5.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
A director struggles with a series of catastrophes that beset his small film. The lead actress bears an uncanny resemblance to an actual missing murderer, and the crew begins to wonder if the actress and killer are one and the same.
Starring: Shannyn Sossamon, Tygh Runyan, Dominique Swain, Cliff De Young, Waylon Payne| Drama | Uncertain |
| Romance | Uncertain |
| Crime | Uncertain |
| Thriller | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1
English: Dolby Digital 2.0
English
25GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
| Movie | 2.5 | |
| Video | 3.0 | |
| Audio | 3.5 | |
| Extras | 3.0 | |
| Overall | 3.0 |
Filmmaking hero Monte Hellman hasn’t made a feature in 21 years. The director of such cult hits as “Two-Lane Blacktop,” “Cockfighter,” and “China 9, Liberty 37” returns to the screen with “Road to Nowhere,” a noir-flavored mystery about the puzzling creation of a complicated motion picture. In short, it’s a movie about movies that’s not really a movie. It seems fitting that this bewildering picture is the impetus for Hellman’s return, as it appears the material is actually about him, dissecting the various jealousies and infatuations a driven director develops while in the midst of assembling a motion picture. Hellman is a true artist with a vision for disorientation that carries all the way through “Road to Nowhere,” but the lasting impact of the film will be up to the individual viewer and their personal appetite for cinematic riddles.
The true story of Rafe Tachen (Cliff De Young) and Velma Duran (Shannyn Sossamon) is a tale of lust, greed, murder, and cover-up, making it the ideal vehicle for a Hollywood adaptation. Director Mitchell Haven (Tygh Rynyan) is eager to bring the salacious story to the screen, finally finding a producer interested in funding his vision. Setting off to find the perfect actress to embody Duran’s sultry complexity, Haven stumbles upon Laurel Graham (Sossamon), an aspiring actress actually involved with Tachen’s elaborate plan of misdirection. Fighting to bring her into the movie, Haven falls in love with his leading lady, commencing production with lead actor Cary Stewart (De Young), who also develops a flirtation with Graham. As the production endures its daily challenges, difficulties develop with consultant Bruno (Waylon Payne) and blogger Nathalie (Dominique Swain), a pair holding critical pieces of the true story, finding Haven’s obsession nudging the movie away from the truth, slipping into the comfort of fantasy.


The AVC encoded image (1.78:1 aspect ratio, 1080p) presentation looks rather flat on Blu-ray, lacking prominent textures and demonstrative colors. There are major issues with crush to combat during the viewing experience, with evening shots practically unreadable due to a solidification of blacks. It pulls a lot of detail out of the frame, a problems slightly exacerbated by some accelerated contrast levels. Facial details retain their human feel when communicated in close-ups, finding subtle performance cues registering cleanly. Skintones tend to lose their pinkness during a few scenes, pushing into yellowish hues. Daylight encounters reveal a stronger handle on the overall look of the film, brightening up the lukewarm digital cinematography, though the presentation does reveal some difficulty with banding. The BD doesn't fully support the picture's intricate cinematic stance, clouding some of the finer points of frame detail.

The 5.1 DTS-HD MA sound mix sounds fresh enough to assist Hellman's interest in surprise, highlighting crisp gunshots (sudden pops designed to make the listener jump out of their chair), loud explosions, and sharp vocal outbursts. Dialogue exchanges are always easy to understand, capturing badly needed verbal information in a picture of mumblers and whisperers. The conversations hold frontal, with more group-intensive efforts pushed out into the surrounds some, a circular feel that also provides dimension with echoed chatter. Atmospherics are generous, accentuating the puzzle with a full stream of environmental placement (evening adventures are especially evocative) and nuanced reactions from the characters. Low-end comes to life during violent encounters, but stays relatively modest. Music sounds lush, with soundtrack cuts crisp and direct, supporting the imagery.


"Road to Nowhere" is an interpretive experience, spreading its puzzle pieces around the frame, asking adventurous viewers to snap together their own analysis of devious, destructive behavior. I simply wish the effort were more persuasive, compelling outsiders to study every frame of this brainteaser. It's a sporadically interesting picture, but rarely gripping outside of a few fleeting digressions. Still, it's fantastic to see Hellman back in the saddle, working out his clues, diligently scrubbing away clarity to encourage extended post-screening scrutiny. Let's hope it doesn't take 21 years before he decides to make another picture.
(Still not reliable for this title)

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