6.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
A crusty recluse on a Caribbean island who is dedicated to destroying sharks gets involved in a hunt for buried treasure.
Starring: Franco Nero, Werner Pochath, Jorge Luke, Michael Forest, Patricia Rivera| Foreign | Uncertain |
| Adventure | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
Italian: DTS-HD Master Audio 2.0
English, English SDH
Blu-ray Disc
Two-disc set (1 BD, 1 CD)
Region free
| Movie | 3.5 | |
| Video | 3.0 | |
| Audio | 4.0 | |
| Extras | 4.5 | |
| Overall | 3.0 |
Enzo G. Castellari's "The Shark Hunter" (1979) arrives on Blu-ray courtesy of Severin Films. The supplemental features on the release include exclusive new program with Franco Nero and Enzo G. Castellari; new program with producer Enzo Doria; vintage trailer; and more. In English or Italian, with optional English and English SDH subtitles for the main feature. Region-Free.


Presented in its original aspect ratio of 1.85:1. encoded with MPEG-4 AVC and granted a 1080p transfer, The Shark Hunter arrives on Blu-ray courtesy of Severin Films.
The technical presentation of The Shark Hunter is very frustrating, but not for the reasons highlighted in the short message that precedes its opening credits. (You can see the reasons here).
The current presentation of The Shark Hunter is a reconstruction job. According to Severin, it combines footage from two 35mm prints, both with obvious limitations introduced by aging. Despite several notable bumps and frame skips, visible scratches and marks, I found the reconstruction job to be very nicely done and pleasing. It is exactly what I expected, given the lack of proper elements. Unfortunately, the final product is very oddly graded. There is obvious tealing of the kind that plagues Criterion's recent 4K restorations of Night Moves and Sorcerer, creating similar or replicating the same anomalies that are present there. For example, numerous primaries are collapsed, while various ranges of supporting nuances are lost. The age of the 35mm prints is not a contributing factor. All of these anomalies have been introduced during the grading process. As a result, a lot of the color degradation creates wild, digitally looking visuals, like the ones seen here, here, and here. Unsurprisingly, even in the best-looking areas, balance is still off by a lot, and the dynamic range of the visuals remains problematic. (These particular anomalies are extremely similar to the ones seen on the recent, also compromised by tealing applications, 4K restoration of Convoy). There are no traces of problematic degraining, sharpening, or contrast boosting adjustments. Ultimately, I think that this release is a rare misfire for Severin Films because with a proper grading it easily could have been as satisfying as its recent releases of Rats: Night of Terror and Hell of the Living Dead, both sourced from challenging elements as well.
(Note: This is a Region-Free Blu-ray release. Therefore, you will be able to play it on your player regardless of your geographical location).

There are two standard audio tracks on this Blu-ray release: English DTS-HD Master Audio 2.0 and Italian DTS-HD Master Audio 2.0. Optional English SDH (for the English track) and English (for the Italian track) subtitles are provided for the main feature.
I viewed The Shark Hunter with the original English track. Given the nature of the reconstruction job, I thought that it was very nice. Guido and Maurizio De Angelis' Italo Disco soundtrack, which is a massive treat, sounded lovely on my system. Yes, there are obvious fluctuations and numerous spikes and drops in dynamic activity, too. However, they are practically unavoidable because even pristine audio tracks of Italian genre films from the 1970s have them.


Years ago, in some markets, The Shark Hunter was as popular as Django, and in West Germany, it was even promoted as Django and the Sharks. However, while The Shark Hunter is a member of the large family of Italian copycats that emerged after Jaws, it works with the same blueprint that produced Peter Yates' The Deep and J. Lee Thompson's Cabo Blanco. I like it quite a lot and was thrilled to see that Severin Films announced a Blu-ray release of it shortly before Black Friday. Unfortunately, while the reconstruction job that was prepared is quite nice, the film is very oddly graded. If you decide to pick up the Blu-ray release, do so when it is discounted.
(Still not reliable for this title)

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