5.2 | / 10 |
Users | 3.0 | |
Reviewer | 1.5 | |
Overall | 2.2 |
After witnessing the death of his twin brother, a Memphis homicide detective goes on a furious hunt for the serial killers.
Starring: Steven Seagal, Aliyah O'Brien, Isaac Hayes, Holly Elissa, Mark CollieAction | 100% |
Thriller | 77% |
Crime | 51% |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: Dolby TrueHD 5.1
English: Dolby Digital 2.0
English SDH, Spanish
25GB Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
Movie | 1.0 | |
Video | 2.5 | |
Audio | 3.5 | |
Extras | 0.5 | |
Overall | 1.5 |
Father time hasn't been kind to Steven Seagal. Once revered as a leading action superstar of the early nineties, Hollywood’s toughest dude with a ponytail gradually lost his luster thanks to dramatic weight gain, a propensity for questionable roles in lackluster films, and an overall downturn in a once-popular action genre. Regardless of the cards stacked against him, Seagal managed to push through the rumblings and rumors about his washed up career, continuing to crank out countless late night cable productions, unworthy of bulb-time on the projectors of your local cinema. We’ve witnessed this trend in the careers of countless other action stars (Wesley Snipes, Dolph Lundgren, Jean Claude Van Damme, etc.), but at least those other actors put in the effort to stay on top of their game. Seagal essentially owns the category of laziest action star, often appearing much closer to a parody of his former self than a true martial arts master. If you’re interested in what I’m referring to, look no further than Kill Switch, a lame stab at the serial killer genre with a story written by none other than Mr. Seagal. Oh how the mighty have fallen…
"Lord have mercy!"
Presented in 1080p utilizing the AVC codec (at an average bitrate of 21Mbps), Kill Switch looks decent enough for a low-budget action film of this type. As mentioned earlier, the biggest problems you'll run into are a byproduct of the weak cinematography, which left a lot to be desired. Fine object detail is marginal at best, wavering inconsistently between hazy medium-distance shots, and more precise close-up footage. Facial textures often appear a bit waxy, suggesting overuse of DNR to wipe grain from the image, but the result isn't nearly as bad as I've witnessed on other scrubbed transfers. From a color standpoint, we're given a palette that demonstrates a push toward yellows and reds, creating a hot spectrum that rarely feels natural. This was likely another byproduct of the cinematography rather than a transfer-related flaw, but it still serves as another diminishing factor in the overall visual presentation. Furthermore, contrast differentiation is merely adequate at revealing shadow detail within the darker scenes, often leaving Seagal's black suit and dark shirt without much variance.
As a side note, I detected a slight image shift/warp at precisely the 1:08:01 mark. It's not an extreme flaw, but after replaying the moment three times I was positive it wasn't my eyes playing tricks on me.
Can anyone tell me why Seagal assumes mumbling and whispering should be a part of his tough guy persona? After all, it's bad enough witnessing him completely botch a southern drawl, but trying to understand his lines when he mutters under his breath is an exercise in futility. I'm sure the audio engineers responsible for the lossless mix couldn't have done much to rectify the situation, but the end results lead to frustration from time to time. Moving on, the level of clarity and precision in the mix is more than reasonable, the action scenes generate a decent level of immersion, and the LFE portion of the track is given enough of a workout to remind you it's still there. In the end, I can't complain too much about the audio experience when it emerges as the leading strength of the entire production, but convincing anyone that this is something special is like telling them SPAM is delicious. Needless to say, it's a tough sell.
The only special features included on the disc are standard definition trailers for Kill Switch, 2001 Maniacs: Field of Screams, Assassin Next Door, and Thirst.
If you're not a Steven Seagal fan, you already know the verdict on this abysmal affair. The only possible way I could recommend a rental of a production this bad would be if you're planning to get together with a bunch of your friends and use the film purely as comedy entertainment. Perhaps you could design a drinking game out of the number of times you can identify Seagal's stunt double (plan to get REALLY intoxicated), or spend an hour and a half writing down your favorite Seagal lines for comparison with your friends at the conclusion of the story. Either way, don't go into Kill Switch hoping for any shred of legitimate entertainment value, since there's honestly nothing to be found.
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