5.6 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Tourists on a tropical island anger an island god, who turns himself into a giant alligator and stalks them.
Starring: Barbara Bach, Claudio Cassinelli, Mel Ferrer, Romano Puppo, Fabrizia CastagnoliHorror | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.35:1
English: DTS-HD Master Audio 2.0 Mono
Italian: DTS-HD Master Audio 2.0 Mono
English, English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
Movie | 3.0 | |
Video | 4.0 | |
Audio | 3.5 | |
Extras | 3.5 | |
Overall | 3.0 |
There was a famous old ad (for margarine, of all things) that used to warn people "it's not nice to fool Mother Nature", and in that regard, films like The Great Alligator make it clear that disrespecting Mother Nature may be even worse, at least in terms of consequences for those daring to behave so badly. While the film may clearly (and/or murkily, considering the glut of underwater photography) owe more than a bit to Jaws, there's perhaps surprisingly (at least given a lower budget that would seem to want to rely on scares more than anything) a whole bunch of other content that might include elements that could be considered eco horror and/or involving carelessness toward other cultures, as careless Western interlopers upset a tribal community that may have a bit of a secret.
The Great Alligator is presented on Blu-ray courtesy of Severin Films with an AVC encoded 1080p transfer in 2.35:1. The transfer is advertised on the back cover of this release as having been "newly scanned in 4K from the original negative". While I don't have the old Code Red 1080 release to do a side by side comparison, a cursory look at screenshots suggests this transfer is similar though not identical to the older version. While I'd say color timing is generally in the same ballpark, look, for example, at the renderings of the green foliage in the background of screenshot 1 in my The Great Alligator 4K Blu-ray review and screenshot 1 in Brian's review, and it looks to me that there's less of a blue cast in this new version. On the flip side, though, look at the (again to my eyes) more accurate blue skies in screenshot 1 of this review when compared with screenshot 6 of Brian's review. Suffusion is very good though variable, and in fact I'd say that overall "variable" is a good descriptor for the look of this transfer. Some of the brightly lit outdoor material pops very appealingly, and grain can be at least relatively tightly resolved, but there are other moments where the palette can falter, clarity recedes and grain can almost overwhelm the image. There is persistent damage on display, including all manner of scratches, nicks and other blemishes.
The Great Alligator features DTS-HD Master Audio 2.0 Mono tracks in either English or Italian. The Italian track is noticeably louder but also reveals more evident distortion in some of the music cues and sound effects in particular, so it's a bit of a tradeoff. Stelvio Cipriani contributes another really enjoyable score, and some of his kind of quasi "easy listening" cues for montages featuring our hero photographer plying his craft are especially nice. There is some jumpy editing in both tracks where cues and/or effects can kind of "thunk" into place. Dialogue is rendered cleanly and clearly in both versions, but both languages can offer "loose sync". Optional English subtitles are available.
It looks to me like at least some of the supplements below have been ported over from the older Code Red release, albeit with new titles here.
Lest anyone think Sergio Martino was only interested in ripping off Jaws, there's also a clear reference to King Kong in terms of nubile young women being offered as a sacrifice to a mutant beast. While it's probably unavoidable to think of The Great Alligator as a quickly shot, low budget cash grab, as some of the supplements on this disc get into, there actually is some rather interesting and even provocative subtext at play here, even if it tends to get buried in the overall silliness of the plot and absolutely goofy special effects. Video quality is probably improved at least marginally from the Code Red version, but both video and audio encounter occasional hurdles, albeit nothing overly debilitating. The supplements are enjoyable and interesting for anyone who may be considering making a purchase.
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