5.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
A local Kung Fu expert is hired to form a team of guards to escort an dying man to a doctor. In order that they reach the doctor in time, they must pass through the "Stormy Hills", which are plagued by bandits, savages, evil monks are more.
Starring: Jackie Chan, Peng Cheng (II), Kuo-Chung Ching, Fang Fang (I), Siu-Lung Leung| Foreign | Uncertain |
| Martial arts | Uncertain |
| Action | Uncertain |
| Period | Uncertain |
| Adventure | Uncertain |
Video codec: MPEG-4 MVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
Mandarin: LPCM 2.0 Mono
Cantonese: LPCM 2.0 Mono
English: LPCM 2.0 Mono
English
Blu-ray Disc
Three-disc set (3 BDs)
Blu-ray 3D
Anaglyph 3D
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 4.0 | |
| Overall | 3.5 |
If during the week of June 30, 2026, home theater fans with a particular penchant for Asian martial arts outings start thinking they're seeing Jackie Chan pop out of all sorts of screens, it may not be entirely due to the 3D presentations included with the release currently under discussion, but also because Arrow is releasing Jackie Chan's Breakout Hits! 4K. The Arrow sets aggregates six Chan films produced in the seminal period of 1994 to 1998, just as Chan was starting to establish his global presence, and shortly before he became a genuine sensation in films like Rush Hour. Magnificent Bodyguards, on the other hand, came out significantly earlier, two decades before the last film in the Arrow set in 1978, and it presents a "different" Chan than many fans accustomed to his more recent films. Magnificent Bodyguards was the first 3D film produced in Hong Kong (something that may be evident in some of the effects), and it has not been particularly well thought of, including by Chan himself. Some of the supplements on this disc attempt to elide some of the qualms some have had with the film, but one way or the other it offers an early example of Chan as an ensemble player rather than an above the title marquee star, and due to its 3D provenance, it features a lot of "in your face" moments, especially during the action scenes.


Note: Screenshots are sourced from the 2D disc in this package. Two others discs offer Real 3D and anaglyph 3D presentations. Anaglyph
glasses are included.
Magnificent Bodyguards is presented on both 2D and 3D Blu-ray with either AVC or MVC encoded 1080p transfers in 2.39:1. Kind of
interestingly considering the massive efforts that seemingly went into this release, 88 Films itself doesn't provide a wealth of technical information on
their
packaging, with only a "brand new 2K transfer from original film materials presented in Digital 3-D (which mirrors the theatrical experience), flat
(2-D) and Anaglyph 3-D". Luckily, our friend Robert Furmanek of the esteemed 3-D Archive has provided considerably more fulsome background
information, some of which may play directly into how some viewers react to the 3D presentation (more about my personal reaction in a
moment). Bob forwarded these very interesting comments from his colleague Mike Ballew:
Like two previous martial arts films, Dynasty and Revenge of the Shogun Women, Magnificent Bodyguards was filmed using the clever but peculiar Super Touch 3-D process invented by New York-based exploitation filmmaker Michael Findlay. (In fact, all three of these films had the same cinematographer [. . .] Chen Jung-Shu.) Super Touch used receiving lenses, field lenses, a box of mirrors, and a relay lens to put two Techniscope-sized subframes one above the other on one strip of 35 mm film. The resulting frame architecture was broadly compatible with rival 3-D systems like Spacevision and StereoVision and could be shown using similar projection attachments using a single projector, polarizing filters, and a silver screen.And that last part is probably the single most salient piece of information about the 3D presentation, at least for those sensitive to vertical parallax (as I undeniably am). Depth in the digital 3D version is outstanding from the get go, with obvious planes of depth even from aerial shots as a battle breaks out, but once the camera moves to the ground and fighters start aiming their batons straight at the cameras, some may experience a very uncomfortable feeling, something that per the above information, is baked in and unavoidable. Otherwise, though, the 3D presentation offers substantial dimensionality, especially throughout the outdoor location work. I frankly found the anaglyph 3D experience to be lackluster after experiencing the digital 3D presentation, as it is unavoidably darker and offers a much less vivid palette. That darkness is especially important because as can be seen in even the screenshots accompanying this review from the flat 2D version, there are some instances of very little shadow detail and outright crush in passing. The grittiness of the grain can also be quite coarse at times, leading to a bit of fuzziness, as can also be gleaned in several of the screenshots I've uploaded. The palette is nonetheless generally very beautifully suffused and everything from bold primaries like reds to some of the more nuanced pastels that some of the women characters in particular wear pop very well.
But in order to achieve this, the camera had to be mounted upside down, with the weight of the Super Touch lens system supported by a special mount.
Super Touch also made another odd compromise with standard practice. Like other 3-D systems, the Super Touch lenses were separated horizontally by roughly the same distance as two human eyes, about 65 millimeters. But the right-eye lens was also about 10 millimeters higher than the left-eye lens, giving rise to a condition called vertical parallax. Most scenes in Magnificent Bodyguards exhibit very pleasing 3-D, with recessive depth and three-dimensional volume beautifully accentuated by the film's colorful costumes and settings. But you may agree that the film's exaggerated off-the- screen effects can sometimes be a bit hard to view, since image points tend to separate not only horizontally but vertically. This pronounced vertical parallax is baked into the film, and for better or worse is a visual signature of Super Touch 3-D.

Magnificent Bodyguards offers four LPCM 2.0 Mono tracks in Mandarin, Cantonese and two in English (the second offers alternate music cues). There isn't any huge difference between these that I noticed in toggling repeatedly through them as the film played, though in general the Mandarin struck me as the best overall sounding, though it's high end may be a bit brighter than the Cantonese (which may not please everyone's ears given the surplus of sound effects in higher frequencies). Both of the Chinese tracks certainly have better clarity than the slightly muffled sounding English track, though all of this is by degrees, and all three languages offer completely listenable versions. Dialogue is always rendered without any issues. Optional English subtitles are available.

Note: All three discs in this set sport the same slate of supplements.

Magnificent Bodyguards may not rise to the heights of other more celebrated Chan efforts, but it's not seriously hobbled by anything other than perhaps familiarity. Fans should be overjoyed by the treatment 88 Films has offered this cult outing, and while certain anomalies present in the source element remain, technical merits are generally solid. The three main supplements are also all appealing. Recommended.

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