6.4 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.5 | |
| Overall | 2.5 |
Garbage man Marty tries his hand at standup comedy, failing miserably until a third arm mysteriously grows from his back.
Starring: Judd Nelson, Bill Paxton, Lara Flynn Boyle, James Caan, Rob Lowe| Dark humor | 100% |
| Comedy | 8% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
Afrikaans: DTS-HD Master Audio 2.0
English, English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 2.5 | |
| Audio | 3.5 | |
| Extras | 4.0 | |
| Overall | 2.5 |
A curiously interesting yet largely unlikable slice of (literal) trash cinema masquerading as a satire, writer/director Adam Rifkin's The Dark Backward might seem unique but can be compared to more than a few earlier films including Street Trash, Repo Man, Nightbreed, How to Get Ahead in Advertising, and almost anything by John Waters with a dash of Troma. That might seem like decent company to be in, but this 1991 black comedy doesn't exactly aim high and still generally misses its mark, never really making much of a statement while painting in broad strokes and unfunny jokes. The biggest gag will be on first-time viewers, though: most of 'em will likely give up before the credits roll.

A presumed "bug bite" on Marty's upper back has grown into an actual hand, you see. It'll soon grow into a full-sized third arm, and Gus sees this as the gimmick he needs to finally get ahead in comedy. He pitches the big idea to talent agent Jackie Chrome (Wayne Newton), who eventually agrees to book Marty at bigger venues and this also leads to a TV tryout with the help of greasy executive Dirk Delta (Rob Lowe). But through it all -- more shows, larger audiences, a guest appearance on the talent show Twinkee Doodle -- poor Marty never really earns much in the way of laughs, and of course he's blamed for it rather than the short-sighted ignorance of his two biggest enablers.
The Dark Backward earns a few points for the hellish, trash-filled world it manages to create on a low budget which, along with a persistent circus-like score that lands somewhere between Danny Elfman and Killer Klowns From Outer Space, remains its most memorable element. It also has a surprisingly stacked supporting cast that also includes small to microscopic parts for James Caan (as a quack doctor, seen below), Claudia Christian, Robert "King" Moody, Tony Cox, and even Billy Bob Thornton if you look hard enough. But The Dark Backward really doesn't have much to say and feels like a serious test of viewer patience as it drags onward, stretching what should have been a 30 minute short film into something more than three times that length. The end result is fitfully decent but dotted with a few seriously repulsive moments (Gus, for example, even licks a naked female corpse at one point), and they all feel like cheap, grade-school attempts to garner audience reaction. Simply put, The Dark Backward doesn't have much material to work with and, much like Marty's unsuspecting audience, now we have the unfortunate task of having to sit through it.
So yeah, I didn't like this one. But I sat through it... so if you've already done that and enjoyed it, Sony's new Blu-ray might be of interest to you.
But for reasons outlined below, it really doesn't score all that much higher than the studio's old Special Edition DVD release, with the only
consolation being that that disc has long gone out of print.

The Dark Backward's crude but colorful world isn't given much love on Blu-ray, as Sony's fairly unimpressive 1080p transfer is quite obviously sourced from the same master as their 2007 Special Edition DVD. Fine detail is extremely limited here, tangible textures are almost totally absent, and there's quite obviously been at least some amount of filtering applied as evidenced by the general lack of grain. The film's blend of vivid and grungy hues doesn't seem all that adversely affected, retaining their proper sickly tones with no obviously attempts at manipulation, but even that element isn't perfect since some of the brighter colors, such as red, are prone to bleeding. The pervasive shadows are often prone to modest amounts of black crush. To top it all off, there's a persistent amount of telecine wobble which often makes the entire film feel as if it's vibrating ever-so-slightly, and the film also appears to be slightly panned and scanned to fill the 1.78:1 frame* rather than maintaining the DVD's original 1.85:1 aspect ratio.
So why didn't it score even lower? Due to The Dark Backward's gross-out aesthetic, several of these problems aren't necessarily "troublesome" in the technical sense... even the pervasive wobble, which only contributes to a vague sense of visual nausea that kinda works to the film's advantage. Additionally, the higher bit rate and other fundamentals likely help this 50GB Blu-ray to outperform the much older DVD's transfer. There's nonetheless lots of room for improvement here, though, as The Dark Backward's 35mm roots and dependence on all-practical effects might actually look pretty impressive with careful treatment of its source material. This one's right up Vinegar Syndrome's alley, for sure.
* - This is just a guess. The Blu-ray's 1.78:1 compositions don't have much headroom and, if this an open-matte presentation, everything would be even more uncomfortably close. Of course, I could be wrong.

This DTS-HD 2.0 Master Audio mix offers a faithful presentation of The Dark Backward's original two-channel stereo roots, which manage to create a decently loopy and attention-grabbing atmosphere due to the constant use of circus-like music and other cues to keep the sonic energy level high. Dialogue is decently crisp and overall fidelity seems good too so, from a technical sense, there doesn't seem to be near as much room for improvement her as the visuals. That said, a new 5.1 or even Atmos remix would actually do wonders for The Dark Backward's gonzo atmosphere so, if a boutique label re-release is ever planned, I'm sure that's something die-hard fans would appreciate.
A lossless Spanish dub, as well as optional English and SDH subtitles, are offered during the main feature.

This one-disc release ships in a keepcase with poster-themed cover artwork. The bonus features mirror those found on Sony's 2007 Special Edition DVD, which is great news for fans of the film as they're quite extensive.

Writer/director Adam Rifkin first wrote his script for The Dark Backward when he was only 19, a bit of trivia that he's recounted in many interviews over the years. But the film didn't actually get financed, filmed, and released for several years after that and, judging by its theatrical reception and reviews, it didn't connect with many people. Yet it's grown enough in stature to now be considered a minor cult hit, one that earned a 2007 Special Edition DVD which loaded the little-known film with attention and extras. That OOP release has been lightly repurposed almost 20 years later on Blu-ray, but it sadly doesn't offer much in the way of tangible improvements in any department. It can at least be seen as a modest upgrade or sidestep that's obviously much cheaper and easier to get than tracking down the expensive DVD, so there's that, but it's almost impossible to recommend The Dark Backward sight unseen.

Slipcover in Original Pressing
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Slipcover in Original Pressing
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