6.7 | / 10 |
Users | 4.8 | |
Reviewer | 4.5 | |
Overall | 4.5 |
A massive alien presence of enormous power enters Federation Space, destroying three powerful Klingon cruisers and neutralising everything in its path. As it heads towards Earth, Admiral James T. Kirk returns to the helm of an updated Enterprise and sets course to meet the aggressor head on.
Starring: William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, George TakeiAdventure | 100% |
Sci-Fi | 100% |
Mystery | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
German: Dolby Digital 5.1 (640 kbps)
Spanish: Dolby Digital 5.1 (640 kbps)
French: Dolby Digital 5.1 (640 kbps)
English SDH, French, German, Italian, Spanish, Danish, Dutch, Finnish, Norwegian, Swedish
Blu-ray Disc
Two-disc set (2 BDs)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
Movie | 4.0 | |
Video | 0.0 | |
Audio | 5.0 | |
Extras | 5.0 | |
Overall | 4.5 |
Paramount has yet again released Star Trek: The Motion Picture to Blu-ray (also to UHD), this time in the 137-minute "Director's Edition" version. This version has been remastered; it is not the same image as the 2021 issue. The audio has also been remixed to Dolby Atmos, and new supplements are included. See below for a breakdown and review of new content.
The included screenshots are sourced from the Director's Edition 1080p Blu-ray disc.
Paramount brings this Director's Edition UHD presentation of Star Trek: The Motion Picture to the UHD format with a brand-new restoration.
The
picture is vastly different from the 2021 Blu-ray. Both share in common 2160p resolution and Dolby Vision color grading, but the differences
largely stop there.
This resolution certainly brings out some of the seams in the effects work. Look at the top left of the screen, the edge of the space dock, at the 17:20
mark; there's a glitch that sees the edge pulsating quite severely to the point of distraction, taking away from the spectacle that is meant to be
center screen. Granted, this is present on the previous UHD, too, but somehow it stands out more severely here (I had never noticed it before).
There's some shimmering here and there, among other artifacts, as well. Most VFX shots, however, are spectacular. There's a very fine sense of
natural presence, sharpness, filmic resonance, and immersion.
However, grain is finer here, as it is on the companion Blu-ray, compared to the 2021 releases. This is discussed in detail in the
supplements. Listen to the Fein, Matessino, and Dochterman
commentary track at the 1:06:40 mark (as well as the "Return to Tomorrow" supplement) where the conversation begins about the grain removal
and
re-introduction because it was "distracting." It detracted from the experience, they say. Whatever level of grain removal and re-introduction was
performed does not mean the movie looks scrubbed
down. Is the grain as organic, is the film as pure as it might have been? No, but there is certainly nothing that looks overtly smoothed out.
The result is a picture that is clearly less grainy but not aggressively so, and certainly not to the image's total detriment. It's not intense, and it is not
aggressive, but the grainer 2021
UHD holds to a more stable and naturally bent cinematic image, while this one pushes in that direction but can't quite get there. There are any
number of shots that look handsomely filmic and pure, capturing solid textures and natural looking film definition. Still, the results of the de-graining
processes are evident, even if the end result is nowhere near a visual atrocity. The picture looks quite good much of the time, but it could have
looked
better all of the time.
The Dolby Vision color grading is the highlight here. There is a more aggressive warmth on the older release that is absent here. Skin tones are more
naturally inclined, and whites are more purely brilliant (look at Kirk in the shuttle at the 16:31 mark, and the corresponding shot on the old UHD at
the 15:37 mark, for a great example). The new white balance and brilliance are the highlights here. White uniforms are impressively bright and bold,
while the other more subdued uniform colors are equally flattering and true. Bright electrical elements, the V'Ger light beam probe that moves
through the Enterprise bridge, and other assorted tonal elements offer amplified intensity and clarity over the previous UHD. Black levels
depth is excellent here, again very naturally occurring without pushing into crush. The Dolby Vision grading here is spectacular.
Ultimately, I enjoyed the texture on the old release and the Dolby vision grading on this release.
The new Dolby Atmos track is a work of art. The overture score is beautifully rendered with precise instrumentals and seamless clarity. Full stage engagement is in evidence, but the track maintains a natural balance where surrounds or overheads never dominate or take away from the primary front end. Spacing is wide and immersive; this is truly the stuff of audio engineering bliss. The same holds for the iconic Jerry Goldsmith score (and all music throughout the film). It's just incredible. The free-flowing space, the precision clarity, the perfectly balanced low end...it's a Trekkie's, and audiophile's, dream come true. The track's excellence extends well beyond music. Action effects, such as when the Klingon ships are engulfed and destroyed by V'Ger in the opening minutes, offer startlingly deep content, supported by exceptional movement and directionality. The track integrates little points of sound here and there, always in superb balance and discrete placement all around the listener. Everything presents just as it should, and this sounds like a track that was mixed yesterday, not decades ago. To be sure, there has been some work performed on the track, but the source elements are dynamic and beautifully presented. Dialogue, of course, never wavers. This is one of the finest retro Atmos tracks out there.
This new UHD set includes new and returning extras. Below is a breakdown of what's included. Reviews of
new content are included, and reviews of any legacy materials can be found by clicking here. A few things are missing.
Chiefly absent is the
commentary track with Michael & Denise Okuda, Judith & Garfield Reeves-Stevens, and Daren Dochterman. Not all content marked as "new" is
actually "new;" some is newly produced, but some is simply new to Blu-ray. Note that the commentaries are on the UHD disc while everything else is
included on the bonus Blu-ray; the feature film Blu-ray is not included. This release ships with a digital copy code and an embossed slipcover.
Disc One:
I've now seen this film several times in the past 13 months, and it's grown on me. Substantially. That growth has propelled it to be my second favorite of all the Star Trek films, TOS or otherwise, behind only The Wrath of Khan. This new Director's Edition UHD is a must-own companion to the original release (or, at least, the 2021 release). It's not perfect, but it does offer, beyond the cut, remastered video (which will prove somewhat controversial), exhilarating new Atmos audio, and plenty of extras spread across two discs. Note that this release does not include the standard theatrical cut, so fans will want to hang on to the "legacy" 2021 release for that. Highly recommended, and serious Star Trek fans need to consider purchasing the "Complete Adventure" boxed set.
1979
45th Anniversary
1979
The Director's Edition Complete Adventure | Remastered
1979
Remastered
1979
The Director's Edition | Remastered
1979
1979
1986
1991
1984
1989
1994
1998
1982
1996
2002
2020-2023
1966-1969
Budget Re-release
1987-1994
1995-2001
10th Anniversary Collector's Edition | Limited
2014
45th Anniversary Edition
1978
2009
Budget Re-release
2001-2005
2009
1973-1974
IMAX
2013