5.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.5 | |
| Overall | 2.5 |
Marcus Ray, a Hong Kong fashion designer who specializes in "knock-offs," cheaply produced jeans and sneakers meant to look like major-label merchandise. With his new partner Tommy Hendricks, Marcus hopes to go legit and put his shady past behind him, but Tommy is really an undercover CIA agent investigating the smuggling of mini-bombs in Marcus' products. An unwitting pawn in a scheme concocted by the KGB and Tommy's CIA superior Johanson, Marcus must clear his name and save his company.
Starring: Jean-Claude Van Damme, Rob Schneider, Lela Rochon, Paul Sorvino, Michael Wong (I)| Action | Uncertain |
| Comedy | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.35:1
English: DTS-HD Master Audio 5.1
English: LPCM 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 3.0 | |
| Overall | 2.5 |
Tsui Hark has built one of the most monolithic reputations in the Hong Kong film industry to the point that he's often given the sobriquet "the Steven Spielberg of Asia". That iconic status has come courtesy of any number of well remembered (even beloved) films like Once Upon a Time in China: The Complete Films, Peking Opera Blues*, The Taking of Tiger Mountain, Journey to the West: The Demons Strike Back and Detective Dee and the Mystery of the Phantom Flame, among many others. Hark's shadow looms so large in the Asian film world that it can be hard to remember he actually (briefly) worked in good ol' La La Land, or at least in its business circles, if not strictly on location there. Hark teamed with Jean-Claude Van Damme for 1997's Double Team before, well, double teaming again for this frankly pretty lackluster enterprise. Whatever deficits the film may have, as a somewhat comical commentary by the typically entertaining Mike Leeder and Arne Venema discloses, for a certain demographic Knock Off is a definite "guilty pleasure".


Knock Off is presented on Blu-ray courtesy of MVD Visual's MVD Rewind imprint with an AVC encoded 1080p transfer in 2.35:1. As tends to be the case with MVD Rewind's releases, there's not a ton of technical information imparted on the packaging, though the back cover of the 4K UHD release (which MVD provided for the purposes of this 1080 review as well) does say this is an "HD Restoration (16 bit scan of the original camera negative) in its original 2.35:1 aspect ratio in HDR-10". This 1080 presentation is quite impressive a lot of the time, especially with regard to a really sumptuously suffused palette, but even at this lower resolution, this presentation shows some pretty wide variances in grain structure which are arguably only further exaggerated in MVD's 4K presentation. Grain resolution can either be nicely tightly resolved or positively chunky and yellow throughout, and rather interestingly these differentiations are not necessarily based on lighting conditions or where various vignettes take place. The underwater footage that opens the feature, for example, actually offers a grittier, blacker looking grain field, but once things get topside there are moments with very tight grain resolution and others with a much thicker overlay of grain, sometimes within the same scene. That may end up making this 1080 presentation preferable for some, since while these changes are simply too obvious to ignore, they may be at least a bit more subliminal at this lower resolution and in SDR. Hark's penchant for "arty" framings can sometimes detract from fine detail levels, but on the whole detailing is commendable throughout in a variety of lighting conditions.

Knock Off features DTS-HD Master Audio 5.1 and LPCM 2.0 options. The film has some appealing music, including by the pop duo Sparks, and it features an early scene with Van Damme himself singing along to the radio. The scoring has an audibly more spacious presentation in the surround track, and the 5.1 track also significantly opens up the action set pieces, including delivering a more reverberant accounting of things like explosions. Dialogue is rendered cleanly and clearly throughout. Forced English subtitles (somewhat hilariously with quotes surrounding the dialogue) accompany some of the Chinese language segments, and otherwise optional English subtitles are available for the rest of the presentation.

Note: MVD provided their 4K UHD release (which includes a 1080 disc) for purposes of this review. I'm assuming this 1080 release has the
same poster and slipcover as the 4K release.

It's probably not hard to understand why Hark decided it was probably best for him to concentrate on more "home grown" properties after Knock Off. As Mike Leeder and Arne Venema get into in their commentary track, this film has its own dedicated fan base, and those folks should be generally delighted with the technical merits offered in both 1080 and 4K, as well as the supplements MVD has aggregated for this release.
(Still not reliable for this title)

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