6.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 5.0 | |
| Overall | 5.0 |
During the '35th Cannes International Film Festival' (14th-26th May 1982), German director Wim Wenders asked a sample of 15 film directors from around the world to get, each one at a time, into the same hotel room to answer in solitude the same question about the future of cinema, while they were filmed with a 16mm camera and recorded with a Nagra sound recorder.
Starring: Wim Wenders, Michelangelo Antonioni, Maroun Bagdadi, Rainer Werner Fassbinder, Jean-Luc Godard| Documentary | Uncertain |
| Short | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.33:1
English: Dolby Digital 2.0 Mono
English
Blu-ray Disc
Region A (locked)
| Movie | 5.0 | |
| Video | 5.0 | |
| Audio | 3.0 | |
| Extras | 1.0 | |
| Overall | 5.0 |
Note: This film is available on Blu-ray as part of the Room 666 / Room 999 double feature from Criterion.
It's maybe just slightly hilarious that the only hotel accomodation Wim Wenders could find during the 1982 Cannes Film Festival for a little
project he had in mind had a
rather, well, memorable room number, but in this case the only "horror" element was Wenders' assertion that cinema might be a dying art, a
thesis he then asked a variety of remarkable filmmakers to react to, first person and alone in that very room, with a 16mm camera and tape recorder
documenting their responses. The result is absolutely riveting, despite its presentational constraints. Forty years after Wenders' fascinating mini
documentary was released, Lubna Playoust returned to the idea, if not the same hotel room, and asked a whole coterie of "new" filmmakers to react
to Wenders' original "storm warning". Once again, the results are often provocative.


Room 666 is presented on Blu-ray courtesy of Criterion with an AVC encoded 1080p transfer in 1.37:1. While the foldout leaflet included with this release has no technical information, there is a text card before the presentation offering this, which may suffer a bit from a bit of "lost in translation" syndrome:
For the restoration, the 16mm camera negative was scanned in 4K using the wet gate method, then retouched and color corrected in a 2K resolution.This is an appealing looking transfer, and for those who worry about color timing when they see L'Immagine Ritrovata, to my eyes the palette looks natural and well suffused, albeit within the confines of a rather short documentary set entirely in a pretty bland, generic looking hotel room. There's not a wealth of opportunity for dazzling fine detail levels, since everything is more or less a midrange framing, except for those iconoclasts who get up and walk around the room, occasionally rather close to the camera. Grain resolves without any issues.
In 1982, the mix was recorded analog on 17.5mm magnetic track. The audio was digitized and carefully cleaned up from noise and static clicks, while leaving the originally intended cinematic sound composition untouched.
All work was carried out at L'Immagine Ritrovata, Bolgona, Basis Berlin Postrpdocuktion and Eurotape, Berlin.

Kind of interestingly, Room 666 features Dolby Digital 2.0 Mono mix, though admittedly a lossless codec probably wouldn't have added that much to the proceedings. This is simply a procession of people speaking, and as such the Dolby Digital track suffices perfectly well. There's some patently odd music utilized, which may creep right up to the edge of distortion a couple of times. Our language specs only allow for one principal language, but this is a multilingual affair, with optional English subtitles.

This is obviously a double feature of sorts, with the disc offering the following supplements:

Room 666 is a fascinating curio on a number of levels, and it will be a treasure trove for those wanting some at times rather piquant responses from some of that era's star filmmakers to Wenders' predictions of calamity. Technical merits are great (video) to passable (lossy audio). Even with Dolby Digital audio and no real supplements tied to this film, Highly recommended.
(Still not reliable for this title)

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