7.1 | / 10 |
Users | 4.5 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A journalist witnesses a brutal murder in a neighboring apartment, but the police do not believe that the crime took place. With the help of a private detective, she seeks out the truth.
Starring: Margot Kidder, Jennifer Salt, Charles Durning, William Finley, Lisle WilsonHorror | 100% |
Psychological thriller | 28% |
Mystery | 25% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: LPCM Mono (48kHz, 24-bit)
BDInfo verified
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 3.5 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 4.5 | |
Overall | 4.0 |
Brian De Palma's "Sisters" (1973) arrives on Blu-ray courtesy of Criterion. The supplemental features on the disc include an exclusive new video interview with actress Jennifer Salt; vintage Q&A session with Brian De Palma; vintage program with cast and crew interviews; promotional materials; and more. The release also arrives with an illustrated booklet featuring an essay by critic Carrie Rickey, excerpts from an archival interview with Brian De Palma, and a reprinted article by the director. In English, with optional English SDH subtitles for the main feature. Region-A "locked".
Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Brian De Palma's Sisters arrives on Blu-ray courtesy of Criterion.
The following text appears inside the booklet that is provided with this release:
"This new digital transfer was created in 16-bit 4K resolution on a Lasergraphics Director film scanner from the 35mm original camera negative. Thousands of instances of dirt, debris, scratches, splices, and warps were manually removed using MTI Fim's DRS, while Digital Vision's Phoenix was used for jitter, flicker, small dirt, grain, and noise management. The original monaural soundtrack was remastered from the 35mm magnetic track. Clicks, thumps, his, hum, and crackle were manually removed using Pro Tools HD and iZotope RX.
Transfer supervisor: Brian De Palma.
Film scanning: EFILM, Hollywood.
Colorist: Lee Kline/Criterion Post, New York."
The release is sourced from a brand new 4K remaster, which was approved by Brian De Palma. (This isn't the same master that Arrow Video used in 2014 for this release of the film). Quite predictably, the entire film now has a substantially stronger organic appearance, and the larger your screen is, the easier it will be for you to appreciate the nuanced strengths of the remaster. For example, the visuals now have all-around better balanced highlights, while in the darker/indoor footage shadow definition is superior (see screencapture #11). There is better depth as well, though it is worth mentioning that the new remaster also makes some of the native density shifts even more pronounced (see the split-screen footage). Grain exposure is better, and the surface of the visuals lacks the light harshness that is present on the old master (see screencapture #18). The grading job is very convincing. The primaries look fresher -- and the proper highlights actually enhance them even more -- and there is a better range of nuances. There are no traces of sharpening adjustments, or other equally distracting digital corrections. Image stability is very good. Cuts, damage marks, burns, specks, and all other conventional age-related imperfections have been removed as best as possible. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: English LPCM 1.0. Optional English SDH subtitles are provided for the main feature.
I did some quick comparisons with the lossless track from the European release and on my system the sound is slightly thicker and better rounded. The range of nuanced dynamics, however. remains unchanged. I tested a couple of different sequences where the music has a very important role and could not hear a difference. The dialog is stable and easy to follow.
I am not a particularly big fan of Brian De Palma's Sisters. Parts of it work well, but elsewhere the film looks quite rough and feels somewhat underdeveloped. What Sisters misses the most, however, is a good dose of the excess that typically makes the American director's best films truly unpredictable. Criterion's upcoming Blu-ray release is sourced from a fantastic new 4K restoration that will remain the ultimate presentation of the film on the home video market. HIGHLY RECOMMENDED.
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