7.1 | / 10 |
Users | 4.8 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Both dumped by their girlfriends, two best friends seek refuge in the local mall.
Starring: Shannen Doherty, Jeremy London, Jason Lee, Claire Forlani, Ben AffleckComedy | 100% |
Romance | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 4.5 | |
Overall | 4.0 |
Arrow is revisiting their 2020 1080 (you get it, I know) release of Mallrats with a new 4K version that, per their longstanding business model, does not include any 1080 discs, but which commendably ports over most but not quite all of the rather generous supply of bonus material that was included on that first release. Parts of my original 1080 review will be repeated below, as appropriate.
Note: Screenshots are sourced from the previous 1080 release by Arrow. As mentioned above, this release does not include any 1080
discs.
Mallrats is presented in 4K UHD courtesy of Arrow Video with an HEVC / H.265 encoded 2160p transfer in 1.85:1. Arrow's insert booklet
contains
the following information on the restoration, some of which is word for word the same as in the 1080 booklet, but with a bit more information for this
new 4K release:
Mallrats has been exclusively restored by Arrow Films and is presented in its original aspect ratio of 1.85:1 with 5.1 audio.This is another really appealing looking 4K UHD presentation from Arrow, though kind of ironically some may react to the relative chunkiness of the grain at times with the same kind of approbation that earlier videophiles reacted to the relatively smooth and grain free 1080 presentation from Universal. That said, those who regularly read my 4K UHD reviews know that I can tend to chafe when grain becomes too chunky in some 4K presentations, and I'd argue that for the most part that is not the case here, with a rather commendably tight resolution of grain, with some understanding that there are variabilities at play, not necessarily due to lighting conditions, as I mentioned in my original 1080 review. Detail levels enjoy some subtle but noticeable upticks, and I'd say the biggest difference to my eyes between the 1080 and 4K UHD versions was general saturation and some highlights added courtesy of HDR and/or Dolby Vision. Suffusion is at least marginally improved, but it may be most noticeable in moments like the "comic book" credits sequence, where primaries are amazingly bold, and also some of the later material in the mall that takes place in an almost absurdly pink environment. All of this said, there are still some relatively drab look moments, as in the first bedroom scene between Shannen Doherty and Jason Lee. As with the 1080 presentations, the Extended Cut can show some noticeable quality differences between the interpositive and negative source elements, though I'd argue they're really not huge. My overall score is 4.25.
The original 35mm camera negative was scanned in 4K resolution at NBC Universal's Studio Post facility. A 35mm interpositive element was also scanned in 4K for the content unique to the Director's Cut version. The film was restored in 4K and graded in HDR10 at R3Store Studios, London. Dolby Vision grading was completed by Fidelity in Motion, New York. This restoration has been approved by Director Kevin Smith and Director of Photography David Klein.
All materials for this restoration were made available by NBC Universal.
Mallrats features both DTS-HD Master Audio 5.1 and 2.0 tracks (the Universal release Brian reviewed featured only the surround track). The surround track probably offers the most noticeable immersion courtesy of both the ubiquitous source cues as well as some of the almost echo laden acoustics of the mall itself. Some of what Brian rightly calls the "cartoonish" mayhem that ensues also provides some goofy sound effects. Dialogue is rendered cleanly and clearly throughout this problem free presentation. Optional English subtitles are available.
Disc One
- Introduction by Kevin Smith (HD; 12:31) is new and can be found under the Play menu, and is authored to move on automatically to the main feature.
- Introduction by Kevin Smith (HD; 11:00) is an archival piece which also features producer Scott Mosier, and which can be found under the Play menu for this version. As with the Theatrical Cut, above, this is authored to move on automatically to the main feature.
- Behind the Scenes Stills (HD)
- Comics (HD)
It may strike some as slightly humorous or at least ironic that at the time of its production and release, Mallrats' biggest star was probably Shannen Doherty. But part of the fun of this film is actually seeing some now much better known cast members at earlier stages of their careers. Smith's peculiar writing and performing choices (for both himself and others) are perhaps an acquired taste, but Mallrats has its own distinctive if kind of silly pleasures. This new 4K UHD release of Mallrats from Arrow boasts generally solid technical merits, though completists will note that this release does not include the TV Cut that was part of Arrow's 1080 release. Recommended.
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