6.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
"Knives and Skin" is a mystical teen noir that follows a young girl's disappearance in the rural Midwest and its effect on teens and parents.
Starring: Marika Engelhardt, Kate Arrington, Tim Hopper, James Vincent Meredith, Ireon Roach| Drama | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 2.0
English: DTS-HD Master Audio 5.1
English SDH, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 4.5 | |
| Audio | 5.0 | |
| Extras | 2.5 | |
| Overall | 3.5 |
While David Lynch recently organized a return trip to “Twin Peaks,” writer/director Jennifer Reeder wants to keep the celebration going with “Knives and Skin.” While not directly an ode to Lynch’s exploration of the damned, Reeder certainly pays tribute to the helmer’s ways with garmonbozia, manufacturing her own take on the twisted residents of a seemingly normal town, where the death of a young girl begins to unravel everything. Reeder likes to keep matters tangled and unreal at times, and her stab at a screen mystery is attempted with dull storytelling skills. She’s better with the weird stuff, but just barely, as “Knives and Skin” quickly loses itself to strained idiosyncrasy, often showing its work when it comes to conjuring screen oddity.


Jennifer Reeder strives to create a very stylish world for "Knives and Skin," and the AVC encoded image (2.39:1 aspect ratio) presentation protects the strange vision. Colors are emphasized throughout, leading with distinct lighting schemes that pump pinks and purples into view, while primaries are direct on clothing and school decoration. Clown make-up retains its rainbow appearance. Skintones are natural. Greenery is lush. Detail handles facial surfaces well, picking up on signs of distress and age, and makeup offerings are clearly explored. Locations retain dimension, and costuming is fibrous, examining ornate outfits and everyday wear with real texture. The feature offers very deep blacks at times, and delineation survives. Some mild banding is detected during the viewing experience.

The 5.1 DTS-HD MA sound mix delivers a passably immersive listening event, but frontal emphasis is compelling, as dialogue exchanges are distinct, with softer emotionality and harder argumentative moments, with nothing pushing into distortion. Surrounds are strong for atmospherics, offering an enveloping sense of outdoor activity as the action visits lakes and school functions. Some mild panning effects are utilized. Scoring cues are heavy, supporting dramatic and artistic intentions with sharp instrumentation, and vocal performances are crisp. Low-end isn't challenged, but some weight is felt with periodic violence.


It's a shame "Knives and Skin" isn't more compelling, but Reeder isn't crafting a mystery (Carolyn's disappearance is barely tended to), she's showing off her visual and atmospherics skills, hitting viewers with random blasts of empowerment and extremity. She can't reach Lynch-ian heights, but Reeder is determined, devoting moments to sad clowns and hostile pregnant ladies, and her love for goopy, beefy textures is impressive. "Knives and Skin" is more of a technical exercise than an immersive journey into the depths of broken people, and while Reeder has something intriguing here, there's not enough of it to support a film that runs out of ideas fairly quickly, relying on eccentricity to bedazzle the lukewarm viewing experience.
(Still not reliable for this title)

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