5.8 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Jake Pentecost, son of Stacker Pentecost, reunites with Mako Mori to lead a new generation of Jaeger pilots, including rival Lambert and 15-year-old hacker Amara, against a new Kaiju threat.
Starring: John Boyega, Scott Eastwood, Cailee Spaeny, Burn Gorman, Charlie DayAction | 100% |
Sci-Fi | 71% |
Video codec: MPEG-4 MVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
French (Canada): Dolby Digital 5.1
Spanish: Dolby Digital Plus 7.1
English SDH, French, Spanish
Blu-ray Disc
Two-disc set (2 BDs)
Digital copy
Blu-ray 3D
Slipcover in original pressing
Region A (B, C untested)
Movie | 2.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 3.5 | |
Overall | 4.0 |
Pacific Rim wasn't exactly a surprise success. Combining huge special effects with the moviemaking muscle of Guillermo del Toro, the visionary director behind films like Pan's Labyrinth and The Shape of Water, the movie had "hit" written all over it. While not making quite as much as some of its similar contemporaries -- Godzilla and the increasingly worthless Transformers films -- it turned a good profit and demonstrated that, in the right hands, high tech digital action on a massive scale could actually work within the confines of a good story and worthwhile characters. While Pacific Rim: Uprising looks much the same, it doesn't feel much the same. Rookie Director Steven S. DeKnight's sequel is loud and large but it lacks the heart and narrative excellence of its predecessor. It hits all the right buttons when it comes to action and special effects, and the character's aren't completely cookie-cutter, but it cannot find, never mind maintain, any semblance of depth, content to just use the down time to build toward the next opportunity to shower the screen with visual delights and bombard the audience with aural mayhem.
Pacific Rim: Uprising's 3D presentation is sourced form a 3D conversion. While it's not a reference 3D picture, it's an enjoyable one, finding a
nice blend of general depth and spacing while offering the occasional burst of extra-screen activity to compliment and punctuate various moments,
mostly in battle. There are a number of enjoyable effects inside the Jaeger cockpits in which the extra volume 3D allows aids in transporting the
viewer inside the mech to experience not just the shape and volume of the holographic displays but also holographic weapons and debris -- essentially
on-the-fly digital recreations of what's within the Jaeger's external field of view -- that give the pilots a sense of what's actually happening around
them. Missiles and other projectiles zoom through the screen with a positive feel of movement from one end to the other. Debris often flies around with
positive deep and extra-screen presence, and at one point in chapter seven Gipsy Avenger tosses a collection of cars and other objects at an enemy to
fine, audience-flinching result. Snow appears to float out beyond the front off the screen in chapter 10, and during an action sequence in that same
chapter, a
barrage of missiles shoot outwards and upwards from ice with a very impressive extra-screen push until they reach their aerial zenith before falling
back down to
earth. The final battle offers a nice array of one-off 3D moments, including an enemy tentacle that punctures a Jaeger cockpit within the 90 minute
mark and does so with a fast, dangerous, and aggressive poke that seems to push right out of the screen.
General depth and spacing are enjoyable. A couple of very long perspective shots -- one exterior facing downward, one immediately following of an
interior facing upward -- at the 58 minute mark offer some of the most impressive vertical real estate stretch in the movie. Horizontal depth is
enjoyable, whether in small confine rooms or much more expansive vistas, whether empty snowy locales or battle-worn city streets. Most scenes
offer some sense of general perspective, though there are a few that fall relatively flat, as characters don't necessarily stand apart from their
backgrounds or viewers just don't experience the same sense of expansion as experienced in other scenes. But such are more an exception rather than
a
rule. Character volume -- human, Jaeger, or Kaiju -- is decent as well, but not always exacting.
The image appears to lose little, if any, textural nuance or color stability and saturation under the 3D process. The film is very colorful, notably
holographic displays and various weapons (particularly orange-outlined swords) which reveal impressive color punch. Skin tones and black levels hold
up well,
too. For a conversion 3D presentation, this one's not bad. It's far from perfect, a handful of disappointingly flat moments are scattered throughout, but
overall there's a good general screen depth, environmental and character volume, and some nifty extra-screen goodies on tap. 3D fans should be
satisfied, but probably won't be completely thrilled.
Pacific Rim: Uprising's Dolby Atmos soundtrack: not bad. The track struts its stuff right form the beginning. Impressively large, buoyant music, easy-come surround integration, and superbly authentic tinny reverberation inside the dense, metallic, abandoned jaeger facility all converge into a gloriously detailed presentation that takes full advantage of every square inch off speaker real estate offered to it. There's a remarkable precision to every sound effect in the movie, each one perfectly engineered for precise volume, placement, and careful attention to dynamics as they relate to any given location, situation, or circumstance. Action scenes deliver a steady stream of surround-intensive and booming effects. While bass does not reach the pinnacle of potent, there's no denying the track hits hard, spreads wide, and absolutely saturates the entirety of the stage with a precision of positioning that's essentially second to none. Perhaps more so than any single uni-position sound, it's the track's ability to handle movement that is its highlight point. Projectiles rush through the stage with both speed and depth, and the top end is used effectively; a tumbling Jaeger at the 62 minute mark seems to actually fall into the stage from the top down. Flying craft move through the top layer in chapter 14. The final, extended action scene is never shy about sending objects, large and small, slow or fast, through every speaker with uncanny precision that perfectly aligns with the on-screen action. Light ambient effects are pleasantly complimentary of the movie, and dialogue remains always true with clarity, positioning, and prioritization all in perfect working order.
Pacific Rim: Uprising's 3D disc houses all supplements that are included on the bundled 2D disc, though all are presented in basic 1080p/2D. A
Movies Anywhere digital copy code is included with purchase.
Pacific Rim: Uprising is a perfectly serviceable special effects film. It's light on character and story but for anyone wanting big and loud, this will certainly fill the bill. Universal's Blu-ray 3D delivers a good, not great, extra-dimensional video presentation. The accompanying Atmos track is great and a generous allotment of extra content has been included, too. Those considering this disc should be aware that, at time of writing, it is going for almost $31 on Amazon while Best Buy has a store exclusive that contains the Blu-ray, the Blu-ray 3D, and the UHD for almost three dollars less, though it appears to be a little hard to find at this point.
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