6.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
After someone is killed in the subterranean project called "Shadowzone," a NASA captain is called in to investigate. In the project, sleeping subjects are induced into a deep EDS state whereby they become portals to a parallel universe. Unfortunately this causes adverse reactions in the subject, and something gets through the portal, the consequence of which is an attrition problem.
Starring: Louise Fletcher, David Beecroft, James Hong, Shawn Weatherly, Michael Deak| Horror | Uncertain |
| Sci-Fi | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.66:1
English: Dolby Digital 2.0 (192 kbps)
English: Dolby Digital 5.1 (448 kbps)
English
Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
| Movie | 3.0 | |
| Video | 4.0 | |
| Audio | 3.0 | |
| Extras | 1.0 | |
| Overall | 3.0 |
A creature from another dimension terrorizes a group of scientists whose experiments have inadvertently opened a gateway to an otherworldly realm. Sound familiar? It should. You could probably close your eyes, spin around till you're dizzy, point to a random shelf in your movie room and find a little nugget of sci-fi/horror that fits the bill. Now you can add one more to the collection. Shadowzone begs, borrows and steals from bigger, better films of the era, offering a decent cast in place of an original script and the lowest of low budget frights in place of real menace and suspense. But surprise, surprise... it actually isn't all that bad, combining an unsettling interdimensional beastie with some solid practical fx to off said cast one by one, until only the strongest -- or luckiest -- remain. The film is a slice of B-movie fun, despite struggling to decide how serious to take its own threats, meaning you might just find something wrapped in its cheeseball mysteries and lo-fi malevolence to enjoy.


Hold tight after starting Shadowzone. The film's opening minutes are soft and disappointing, and might leave you thinking the rest of the video presentation is doomed. Before you can say "f*** the monkey," though, the original photography and Full Moon's subsequent 1080p/AVC-encoded transfer kicks into gear and the remainder of the film is much better. Color and contrast are dialed in nicely, with well-balanced saturation, satisfying black levels, and lifelike skin tones. Blood comes in bright, bountiful sprays of red, marking some vibrant primary punch that's on full display throughout the movie. Detail is quite good on the whole as well, thanks to clean, naturally defined, at-times crisp edges and enough fine texture prowess to showcase the rotting corpse-subtleties of the practical creature fx. I did catch sight of some banding when flashlights were illuminating the darkness and a few slight instances of blocking, but both were minimal and will likely go unnoticed by most. The encode is by and large a proficient one, there isn't anything in the way of print damage or wear-n-tear, and the overall presentation warrants solid marks.

I can't believe it's 2025 and I'm still running into lossy Dolby Digital tracks on Blu-ray releases. But here we are. Shadowzone offers two lossy options: an original 192kbps 2.0 stereo mix and a fuller 448 kbps Dolby Digital 5.1 surround track. Neither one is bad by any means, so don't let yourself get too bent out of shape. Dialogue is intelligible and neatly grounded in the soundfield, LFE output is decent, rear speaker activity is often sparse but altogether effective when put to proper use, and dynamics are more than adequate. There also isn't any significant air hiss or noise floor to spoil the proceedings, despite the age of the film and its sound design. There are a handful of scenes where voices are thin or obvious ADR rears its head, but for the most part, this is Dolby Digital done right. But again, why is Dolby Digital being done at all? Maybe I'm just irritable, or principled, or have my expectations raised too high, but we're far enough into the lifespan of Blu-ray -- decades now, plural -- that it seems like an unnecessary step back in time.

Trailers, trailers, trailers. Full Moon sure does love its trailers. Unfortunately, that's all you'll find in terms of extras on the Blu-ray release of Shadowzone, which is a shame. I would've really enjoyed listening to some of the original actors or crew weigh in on its practical fx and other delights. How expensive is a commentary to put together? Is it really that cost-prohibitive?

Shadowzone is too ambitious for its budget and too loose in tone, but at its core is a snazzy little sci-fi/horror thriller that toys with some big ideas and offers a memorable creature in John Doe. Does it escape the gravitational pull of early '90s acting and screenwriting? Sadly, no, and it borrows too many elements from too many other films. There's still fun to be had, mind you. Just go in with expectations cranked down. Full Moon's Blu-ray is a mixed bag too. Its video presentation delivers but its lossy audio and lack of extras disappoints. But hey, it's available at a great price. Give it a spin, have a few laughs, and enjoy a trip back in time to 1990 post-Thing moviemaking.

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