6.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
In a crowded hotel in downtown Milan a bomb has been planted. The timer on its detonator has only minutes to run. A young cop discovers it by accident and is drawn into a terrifying nightmare of intrigue, brutality and ruthless killing.
Starring: Claudio Cassinelli, Arthur Kennedy, Franco Fabrizi, Sara Sperati, Bruno Zanin| Foreign | Uncertain |
| Crime | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
Italian: LPCM 2.0
English: LPCM 2.0
English
25GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 3.5 | |
| Audio | 4.0 | |
| Extras | 2.0 | |
| Overall | 3.5 |
1975’s “Killer Cop” uses the 1969 Piazza Fontana Bombing as inspiration for another round of cop vs. criminal action. The Americanized title is a tad misleading, as the picture is more about investigation than a steady serving of vigilante-style justice, but “Killer Cop” does carry darkness, with movements of terrorism and corruption driving an otherwise immobile police movie that’s often more tell than show.


The AVC encoded image (2.35:1 aspect ratio) presentation does shows signs of age, with a slightly muted color palette that periodically breaks through with hearty primaries. Skintones look natural for the era. Period cinematography has it weaknesses, including focus trouble, but inherent softness is matched with periodic sharpness, best with close-ups that work facial features in full. Grain is managed, not embraced, with some filtering employed to balance out the image. Delineation is passable but never remarkable, finding frame information with interiors and darker costuming.

The 2.0 LPCM mix shows off a pleasing range with the opening titles, which carry an impressive heft with the opening soundtrack selection. Scoring also sounds slightly aged but fine, carrying intensity when necessary. Dialogue exchanges are dubbed, cut thickly and loudly, leaving intelligibility intact. Atmospherics mostly come through with street scenes, leaving city life clear, while violence retains a duller punch.


"Killer Cop" does manage to work itself up for a grand finale, getting the characters mobile as tension mounts. I wish there was more of that energy spread throughout the feature, which could employ a consistent routine of action and not lose an ounce of integrity as it details the horrors of mass death. It's certainly inspired at times, but as a chapter in the Italian crime genre, "Killer Cop" is missing a profound sense of unrest.

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