6.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.0 | |
| Overall | 2.0 |
Cabaret star Zazu intervenes when young lovers are sundered by their parents' feud.
Starring: Josephine Baker, Micheline Presle, Georges Marchal, Raymond Aimos, Jean Tissier| Romance | 100% |
| Foreign | Insignificant |
| Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.31:1
Original aspect ratio: 1.37:1
French: LPCM 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
| Movie | 2.0 | |
| Video | 2.0 | |
| Audio | 2.5 | |
| Extras | 0.0 | |
| Overall | 2.0 |
It’s a little amazing in a way that there evidently seems to be only one “major” biographical film about Josephine Baker, and that was a made for television outing that came out in 1991. Baker is certainly one of the more fascinating show business characters of the 20th century, and it’s notable that one of the most fascinating show business characters of the 21st century, Beyoncé, tends to “channel” Baker on occasion in her performances, which might be a “teaser” of sorts for those who think Bae would make the same sort of appealing actress in a feature film about Baker as Diana Ross was years ago when she essayed Billie Holiday (to an Oscar nomination, no less) in Lady Sings the Blues. Those wanting a taste of the “real” Josephine Baker have been hard pressed to find her relatively few films on home video, and by my unscientific reckoning The French Way appears to be the first Baker outing to be released domestically on Blu-ray.


The French Way is presented on Blu-ray by Sprocket Vault and Sabu Cat with an AVC encoded 1080p transfer 1.31:1. The back cover of this release states The French Way was "filmed in 1940" but was only "released in France in 1945, and briefly shown in the USA in 1952 where the oreder of some scenes was changed and about 2-3 minutes of 'dramatic' footage was cut." There are definite signs of cutting throughout the film, with some scenes (like Baker's introduction as she attempts to fashion curtains for her new flat) just ending midline, with underscore similarly suddenly cut off. The element used for this transfer is also littered with a lot of damage, including fairly large scratches, white flecks and other signs of the ravages of time. The biggest issue here for some, though, may be the encode — this is the rare transfer that does have grain but which at the same time looks smeary and waxlike a lot of the time. Contrast is also wildly uneven, and there are moments of near "white out" conditions at several moments where the image almost disappears before a more solid accounting of grayscale is achieved.

While arguably not quite as problematic as the video presentation, the LPCM 2.0 mono French track has its own share of issues, including the aforementioned cutoffs that are obviously due to the film having been trimmed at several junctures. The overall sound here is pretty tinny, with somewhat strident sounding high frequencies. There's also abundant hiss and occasional popping and crackling. Perhaps surprisingly, then, Baker's singing comes through the gauntlet relatively unscathed.

The disc has no supplemental material.

It's absolutely commendable that someone thought to bring Baker's limited filmography to high definition, but the technical merits of this release leave something to be desired. It would be great if a label like Criterion or even ClassicFlix could get hold of elements closer to negatives (or at least in better shape), and then release a collection of Baker's work with some contextual supplementary material.
(Still not reliable for this title)

Monella
1998

1984

1984

1989

1984

2010

Fermo posta Tinto Brass
1995

Standard Edition
1982

1976

1992

1973

El sexo está loco
1981

1986

Cosě fan tutte 4K / Slipcase/Ed "Uncensored Art" on retailer site lmtd to 500
1992

1983

1978

1976

1977

1971

Tra(sgre)dire | Standard Edition
2000