7.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
A shitstorm of bad news sends out of work filmmaker Jimmy spiraling into an out of control bender in which he claims to have been abducted by aliens. Fearing they'll come back, he contacts his old friend Stiggs to help him gear up for war.
Starring: Joe Begos, Matt Mercer, Riley Dandy, Josh Ethier, James Russo| Horror | 100% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 5.0 | |
| Overall | 4.5 |
Writer/director Joe Begos is a fan of exploitation movies, and he’s been trying to replicate the approach of these films throughout his career. He’s had some visibility with endeavors such as “VFW” and “Christmas Bloody Christmas,” and he goes ultra-independent with “Jimmy and Stiggs,” which was shot inside his own apartment for almost no money, while cast and crew is mostly made up of pals who endured the three-year-long production journey. It’s an alien invasion picture, but certainly not a traditional one, as Begos (who also stars in the film) arranges a splatter-fest with the offering, keeping the tale contained to a single setting, and filling up this place with as much blood and guts as possible. “Jimmy and Stiggs” is a mess in many ways, and while it maintains a defiant attitude and enjoyable technical credits, the viewing experience also feels like a prison sentence at times, as Begos loves extremity and nothing else.


Screencaps are taken from the Blu-ray
The image presentation (2.39:1 aspect ratio) for "Jimmy and Stiggs" is definitely unique, exploring the alien invasion world of the feature and its
increasingly goopy violence. The production elects to use an extreme look for the picture, which blasts viewers with color, often favoring blacklight hues
to best support extremity. The Dolby Vision viewing experience captures blazing reds, greens, and blues with authority, joined by neon signs and
assorted decorative additions. L.A. magic hour retains golden appeal, and skin tones are natural. Detail is strong, examining all kinds of wounds on the
alien and human characters, and the thickness of blood registers as intended. Wiry hair and skin particulars are preserved. Interiors retain a good look
at the messiness of the living space and its transformation into a wet hellhole. Blacks are deep. Highlights are tasteful. Grain is heavy and film-like.

The 5.1 DTS-HD MA mix sustains the chaotic mood of "Jimmy and Stiggs." Dialogue exchanges are defined, with most of the feature focusing on heated exchanges between the main characters. Balance is maintained throughout the listening event. Scoring handles with definition, supporting tense moments of action and confusion. Surrounds explore musical moods, adding some immersion. Sound effects are crisp, detailing the squishy alien attack and various weaponry. Atmospherics around the apartment are also somewhat active, and a few panning and separation effects are present with alien action and character disorientation.


"Jimmy and Stiggs" has some invention when handling a no-budget alien attack. Begos pulls from "Evil Dead," "They Live," and "Street Trash" for inspiration, and maintains some cinematic appeal in midst of all the bedlam. It's also a picture where the audience is stuck in a small room with two coked-up, inarticulate loudmouths screaming at each other for 80 minutes. It becomes a chore to focus on the positive aspects of the production as the movie carries on for what feels like an eternity, but Begos is committed to the idea, working extremely hard to conjure moist screen anarchy in the name of subversive cinema.

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Slipcover in Original Pressing
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