy! A 4.5 for a transfer most others are declaring perfect? Bah! Surely a marvelous, faithful, meticulous restoration -- a restoration that brings a beloved seventy-year-old classic to life like never before -- deserves the highest score possible!

With that out of our collective system, let's begin. The Wizard of Oz has indeed been blessed with a staggering restoration; one that has renewed its aging frames, reinvigorated its fading colors, and preserved the integrity of its image at every turn. Working from three original Technicolor negatives, scanning each one at the highest resolution possible, and lovingly recoloring and retouching the film, Warner Home Video has produced one of the finest, most impressive restorations in the history of cinema. Thankfully, the Blu-ray edition reaps the rewards with a striking 1080p/VC-1 transfer that boasts exquisite colors, astounding clarity, and crisper details than Oz fanatics have ever seen. The palette oozes primary brilliance, black levels are deep and absorbing, and skintones are flawless (any rosy cheeks you see are a product of the actors' make-up, not some strange technical flaw). Moreover, contrast is bright and vivid, imbuing each scene with convincing depth and dimensionality, edges are refined, and textures are revealing. A field of tiny flowers, individual strands of straw, costume seams, distant Munchkins, the tight pattern on Dorothy's dress, the intricacies of Billie Burke's gown, Garland's freckles, craters on the Witch's nose, wrinkles on the Wizard's face, Toto's hair... I could go on and on. Suffice to say, this is, without a doubt, the definitive home video transfer of Oz.

But that's not all. A moderate veneer of grain permeates every frame, granting the picture a filmic appearance purists will be overjoyed to see in tact. I'm pleased to report that I didn't detect a hint -- not a sliver, shred, or slather -- of noise reduction. As it stands, any instance of softness should be attributed to the original source, not the Blu-ray transfer or the restoration team's efforts, digital scanning, or touch-ups. In fact, dear readers, I didn't encounter ringing, banding, aliasing, smearing, or any other debilitating digital nonsense. And edge enhancement? It either hasn't been applied or has been used so judiciously that its presence is nearly untraceable. The entire transfer showcases the quality of Warner's restoration, as well as the immense work that went into creating the go-to presentation of the film. Granted, as technology advances over the coming decades, the studio's 20+ terabyte scans will yield even greater transfers with more detail than a 1080p presentation could ever possibly reproduce, but I doubt anyone will complain about the limits of our current high definition format when they could spend their time soaking in the beauty of Oz.

Brace yourselves. There are a few minor issues; issues most viewers will quickly shrug off, brush aside, or overlook altogether. For starters, lingering print damage is visible in some shots. While the damage is infrequent and quite negligible, vertical lines, scratches, blemishes, contrast wavering, and spots still flicker across the screen from time to time. Moreover, faint (I stress faint) artifacting mingles with the grain in several scenes. Eagle-eyed videophiles will spot some in the film's sepia sequences, during Dorothy's initial approach to Emerald City, and in the gray skies surrounding the Witch's castle. Finally, there are moments, particularly in the third act, in which the Witch's clothing fuses with the surrounding shadows; her cloak and hat become one with the darkness. Not worth mentioning? Perhaps. However, had Warner relocated the first disc's special features -- nine hours of standard definition video documentaries, audio-only materials, and other bonus content -- more disc space could have been dedicated to the film itself. Would it have resulted in a perceptible difference? Would it have made the transfer the slightest bit cleaner? Alas, I'm unqualified to answer, but I couldn't help but wonder each time I noticed a fleeting compression anomaly.

Even so, such silly shortcomings barely register in the grand scheme of things. The Wizard of Oz looks undeniably fantastic. It not only raises the bar for catalog transfers, it rewards enthusiasts and filmfans alike with a near-perfect presentation of a stirring cinematic legend.

The Wizard of Oz Blu-ray Movie, Audio Quality 

Though it doesn't provide the instant gratification of the film's video restoration or its subsequent Blu-ray transfer, Warner's Dolby TrueHD 5.1 surround track effectively demonstrates the studio's craftsmanship, care, and commitment to all aspects of the film's presentation. Dialogue is warm and intelligible, preserving the distinct tonal personality of its 1939 recordings while giving each voice a fresh, 21st Century upgrade. Likewise, every playful sound effect has been granted renewed fervor, prioritization is impeccable, and each song dances across the soundfield as if it was recorded yesterday. Lyrics and orchestration wax and wane in perfect harmony, and the various score pieces and trumpeted fanfares are sharp and resonant. It helps that rousing LFE output bolsters each musical cue, every thoom of the Wizard's thundering performances, and all of the Witch's eruptions and explosions. The rear speakers are subdued, paying unspoken respect to the film's original audio mix, but still involve themselves in everything from the music to the swirling winds of Dorothy's tornado. Fire crackles with unexpected intensity, a menacing forest rustles with immersive activity, and scrambling monkeys smoothly scamper from channel to channel. As an added bonus, the film's original mono track is available via a 192kbps Dolby Digital mix. It's a bit of a lossy letdown (even for a mono presentation), but purists and completists will no doubt appreciate its inclusion.

Could The Wizard of Oz stand its ground in a sonic tussle with a modern Blu-ray blockbuster? Of course not. The very nature of the seventy-year-old production would limit the impact of any lossless track. However, as catalog classics go, it doesn't sound much better than The Wizard of Oz, particularly when you factor its age into the evaluation. I doubt anyone, no matter their disposition, will be disappointed with the results.

The Wizard of Oz Blu-ray Movie, Special Features and Extras 

The 4-disc Blu-ray edition of The Wizard of Oz comes bundled in a sturdy, attractive collector's box (measuring 8.5 x 11 inches) that contains a generous helping of pack-ins and bonus items. Thankfully, the Blu-ray release itself is packaged in a separate slipcovered digipak, meaning Oz fans won't necessarily have to clear enough shelf space to fit the entire box set. That being said, the digipak itself is larger than a standard Blu-ray case (approximately 5.5 x 7.5 inches), so it will stick up and out from the rest of your collection. It's certainly not a big deal -- especially when you consider the limitations of the alternative -- but it would have been nice to find the discs packaged in a smaller digipak.

The collector's box also includes a high-quality replica of the film's original 1939 Campaign Book (for the first time reproduced in its entirety); a budget sheet for the production; a handsome 52-page hardbound commemorative book, "Behind the Curtain of Production 1060" (7.5 x 11 inches); a limited edition 70th Anniversary Watch nestled in an Emerald City-embossed tin; and a separate disc containing a Digital Copy of the film. All of the items are safely and snuggly packed inside the box and are quite easy to remove. While not everyone will enjoy everything the set has to offer, collectors, casual fans, and nostalgic diehards alike will find something to love. Personally, the film's amazing restoration and seemingly endless supplemental package are worth the price of admission alone, making everything else a well-conceived perk.

• Audio Commentary (Disc 1): The late Sydney Pollack hosts this extensive, altogether informative commentary track featuring noted Oz historian and author John Fricke, as well as rare interview clips with associate producer/writer Arthur Freed's daughter, Barbara Freed-Saltzman; actress Margaret Hamilton (the Wicked Witch of the West) and her son Hamilton Meserve; actor Ray Bolger (the Scarecrow); actor Jack Haley (the Tin Man); John and Jane Lahr (children of actor Bert Lahr, the Cowardly Lion himself); uncredited co-director Mervyn LeRoy; assistant choreographer Dona Massin (who worked directly under Bobby Connolly); assistant make-up artist William Tuttle; performer Buddy Ebsen; and one of the last surviving Munchkin actors, Jerry Maren. While Fricke sounds as if he's narrating a documentary -- he's clearly reading from a script -- he lends focus and density to a track that might otherwise be unwieldy and overwhelming. But the real meat of the track lies in its interview clips. Nostalgic reflections, candid anecdotes (particularly from Hamilton and her co-actors), and amusing asides. The audio quality of each clip varies, but such inconsistencies are never a distraction or a detriment. Each voice remains clear and intelligible, allowing listeners to sink in and enjoy everything the participants have to offer.
• The Making of a Movie Classic (SD, Disc 1, 51 minutes): While this dated 1990 documentary (hosted by Angela Lansbury) is primarily provided for completists, it explores the enduring international legacy of Oz, scenes cut from the film, casting challenges (the studio initially wanted Shirley Temple to play Dorothy), Judy Garland's breakthrough performance, the development of the witches, set design, practical effects, differences between Baum's original book and the movie, critical reaction to the film, the competition Oz faced at the box-office when it was first released... and much, much more. With more interviews and archive footage than could realistically be listed here, fans of all stripes will find something to love, including production details that, by some freakish miracle, aren't repeated elsewhere in the set.
• The Art of Imagination: A Tribute to Oz (SD, Disc 1, 30 minutes): Narrated by Sydney Pollack, this engrossing 2005 documentary finds modern filmmakers like Peter Jackson, composers like Randy Newman and Howard Shore, and other notable Hollywood heavyweights discussing Oz, how it came to be, the heated competition that existed to work on the film, the songs, the characters, scoring the music, production design, and special effects. Again, to my surprise and delight, very little feels repetitive or redundant.
• The Legacy of Oz (SD, Disc 1, 25 minutes): Similar to Tribute of Oz, this secondary 2005 documentary looks at Oz's themes, appeal, impact, and emergence as a '50s and '60s television phenomenon. Eventually, it covers the film's merchandising madness in the '70s (and beyond, as evidenced by the giant box set sitting in front of me), fans and collectors, subsequent Oz books, and character impersonators. But it doesn't tread ground that's already been covered. It strikes a Trekkies vibe I wasn't expecting and shows several good-natured Oz enthusiasts at their most obsessive moments. Fluff? Sure. Still interesting? Yep.
• Memories of Oz (SD, Disc 1, 28 minutes): Yet another solid documentary, this one from 2001, that gives surviving cast and crew members, as well as members from their immediate families, the opportunity to chat about the film. While noted filmmakers and enthusiasts are on hand to fill in the requisite blanks, the participants talk about the film's stunning transition to color, its political connotations, influence on other films, costumes, matte paintings, set design, props (particularly those that have appeared in multiple films over the years), and performances.
• Jukebox (Audio, Disc 1, 70 minutes): A veritable treasure trove of original recordings and outtakes of "Over the Rainbow" (in which Judy Garland coughs and has to start over), the "Munchkinland Medley" rehearsal and sequence recordings, the "Munchkinland Medley" voice tests, "If I Only Had a Brain" "We're Off to See the Wizard," "If I Only Had a Heart," "If I Only Had the Nerve," "Emerald City/The Merry Old Land of Oz," "If I Were King of the Forest," "The Jitterbug," "Triumphal Return to Emerald City," and underscoring for "Kansas," "Munchkinland," "The Road to Oz," "Emerald City," "The Witch's Castle," and the "Finale."
• Stills Galleries (SD, Disc 1, 105 minutes): Hundreds of stills, production photos, and more can be found in eighteen galleries, all of which cycle images every ten seconds or so. Galleries include "Oz on Broadway," "Pre-MGM," "Sketches and Storyboards," "Costume and Makeup Tests," "Richard Thorpe's Oz," "Buddy Ebsen," "Oz Comes to Life," "Behind the Scenes," "Portraits," "Special Effects," "Post Production," "Deleted Scenes," "Original Publicity," "Hollywood Premiere," "New York Premiere," "Oz Abroad," and "Oz Revivals."
• We Haven't Really Met Properly (SD, Disc 1, 21 minutes): A series of two-three minute actor biographies (narrated by Lansbury) for Frank Morgan (the Wizard of Oz/Professor Marvel), Ray Bolger (the Scarecrow/Hunk), Bert Lahr (the Cowardly Lion/Zeke), Jack Haley (the Tin Man/Hickory), Billie Burke (Glenda, the Good Witch), Margaret Hamilton (the Wicked Witch of the West/Miss Gulch), Charley Grapewin (Uncle Henry), Clara Blandick (Auntie Em), and Terry (Toto, of course). Watch one at a time, or get them all in one chunk with a "Play All" option.
• The Wonderful Wizard of Oz Storybook (SD, Disc 1, 11 minutes): Angela Lansbury delivers a severely condensed read-through of Baum's work. Though it's far too short -- I'm not sure how practical it would be, but I would have enjoyed listening to the entire book -- it does present Baum's original art as a Motion Comic of sorts.
• Prettier Than Ever: The Restoration of Oz (SD, Disc 1, 11 minutes): An all-too-brief look at the 4K digital restoration of Oz, the problems its mastering team encountered, and the methods they used to tackle the project.
• Music and Effects Track (Audio, Disc 1): This option allows users to watch the film, sans dialogue, with a one-channel Dolby Digital audio mix (48kHz/192kbps).
• Original Mono Track (Audio, Disc 1): A treat for purists: the film's original mono track. The only downside? It's only available as a stunted Dolby Digital mix (48kHz/192kbps).
• Leo Is on the Air Radio Promo (Audio, Disc 1, 12 minutes): An extended radio advertisement for The Wizard of Oz featuring descriptions of the film, song excerpts, and dialogue.
• Good News of 1939 Radio Show (Audio, Disc 1, 61 minutes): Maxwell House Coffee presents the final edition of "Good News of 1939," a full-length radio broadcast that finds host Robert Young interviewing the cast and music of a little flick called The Wizard of Oz.
• Lux Radio Theater Broadcast (Audio, Disc 1, 61 minutes): A 1950 Christmas radio broadcast of The Wizard of Oz that tells the entirety of the film's story. While it doesn't feature the voices of the majority of the original cast, Judy Garland is on hand to voice Dorothy.
• Sing Along (HD, Disc 1): A simple subtitle feature that provides users lyrics and timing cues to sing along with a selection of songs from the film. Songs include "Over the Rainbow," "Munchkinland Medley," "Follow the Yellow Brick Road/You're Off to See the Wizard," "If I Only Had a Brain," "If I Only Had a Heart," "We're Off to See the Wizard," "If I Only Had the Nerve/We're Off to See the Wizard," "Optimistic Voices," "The Merry Old Land of Oz," and "If I Were King of the Forest."
• Another Romance of Celluloid: Electrical Power (SD, Disc 1, 11 minutes): Lansbury introduces this archive black-and-white short that looks at the advent of electrical power and its use in making films.
• Cavalcade of the Academy Awards Excerpt (SD, Disc 1, 2 minutes): A short excerpt reel from the 1940 Academy Awards assembled by director Frank Capra. Of note, a young Mickey Rooney presents a very enthusiastic Judy Garland with an award.
• Texas Contest Winners (SD, Disc 1, 2 minutes): Several lucky Texans score a visit to Hollywood in the '30s.
• Off to See the Wizard Excerpts (SD, Disc 1, 4 minutes): A montage of clips from ABC's "Off to See the Wizard" series.
• Trailers (SD, 11 minutes): Six trailers for various releases of the film.
• Harold Arlen's Home Movies (SD, Disc 1, 5 minutes): 16mm footage shot at the cast's portrait sittings during Arlen's visits to the set.
• Outtakes and Deleted Scenes (SD, Disc 1, 14 minutes): Rare materials exorcised from the film's original theatrical release.
• It's a Twister! It's a Twister! The Tornado Tests (SD, Disc 1, 8 minutes): Raw footage of the tornado featured in Oz.
• Victor Fleming: Master Craftsman (SD, Disc 2, 34 minutes): A thorough overview of director Victor Fleming's life and career, including his work on The Wizard of Oz and other notable classics like Gone with the Wind. Granted, it makes Fleming sound like a working man's messiah, particularly during portions of the documentary that explore his on-set personality, but if anyone deserves it, it's an artisan who's had such an influence on modern filmmaking.
• L. Frank Baum: The Man Behind the Curtain (SD, Disc 2, 28 minutes): An equally interesting, albeit more grounded biography of author L. Frank Baum that dissects his life, writing, and inspirations.
• Hollywood Celebrates its Biggest Little Stars! (SD, Disc 2, 10 minutes): A tribute to the Munchkin actors that includes interviews with surviving cast members, their families, and Oz enthusiasts.
• The Dreamer of Oz (SD, Disc 2, 92 minutes): This1990 NBC Baum biopic stars the late John Ritter as Baum, Annette O'Toole as his dutiful wife, and Rue McClanahan as her mother. Dreadful overacting and awful video quality aside (the transfer looks as if it's meant to be viewed with 3-D glasses), this Finding Neverland precursor is a decent, if not unnecessary addition to the set that will nevertheless please completists to no end.
• The Wonderful Wizard of Oz (SD, Disc 2, 13 minutes): A quaint 1910 silent film adaptation of Baum's book.
• Her Majesty, The Scarecrow of Oz (SD, Disc 2, 59 minutes): Another silent film, this one from 1914, written and produced by Baum himself.
• The Magic Cloak of Oz (SD, Disc 2, 43 minutes): The silent Ozian shenanigans continue in this J. Farrell MacDonald 1914 film, written and produced by Baum based on his book "Queen Zixi of Ix."
• The Patchwork Girl of Oz (SD, Disc 2, 51 minutes): A third 1914 silent film based on Baum's book of the same name.
• The Wizard of Oz (1925) (SD, Disc 2, 71 minutes): This silent adaptation of Baum's "The Wonderful Wizard of Oz" adds some monochromatic color to the proceedings. Of note: Oliver Hardy appears as the Tin Man.
• The Wizard of Oz (1933) (SD, Disc 2, 8 minutes): Ted Eshbaugh's rapidfire, leftfield animated adaptation of Baum's original work.
• MGM: When the Lion Roars (SD, Disc 3): Finally (if there is such a thing in this sprawling set), a two-side standard DVD disc is devoted to writer/director Frank Martin' When the Lion Roars, a massive six-hour documentary that details the rise and fall of Metro-Goldwyn-Mayer Studios. It's a shame Warner didn't give the film a high definition overhaul, but it's such a laughable nitpick that I feel foolish for even mentioning it.
• BD-Live Functionality
• Digital Copy Disc

The Wizard of Oz Blu-ray Movie, Overall Score and Recommendation 

What more can I say? I was blown away by the Blu-ray edition of The Wizard of Oz; so much so that I'll be purchasing the collector's set for several family members this Christmas season. It offers an acclaimed '30s classic, a masterful restoration, a near-perfect video transfer, an equally impressive TrueHD audio track, and a slew of supplemental features, additional full-length films, and mesmerizing documentaries. And let's not forget the high-quality bonus items included in the box itself. As far as I'm concerned, this box set is fairly priced (especially considering the immense value contained within) and deserves to find its way into the hands of every fan, young or old. Well done, Warner... well done.