7.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
Wake in Fright is the story of John Grant, a teacher who arrives in the outback mining town of Bundanyabba planning to stay overnight before catching the plane to Sydney. But a long detour of gambling, alcohol and brutality change Grant's plans.
Starring: Donald Pleasence, Gary Bond, Chips Rafferty, Sylvia Kay, Jack Thompson| Drama | Uncertain |
| Thriller | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 0.0 | |
| Audio | 4.0 | |
| Extras | 5.0 | |
| Overall | 4.5 |
Wake in Fright is one of those cult films whose history from genesis to shooting to theatrical exhibition to home video release has been a veritable whirlwind of controversy. I joked in a recent review that Chambers of Commerce in places like, say, Shetland, might not be overly thrilled to have their burgs represented as veritable horror stories of constant murder (as in the linked to title) or other shenanigans. In that regard, Australia's vast Outback may not in fact even have a Chamber of Commerce, but certainly any Down Under civic promotion group probably won't be recommending Wake in Fright any time soon. One way or the other, there's some interesting reading in store here at the site in terms of the previous 1080 and 4K releases Wake in Fright has had, and my advice for those interested in this release is to at least peruse the links I provide after the first screenshot.


Note: While this is a standalone 4K release without a 1080 disc, I am offering screenshots from Arrow's standalone 1080 release as I think
it actually provides a better representation of the look of the palette in particular, rather than offering screenshots from the 4K disc which are by
necessity downscaled to 1080 and in SDR. Because this release does not include a 1080 disc, the 2K video score above has been intentionally left
blank.
Wake in Fright is presented in 4K UHD courtesy of Arrow Video with an HEVC / H.265 encoded 2160p transfer in 1.85:1. Arrow's insert
booklet contains the following information about the presentation:
Wake in Fright is presented in its original aspect ratio of 1.85:1 with its original monoaural soundtrack. The film was restored and made available by Umbrella Entertainment in conjunction with the Wake in Fright Trust. The original camera negative was scanned in 4K by the National Film and Sound Archive and graded and restored by ROAR Digital in Melbourne, Australia.Unsurprisingly given the above verbiage, this has the same excellent qualities that Svet discussed in his review of the 4K edition from Umbrella Entertainment. Simply comparing the screenshots here (and in my Wake in Fright Blu-ray review of Arrow's standalone 1080 edition) with the two earlier 1080 releases from Image Entertainment and Eureka Entertainment pretty easily shows not just the improvement in an organic looking grain field, but I'd argue even more so with regard to a finally decent looking palette, without the kind of sickly green-yellow cast that seems to afflict both of those earlier 1080 releases. There are some obvious fluctuations in grain structure and clarity, some understandably related to the more documentarian kangaroo hunt material, but also due to the almost overpowering differences in light values as the camera pans around the barren but sun drenched environments of so much of the outdoor material. A number of "artier" shots can feature pretty dramatic lens flare and some fairly skewed perspectives, but fine detail remains remarkably intact throughout. The HDR / Dolby Vision grades measurably improve some of the gradations in the yellow to beige territory that is so prevalent in some of the outdoor daytime footage in particular. Shadow detail is surprisingly fulsome, though (perhaps thankfully) not so much in the aforementioned kangaroo sequence. There is some very minor age related wear and tear that has made it through the restoration gauntlet.

Wake in Fright features a really evocative DTS-HD Master Audio Mono track that faithfully reproduces some interesting ethnic instruments and ambient sounds along the way. John Scott's score is really captivating, and as strange as it may sound (no pun intended), some of the more reflective guitar based material (as in the snippet that plays under the main menu the disc boots to) kind of reminded me of the great Breton musician Alan Stivell (which is definitely a good thing). There are definitely more hallucinatory moments in the sound design where odd intrusions help to aurally document the travails of John Grant. Some slight fluctuations in the mix are noticeable, but on the whole dialogue is rendered cleanly (if with some very heavy accents at times). Optional English subtitles are available.

Note: Many of these supplements have been released previously (some more than once), and more information on them can be found in
the above linked reviews.
- Yer Mad, Ya Bastard! (HD; 12:57) is from 2008 and features Ted Kotcheff.
- Interview with Jack Thompson (HD; 6:50) is from 2008.
- Toronto International Film Festival Q & A (HD; 45:51) is from 2009 and features Ted Kotcheff.
- Audio Interview with Ted Kotcheff (HD; 2:10:27) is from 2009 and is moderated by Paul Harris. This plays to a still.
- Audio Interview with John Scott (HD; 15:30) features the composer being interviewed by Daniel Schweiger in 2025. This plays to a still.
- US Theatrical Trailer (HD; 2:31)
- US TV Spot (HD; 00:31)
- Restoration Trailer (HD; 1:26)
- Foreign Visions of Local Stories (HD; 38:13) is a reel of Australian films helmed by overseas filmmakers and has some fascinating archival material in it.

Wake in Fright is an arresting, surreal fever dream that is not an "easy" watch at times, but which has an unsettlingly visceral power that almost feels like the cinematic equivalent of a erupting Australian sun causing something akin to heat stroke in the viewer. Those intrigued by this release should take a look at Umbrella's own outing from last year to see if any of the supplements on that set appeal. Otherwise, though, this sports solid technical merits and outstanding supplements. Highly recommended.