The Wizard of Oz 3D Blu-ray Movie

Rating summary

Movie		5.0
Video		5.0
Audio		4.5
Extras		5.0
Overall		5.0

The Wizard of Oz 3D Blu-ray Movie Review

A truly wondrous 'Wizard of Oz'...

Reviewed by Kenneth Brown October 1, 2013

"For nearly forty years this story has given faithful service to the Young in Heart; and Time has been powerless to put its kindly philosophy out of fashion. To those of you who have been faithful to it in return, and to the Young in Heart, we dedicate this picture."

So begins director Victor Fleming's The Wizard of Oz, a timeless, truly magnificent classic that's as charming and endearing today as it was seventy years ago. Born in an age when soul and spirit were invested in every frame, when digital effects had yet to be conceived, when craftsmanship sat upon the same cinematic throne as creativity, the seemingly simplistic story of a young girl's quest to escape a strange land of talking animals and sneering creatures has emerged as one of the most indelible, recognizable, and untouchable films in history. From actress Judy Garland's unforgettable rendition of "Somewhere Over the Rainbow" to her cries of joy upon returning home, Oz has few equals. From the bustling land of the Munchkins to the frightening kingdom of the Wicked Witch of the West, it boasts stirring artistry and design. From Dorothy's declaration that she isn't in Kansas anymore to her first, hushed utterance of "there's no place like home," it transcends age, capturing the imagination of anyone, young or old, lucky enough to set their eyes on the majesty of its yellow-brick road.

My affection for The Wizard of Oz traces back to my early childhood, when I was much too young to fully appreciate what was becoming one of the first major components in my cinematic consciousness. I just knew it made me laugh; that its songs made me smile; that its monstrous villains gave me chills; that its heroes provided me with a thrilling adventure in a colorful world filled with magic and wonder. Is there anyone who isn't already familiar with the story? Based on L. Frank Baum's turn-of-the-century children's book, "The Wonderful Wizard of Oz," Fleming's film tells the tale of Dorothy Gale (Judy Garland), a young girl swept away by a tornado and deposited in the mysterious land of Oz, an enchanting kingdom ruled by an all-powerful wizard (Frank Morgan) and besieged by two evil witches. When Dorothy's tumbling house kills the Wicked Witch of the East, her sister -- the cruel Wicked Witch of the West (Margaret Hamilton) -- swears to exact revenge. But the young girl has other things to worry about. Namely getting home, a quest that requires her to travel across Oz, enter the fabled Emerald City, and seek help from the Wizard himself. Fortunately, Dorothy befriends a trio of bumbling warriors along the way: a Scarecrow (Ray Bolger) who doesn't have a brain, a Tin Man (Jack Haley) who was never given a heart, and a Cowardly Lion (Bert Lahr) who lacks courage.

Oz has been an international sensation for seventy years now. During that time, it's become a part of global culture, influenced modern filmmaking as we know it, and solidified its place amongst the greatest films of all time. Even so, I didn't realize how timeless it had really become until I picked my son up from pre-school on a day when his teachers' had popped in The Wizard of Oz while the kids were eating lunch. Knowing his love for Pixar's finest, his affinity for comicbook flicks, and how much he enjoys watching the latest action-oriented, animated jaw-dropper, I was shocked by his sudden obsession with a 1939 Technicolor musical. Be it the songs, the characters, the world, or the exceedingly accessible storyline, he wanted to watch it again in its entirety. And again... and again... and again. My apologies if it seems like I'm drifting off target, but his instant attachment to Dorothy and her companions' story -- particularly in light of the faster, flashier, more expensive productions available to him -- is possibly the most telling testament I can offer about the still-palpable power of the film. Watching it with him is just as fulfilling. Chalk it up to nostalgia, delight, or respect, but I was surprised by how much I enjoyed Oz some twenty-five years after it first grabbed hold of my brain.

Modern cinelitists may scoff at its idealism and era-specific performances, cynics may balk at its rosy-cheeked exclamations and bursts of song, but The Wizard of Oz defies generation gaps, so much so that it's capable of surviving the harsh terrain of the 21st Century. In 1939, its clash between good and evil -- at a time when the world was recovering from one World War and gearing up for another, when the Great Depression was still ravaging the masses, when hope was a fleeting commodity -- offered a brief respite to weary peoples. Its visuals widened eyes and captured imaginations. Its songs left many in tears and many more with a sense that dreams just might come true. It's not so different today. In an age of widespread political and economic upheaval, The Wizard of Oz doesn't register as a naive relic of childhood or a featherweight fantasy. It's a reminder that anti-heroes, gore, pulse-pounding soundtracks, and grim-n-gritty cinematography don't explore the human condition as readily as cinephiles have convinced themselves such things do. Those skipping this Technicolor marvel in favor of bigger, badder fare (releases featuring three-clawed muties, battery-licking action junkies, or time-traveling assassins) will miss the opportunity to watch a film that has something to say; a film whose message is as relevant and legitimate in 2009 and is it was in 1939.

It may sound like hyperbole, or the skewed ramblings of a nostalgic thirtysomething looking to reconnect with his childhood, but the film's legacy and lasting appeal are a testament to its power and timelessness. Don't write off Warner's Technicolor masterpiece as a cinematic relic. Don't pass it by for lesser drivel lining the shelves. Don't assume it can't reach you in your twilight or captivate your children in their innocence. The Wizard of Oz is a true Hollywood treasure; a film that still has the ability to move, inspire and soften the most hardened heart and pessimistic scowl.

The Wizard of Oz 3D Blu-ray Movie, Video Quality 

"The 3D conversion was a long and complex project which Warner Bros. initiated with a very high resolution 8k scanning of the original Technicolor camera negative. The restored 2D image was then transformed by creating a depth-map of each frame to construct 3D imagery and determine distances from the viewer's vantage point. This was followed by the long process (with the use of a rotoscope) to further refine viewer distances and fully layer shapes and objects."

The burning question many of you are asking -- other than, "How does The Wizard of Oz fare in 3D?" -- is "just how much better can The Wizard of Oz possibly look?" Warner's 2009 Blu-ray release remains a stunning catalog standout. Does the film's new 8k scan produce a higher quality 1080p encode? The short answer is not exactly. For all intents and purposes, the 2013 Oz looks every bit as good as the 2009 Oz. Try as I might, I had a difficult time discerning much of a difference in quality... to which the informed among you are already nodding your heads. Whether scanned at 4k or 8k, a film still has to be downscaled to accommodate a relatively inferior 1080p Blu-ray presentation. So while combing through screenshots or comparing the two versions frame by frame will undoubtedly lead to discoveries of tiny improvements in the image, the human eye simply isn't going to perceive much of a difference when the film is in motion. What has been corrected and improved, almost entirely, are many of the minor issues that crept into the 2009 version. Additional print damage and blemishes haves been addressed and eliminated by the new restoration (not that there was much in the 2009 transfer to begin with) and the faint, altogether negligible artifacting I noticed in a few shots in 2009 appear to be absent from the 2013 edition. Grain remains intact too, and the utmost respect has been paid to the texture and intent of the original photography and film. It's enough to justify that last little bump in score (from a 4.5 to a 5), although I still wouldn't necessarily call the new restoration and transfer utterly flawless. Worthy of top marks, though? Absolutely.

As for the 3D experience, I was quite surprised. Still am actually. Depth and dimensionality are more convincing than I expected, and very rarely does the film resemble a pop-up storybook. Great care has been invested in making the actors and the world they inhabit look wondrous in 3D, and the film's elaborate sets -- already a hallmark of color, vibrancy and cinematic craft -- are more immersive than ever before; almost to the point of inviting the viewer to step into the screen and tour the MGM lot. There are some drawbacks, if you can call them that. Every now and then, a face, tree or background painting is too flat; the film's smoke, fire and practical effects don't always play well with the 3D conversion; and the fact that each locale is a large-scale set is made that much more obvious. However, Oz's 3D conversion comes close, so very close, to achieving the illusion of native 3D; as if the production were shot in 3D all those years ago. No small feat considering the challenges the restoration and conversion teams faced. Not only were they tasked with producing a magnificent 8K restoration, they were tasked with justifying the existence of a 3D release of The Wizard of Oz. After all, it's not as if fans were clamoring to see the 1939 classic in 3D. Add to that the precision of the 1080p/MVC-encoded transfer -- the lack of aliasing and other anomalies, as well as the image's near-immunity to ghosting (on displays that are prone to crosstalk that is) -- and you have a striking 3D presentation and a definitive transfer of the film.

It simply doesn't get much better than this. Of course, I shared the same sentiment in 2009. That's why the future of home video remains so exciting from decade to decade. Here's hoping Warner celebrates Oz's 80th anniversary with a True4k presentation that renders even the best of 1080p Blu-ray obsolete. I can't wait to see how much more the studio's 8k restoration has to offer.

(Note: Only the 3D disc (Disc 1) features the new restoration and MVC-encoded transfer. The 2D disc (Disc 2) features the same 2D VC-1 transfer as the 2009 Blu-ray release. Those with both a 3D Blu-ray player and 3D-ready display can switch off the 3D and watch the new presentation in 2D. Unfortunately, though, those who don't own a 3D Blu-ray player and display will not be able to view the new presentation in 2D.)

The Wizard of Oz 3D Blu-ray Movie, Audio Quality 

Virtually identical to its 2009 Dolby TrueHD 5.1 counterpart, Warner's new DTS-HD Master Audio 5.1 surround track doesn't fail or falter for a second. Dialogue is clean, intelligible and largely free of air hiss or a noise floor, preserving the distinct tonal personality of the film's 1939 recordings while blessing each voice with a fresh, 21st century warmth. It only helps that prioritization is remarkable, and that each song blossoms and blooms beautifully. Lyrics and orchestration fill the soundfield in terrific harmony and the various score pieces and trumpeted fanfares are sharp and resonant. It helps that rousing LFE output bolsters each musical cue, every thoom of the Wizard's thundering performances, and all of the Witch's eruptions and explosions. The rear speakers are subdued, paying unspoken respect to the film's original audio mix, but still involve themselves in everything from the music to the swirling winds of Dorothy's tornado. Fire crackles with unexpected intensity, a menacing forest rustles with immersive activity, and scrambling monkeys smoothly scamper from channel to channel. Could Oz's lossless track stand its ground in a battle with a modern Blu-ray blockbuster? Of course not. The age of the production would limit the impact of any lossless track, no matter how well-crafted. However, as catalog classics go, it doesn't get much better than The Wizard of Oz. Anyone armed with appropriate expectations will be delighted.

The Wizard of Oz 3D Blu-ray Movie, Special Features and Extras 

The 5-disc 75th Anniversary Collector's Edition release of The Wizard of Oz 3D offers all of the special features that were included with the 2009 70th Anniversary box set, minus a single documentary: "The Making of a Movie Classic," a 1990 behind-the-scenes special hosted by Angela Lansbury. Completists may frown upon the exclusion, until that is they see that the 75th Anniversary edition's newly produced high definition documentary, "The Making of The Wizard of Oz, covers the same ground and more, for an altogether richer, more informative trip down the MGM/Warner yellow brick road.

That said, those who already own the 2009 box set will have to determine if a small pile of collectibles is worth the cost of admission. The Wizard of Oz 3D is also being made available in a much more affordable 2-disc release that also includes the exclusive documentary. Long story short, the 75th Anniversary Collector's Edition box set should be reserved for those purchasing The Wizard of Oz on Blu-ray for the first time (and who want every bit of bonus content under the sun) and/or those who collect any and every book, trinket or piece of plastic that has the film's name stamped on it.

And as box sets go, this is a big'un. (Details and measurements can be found below. An image of the set can be found at the top of the page, by clicking on the "Slipback" link beneath the box set cover art.) Surprisingly heavy, not to mention ungainly and much, much too large, the behemoth's lone saving grace, at least from a practical standpoint, is that the discs themselves are housed in a standard 5-disc Blu-ray case, granting those with limited space more options and flexibility.


New and Exclusive Bonus Content

• The Making of The Wizard of Oz (Disc 2, HD, 69 minutes): Actor Martin Sheen narrates this newly produced, feature-length high definition documentary, touching on the film's timelessness and legacy before diving into the story of its development, production and release. Topics include the trials, tribulations and eventual triumph of Oz series author L. Frank Baum; the illustrations of artist W. W. Denslow; Arthur Freed and Mervyn LeRoy's contributions to the film; the long process of adapting Baum's story and forging a cohesive screenplay and musical; the score and songs of Oz; the studio's push to cast Shirley Temple; the final casting and performances, chief among them Judy Garland and her journey through insecurity to become an unforgettable leading lady; Frank Morgan's wizardly wiles; the challenges of finding the perfect Scarecrow, Tin Man and Cowardly Lion; the Munchkins and the men and women who brought them to life; costumes, makeups and the film's production design; the use of 3-strip Technicolor; a disastrous on-set accident that set Margaret Hamilton ablaze; the film's sound design and effects; its state of the art matte paintings; cuts made before Oz's theatrical release; the filmmakers eleventh hour fight with the studio execs, who wanted "Somewhere Over the Rainbow" removed from the final version of the movie; and much, much more. No stone is left unturned. It's an extensive, exhaustive -- but never exhausting -- trip behind the scenes full of interviews, rare footage and other surprises fans will thoroughly enjoy.

Packaging and Collectibles

• Numbered Limited Edition Packaging: Outer Box
  
  (measures 11.5" x 8" x 4")
• Standard 5-disc Blu-ray Case
  
  (measures 5.25" x 6.75" x .5")
• 52-Page Hardcover Photo Book
  
  (measures 11.5" x 7.5" x .25")
• Frameable Map of Oz
  
  (heavy card stock, measures 10.5" x 7.5")
• Hardcover Journal
  
  (measures 6.25" x 8.25" x .75")
• Deluxe Award-Pin Set from the Noble Collection
  
  (box measures 5.25" x 3" x 1", w/ three 1.5" pins)
• Frameable Photo Card
  
  (heavy card stock, measures 10.5" x 7.5")
• Light-Up Ruby Slippers Sparkler Globe
  
  (measures 3.5" high x 1.5" diameter)
• 4GB Wicked Witch of the East Flash Drive
  
  (Amazon.com exclusive collectible)
• The Wizard of Oz Digital HD UltraViolet Digital Copy (via Flixster, expires 6/30/15)

Previously Released Bonus Content

Disc 1: The Wizard of Oz 3D Feature Film & Bonus Content


• Audio Commentary: The late Sydney Pollack hosts this extensive, altogether informative commentary track featuring noted Oz historian and author John Fricke, as well as rare interview clips with associate producer/writer Arthur Freed's daughter, Barbara Freed-Saltzman; actress Margaret Hamilton (the Wicked Witch of the West) and her son Hamilton Meserve; actor Ray Bolger (the Scarecrow); actor Jack Haley (the Tin Man); John and Jane Lahr (children of actor Bert Lahr, the Cowardly Lion himself); uncredited co-director Mervyn LeRoy; assistant choreographer Dona Massin (who worked directly under Bobby Connolly); assistant make-up artist William Tuttle; performer Buddy Ebsen; and one of the last surviving Munchkin actors, Jerry Maren.
  
  Fricke, clearly reading from a script, sounds as if he's narrating a documentary, and yet lends focus and density to a track that might otherwise be unwieldy and overwhelming. The real meat of the track, though, lies in its interview clips. Nostalgic reflections, candid anecdotes (particularly from Hamilton and her co-actors), and amusing asides. The audio quality of each clip varies, but such inconsistencies are never a distraction or a detriment. Each voice remains clear and intelligible, allowing listeners to sink in and enjoy everything the participants have to offer.
• Music and Effects Track: This option allows users to watch the film, minus its dialogue, with a one-channel Dolby Digital audio mix (48kHz/192kbps) that isolates the music, songs and effects.
• Original Mono Track: The film's original mono audio mix will be a welcome option for purists. The only downside? It's only available as a stunted Dolby Digital track (48kHz/192kbps) rather than a fully restored lossless mix.


Disc 2: The Wizard of Oz Feature Film & Bonus Content


• Audio Commentary: The film's audio commentary is also available alongside the 2D version of the feature film. Commentary participants and details are outlined above, beneath the Disc 1 special features.
• Music and Effects Track: This option allows users to watch the film, minus its dialogue, with a one-channel Dolby Digital audio mix (48kHz/192kbps) that isolates the music, songs and effects.
• Original Mono Track: The film's original mono audio mix will be a welcome option for purists. The only downside? It's only available as a stunted Dolby Digital track (48kHz/192kbps) rather than a fully restored lossless mix.
• The Wonderful Wizard of Oz Storybook (SD, 11 minutes): Angela Lansbury delivers a severely condensed read-through of Baum's work. Though it's far too short -- I'm not sure how practical it would be, but I would have enjoyed listening to the entire book -- it does present Baum's original art as a Motion Comic of sorts.
• We Haven't Really Met Properly (SD, 21 minutes): A series of biographies narrated by Lansbury. Subjects include Frank Morgan (the Wizard), Ray Bolger (the Scarecrow), Bert Lahr (the Cowardly Lion), Jack Haley (the Tin Man), Billie Burke (Glenda the Good Witch), Margaret Hamilton (the Wicked Witch of the West), Charley Grapewin (Uncle Henry), Clara Blandick (Auntie Em), and Terry (Toto). Watch one at a time, or all at once with a "Play All" option.
• Sing Along (HD): A simple subtitle track that provides lyrics and timing cues during songs from the film. Songs include "Over the Rainbow," "Munchkinland Medley," "Follow the Yellow Brick Road/You're Off to See the Wizard," "If I Only Had a Brain," "If I Only Had a Heart," "We're Off to See the Wizard," "If I Only Had the Nerve/We're Off to See the Wizard," "Optimistic Voices," "The Merry Old Land of Oz," and "If I Were King of the Forest."
• Jukebox (Audio, 71 minutes): A veritable treasure trove of original recordings and outtakes of "Over the Rainbow" (in which Judy Garland coughs and has to start over), the "Munchkinland Medley" (rehearsal and sequence recordings), a second run at the "Munchkinland Medley" (voice tests), "If I Only Had a Brain," "We're Off to See the Wizard," "If I Only Had a Heart," "If I Only Had the Nerve," "Emerald City/The Merry Old Land of Oz," "If I Were King of the Forest," "The Jitterbug" and "Triumphal Return to Emerald City." Also available is underscoring for "Kansas," "Munchkinland," "The Road to Oz," "Emerald City," "The Witch's Castle," and the "Finale."
• Stills Galleries (SD, 105 minutes): Hundreds of stills, production photos, and more can be found in eighteen galleries, all of which cycle images every ten seconds or so. Galleries include "Oz on Broadway," "Pre-MGM," "Sketches and Storyboards," "Costume and Makeup Tests," "Richard Thorpe's Oz," "Buddy Ebsen," "Oz Comes to Life," "Behind the Scenes," "Portraits," "Special Effects," "Post Production," "Deleted Scenes," "Original Publicity," "Hollywood Premiere," "New York Premiere," "Oz Abroad," and "Oz Revivals."
• Lux Radio Theater Broadcast (Audio, 61 minutes): A 1950 Christmas radio broadcast of The Wizard of Oz that tells the entirety of the film's story. While it doesn't feature the voices of the majority of the original cast, Judy Garland is on hand to voice Dorothy.
• Good News of 1939 Radio Show (Audio, 61 minutes): Maxwell House Coffee presents the final edition of "Good News of 1939," a full-length radio broadcast that finds host Robert Young interviewing the cast and music of a little flick called The Wizard of Oz.
• Leo Is on the Air Radio Promo (Audio, 12 minutes): An extended radio advertisement for The Wizard of Oz featuring descriptions of the film, song excerpts, and dialogue.
• Trailers (SD, 11 minutes): Six trailers for various releases of the film.


Disc 3: Additional Bonus Content


• The Art of Imagination: A Tribute to Oz (SD, 30 minutes): Narrated by Sydney Pollack, this engrossing 2005 documentary finds modern filmmakers like Peter Jackson, composers like Randy Newman and Howard Shore, and other notable Hollywood heavyweights discussing Oz, how it came to be, the heated competition that existed to work on the film, the songs, the characters, scoring the music, production design, and special effects. Again, to my surprise and delight, very little feels repetitive or redundant.
• Because of the Wonderful Things It Does: The Legacy of Oz (SD, 25 minutes): Similar to Tribute of Oz, this 2005 documentary looks at Oz's themes, appeal, impact, and emergence as a '50s and '60s television phenomenon. Eventually, it covers the film's merchandising madness in the '70s (and beyond, as evidenced by the giant box set sitting in front of me), fans and collectors, subsequent Oz books, and character impersonators. But it doesn't tread ground that's already been covered. It strikes a Trekkies vibe I wasn't expecting and shows several good-natured Oz enthusiasts at their most obsessive moments. Fluff? Sure. Still interesting? Yep.
• Memories of Oz (SD, 28 minutes): Yet another solid documentary, this one from 2001, that gives surviving cast and crew members, as well as members from their immediate families, the opportunity to chat about the film. While noted filmmakers and enthusiasts are on hand to fill in the requisite blanks, the participants talk about the film's stunning transition to color, its political connotations, influence on other films, costumes, matte paintings, set design, props (particularly those that have appeared in multiple films over the years), and performances.
• The Dreamer of Oz (SD, 92 minutes): This 1990 NBC Baum biopic stars the late John Ritter as Baum, Annette O'Toole as his dutiful wife, and Rue McClanahan as her mother. Dreadful overacting and awful video quality aside (the transfer looks as if it's meant to be viewed with 3-D glasses), this Finding Neverland precursor is a decent, if not unnecessary addition to the set that will nevertheless please completists to no end.
• Victor Fleming: Master Craftsman (SD, 34 minutes): A thorough overview of director Victor Fleming's life and career, including his work on The Wizard of Oz and other notable classics like Gone with the Wind. Granted, it makes Fleming sound like a working man's messiah, particularly during portions of the documentary that explore his on-set personality, but if anyone deserves it, it's an artisan who's had such an influence on modern filmmaking.
• L. Frank Baum: The Man Behind the Curtain (SD, 28 minutes): An equally interesting, albeit more grounded biography of author L. Frank Baum that dissects his life, writing, and inspirations.
• Hollywood Celebrates its Biggest Little Stars! (SD, 10 minutes): A tribute to the Munchkin actors that includes interviews with surviving cast members, their families, and Oz enthusiasts.
• Cavalcade of the Academy Awards Excerpt (SD, 2 minutes): A short excerpt reel from the 1940 Academy Awards assembled by director Frank Capra. Of note, a young Mickey Rooney presents a very enthusiastic Judy Garland with an award.
• Another Romance of Celluloid: Electrical Power (SD, 11 minutes): Lansbury introduces this archive black-and-white short that looks at the advent of electrical power and its use in making films.
• Outtakes and Deleted Scenes (SD, 14 minutes): Rare materials deleted from the film's original cut.
• It's a Twister! It's a Twister! The Tornado Tests (SD, 8 minutes): Raw footage of the tornado effect.
• Harold Arlen's Home Movies (SD, 5 minutes): 16mm cast footage shot when Arlen visited the set.
• The Wonderful Wizard of Oz (SD, Disc 2, 13 minutes): A quaint 1910 silent film adaptation.
• His Majesty, The Scarecrow of Oz (SD, 59 minutes): A 1914 silent film, written and produced by Baum.
• The Magic Cloak of Oz (SD, 43 minutes): The silent Ozian shenanigans continue in this J. Farrell MacDonald 1914 film, written and produced by Baum based on his book "Queen Zixi of Ix."
• The Patchwork Girl of Oz (SD, 51 minutes): A third 1914 silent film based on Baum's book.
• The Wizard of Oz (1925) (SD, 71 minutes): This silent adaptation of Baum's "The Wonderful Wizard of Oz" adds some monochromatic color to the proceedings. Of note: Oliver Hardy appears as the Tin Man.
• The Wizard of Oz (1933) (SD, 8 minutes): A leftfield Ted Eshbaugh animated adaptation.
• Off to See the Wizard Excerpts (SD, 4 minutes): Clips from ABC's "Off to See the Wizard" series.
• Texas Contest Winners (SD, 2 minutes): Contest winners score a visit to 1930s Hollywood.


Disc 4: Standard DVD Copy of the Film


• Prettier Than Ever: The Restoration of Oz (SD, 11 minutes): A brief look at the 2009 4K digital restoration of Oz, the problems its mastering team encountered, and the methods they used to tackle the project. This featurette does not examine the new 8K restoration or 3D conversion.


Disc 5: MGM - When the Lion Roars DVD


• MGM: When the Lion Roars (SD, 360 minutes): Finally (if there is such a thing in this sprawling set), a dual-side standard DVD disc is devoted to writer/director Frank Martin' When the Lion Roars, a massive six-hour documentary that details the rise and fall of Metro-Goldwyn-Mayer Studios.

The Wizard of Oz 3D Blu-ray Movie, Overall Score and Recommendation 

If you already own the 2009 Blu-ray release of The Wizard of Oz and all the special features that go with it, if you have no need or want of further Oz collectibles, and if you'd like to add the film's 3D presentation and new feature-length production documentary to your collection, allow me to redirect you to the more affordable 2-disc Blu-ray edition of The Wizard of Oz 3D. If, however, you haven't purchased the 2009 release, want to feast your eyes on (almost) every special feature thus far, and have a thing for collectibles, the 5-disc Collector's Set may be more to your liking. Either way, prepare yourself for a magnificent new restoration and surprisingly effective 3D experience, an excellent DTS-HD Master Audio 5.1 surround track, and a sprawling series of special features, chief among them the new documentary Warner has wisely seen fit to include with both editions.