7.1 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Both dumped by their girlfriends, two best friends seek refuge in the local mall.
Starring: Shannen Doherty, Jeremy London, Jason Lee, Claire Forlani, Ben AffleckComedy | 100% |
Romance | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
Slipcover in original pressing
Region A (locked)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 5.0 | |
Overall | 4.0 |
Kevin Smith was still akin to the "new kid on the block" when Mallrats came out in 1995. Having attracted significant industry interest courtesy of his independent 1994 outing Clerks, Smith found himself being offered the blandishments of Hollywood courtesy of Universal Studios, which offered Smith a deal for his sophomore effort. The result finds Smith perhaps understandably trying to pound his "square peg" sensibility into the "round hole" of an at least somewhat more traditional "teen comedy", to perhaps fitful effect. Mallrats does provide some laughs, and maybe even a few moments of more sincere emotion, and it's kind of interesting to see it again now refracted through the prism of some of Smith's later, arguably much more provocative, work.
Mallrats is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.85:1. Arrow's insert booklet contains the following information on the restoration:
Mallrats has been exclusively restored by Arrow FIlms and is presented in its original aspect ratio of 1.85:1 with 5.1 audio.While Brian gave "okay" marks to the Universal release, he mentioned both sharpening and filtering, and I'd say for me personally the second issue in particular is one of the bigger differences between the Universal release and this one. While a lot of the older Universal Blu-ray often did have a somewhat noticeable grain field, as can actually be seen in some of the screenshots accompanying Brian's review, it could certainly seem "smoothed out", as I think might be fair to say about their version of Mallrats. This Arrow release has a much more noticeable grain field, one that can actually look a bit on the gritty side at times, but which resolves naturally despite bouts of perhaps surprising heaviness, not necessarily dependent upon lighting (see, for example, screenshot 14 of this review, a relatively well lit shot, and compare it to screenshot 13 in Brian's review, and you'll get an idea of what I'm trying to convey). This release also looks better saturated and just a tad darker overall than the Universal release. Detail levels are generally very appealing across all three versions. I've included two screenshots in locations 17 and 18 from the Extended Cut that I'm assuming were sourced from the interpositive, and while there might be very slight differences at play, they're minimal. Arrow's restoration gauntlet has removed any major signs of damage.
The original 35mm camera negative was scanned in 4K resolution at NBC Universal's Studio Post facility. A 35mm interpositive element was also scanned in 4K for the content unique to the Director's Cut version. The film was graded and restored at R3Store Studios in London. This restoration has been approved by Director Kevin Smith and Director of Photography David Klein.
All materials for this restoration were made available by NBC Universal.
Mallrats features both DTS-HD Master Audio 5.1 and 2.0 tracks (the Universal release Brian reviewed featured only the surround track). The surround track probably offers the most noticeable immersion courtesy of both the ubiquitous source cues as well as some of the almost echo laden acoustics of the mall itself. Some of what Brian rightly calls the "cartoonish" mayhem that ensues also provides some goofy sound effects. Dialogue is rendered cleanly and clearly throughout this problem free presentation. Optional English subtitles are available.
Disc One
- Introduction by Kevin Smith (1080p; 12:31) is new and can be found under the Play menu, and is authored to move on automatically to the main feature.
- Introduction by Kevin Smith (1080p; 11:00) is an archival piece which also features producer Scott Mosier, and which can be found under the Play menu for this version. As with the Theatrical Cut, above, this is authored to move on automatically to the main feature.
- Introduction by Kevin Smith (1080p; 4:24) is newly done and can be found under the Play menu for this version. As with the Theatrical Cut, above, this is authored to move on automatically to the main feature.
- Behind the Scenes Stills (1080p)
- Comics (1080p)
It may strike some as slightly humorous or at least ironic that at the time of its production and release, Mallrats' biggest star was probably Shannen Doherty. But part of the fun of this film is actually seeing some now much better known cast members at earlier stages of their careers. Smith's peculiar writing and performing choices (for both himself and others) are perhaps an acquired taste, but Mallrats has its own distinctive if kind of silly pleasures. This Arrow release offers superior technical merits in the video department in particular to the previous Universal releases, as well as a glut of excellent supplements. Recommended.
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1995
1995
Remastered | Special Edition
1995
1995
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1995
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2006
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35th Anniversary Edition
1989
Remastered
1980
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1998
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2008
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2005
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1995
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2022
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