4.3 | / 10 |
Users | 4.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
"Meanwhile, in another universe…” In a switch from the typical genre, Madame Web tells the standalone origin story of one of Marvel publishing's most enigmatic heroines. The suspense-driven thriller stars Dakota Johnson as Cassandra Webb, a paramedic in Manhattan who may have clairvoyant abilities. Forced to confront revelations about her past, she forges a relationship with three young women destined for powerful futures...if they can all survive a deadly present.
Starring: Dakota Johnson, Sydney Sweeney, Isabela Merced, Celeste O'Connor, Tahar RahimComic book | 100% |
Action | 92% |
Sci-Fi | 74% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
French: DTS-HD Master Audio 5.1
Spanish: DTS-HD Master Audio 5.1
English, English SDH, French, Spanish
Blu-ray Disc
Two-disc set (2 BDs)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region A (locked)
Movie | 1.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 2.0 | |
Overall | 3.5 |
Why delay the inevitable? Madame Web is bad. Real bad. Historically bad, at least as far as the MCU is concerned. And yes, that includes Jared Leto's maligned, meme-tastic Mobius, which plays like Winter Soldier or Infinity War next to Sony's latest stab at the feebly expanding Spiderverse. Madame Web takes a fourth-tier character (at best), pairs her with a cast of talented actresses hoping to snag one of those fabled Marvel paydays, attaches their efforts to a laughably disastrous script, skimps on the FX and action, rolls the ensuing plot in frayed spider webs and god-awful origin stories, slows it all down to a painful crawl, and hurls the doughy mess at the screen uncooked, hoping beyond hope that somehow, somewhere, someone will actually enjoy the thing. But it isn't enjoyable. Or entertaining. It isn't even so-bad-it's good bad. It's just bad. Bad filmmaking, bad acting, bad writing, bad cinematography, bad scoring, bad... you get the point. Yet you're still reading. Perhaps you're one of the faithful few who doubt anything Marvel could ever be that unwatchable. Well then, excelsior, dear reader, and god speed.
"What... what did we do? Oh God... our careers..."
Never mind the bland cinematography, subpar visual effects or tiresome TV-esque composition, Sony's 4K UltraHD Blu-ray release of Madame Web at least boasts a beautifully encoded 2160p presentation that's as crisp and technically striking as they come. Rich colors fill the screen at every turn. Vivid reds pop against deep, inky black shadows. Delineation reveals as much -- or as little -- as it's meant to. Contrast is dialed in perfectly, at least insofar as its filmmakers intended, making the 4K release a flawless representation of its theatrical predecessor. Detail is spot on as well, with razor-sharp edge definition, exceedingly refined textures (has Adam Scott's skin ever looked as real as it does in the screenshot above?), and a fine, filmic touch of grain that remains consistent and unobtrusive throughout. Add to that the fact that I didn't catch sight of any macroblocking, banding or errant noise, nor did I notice any crush or other issue that wasn't inherent to the source photography. Even a cursory comparison to the standard Blu-ray encode reveals a number of upgrades, making a strong case for the necessity of the go-to enhancements expected from a title with words like Dolby Vision, HDR10 and Native 4K atop its review. Don't misunderstand. I wouldn't argue that Madame Web is a great looking film. But as 4K encodes go, there isn't a pixel out of place.
Also infectiously proficient is Sony's Dolby Atmos audio track, which exudes more life than anything on screen. The jungles of Peru are teeming with leaf-rustling winds, the buzz of an entire unseen insect kingdom, the thrum of spider venom imbuing powers to an unborn baby, and the dreamlike loss of a main character's grip on what is and isn't real. Elsewhere, Cassie's visions create a full spatial reality across the soundfield, deploying silky smooth, eerily precise directional effects to wrap the listener in quite the convincing aural state of heightened perception. Dialogue (awful though it may be) remains perfectly prioritized throughout, is always grounded neatly in the mix, and is as clean and intelligible as they come. I actually found LFE output to be a tad lacking at times (particularly in early action sequences), though it certainly makes its presence known on the whole as well as amidst the destruction of the third act's climactic battle. It also should be noted that Madame Web sometimes becomes an exhaustingly chatty affair, with heroes sitting around shooting the breeze far too often. None of it proves to be a technical distraction by any means, but it does take away from the subjective impact of the sonic experience. Ah well. Wait long enough and the best an Atmos track has to offer will eventually come to the rescue.
The 2-disc 4K release of Madame Web includes all of its special features with the standard Blu-ray copy of the film, not that there's all that
much to dig through...
Madame Web probably won't be the worst movie you've ever seen. It won't even be the worst superhero movie you've seen. But it will most likely continue to stand as the worst modern superhero flick in recent memory, finding better company in the anti-classics of yesteryear (Batman and Robin, Catwoman, 2015's Fantastic Four, Spawn, Green Lantern et al). Fortunately, Sony's 4K release salvages the situation somewhat thanks to a striking video presentation and stirring Dolby Atmos experience. Bottom line: approach with caution.
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