6.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
An artist obsessed with death and dismemberment is murdered, but his body disappears. His brother sets out to find both his killer and his body, and finds himself caught up in a seedy and disturbing sexual underground.
Starring: Joe Zaso, Lynn Macri, Alexandra Paulhiac, Rick Poli, Liz Haverty| Horror | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 2.5 | |
| Audio | 3.0 | |
| Extras | 4.0 | |
| Overall | 3.0 |
Writer/director Joseph F. Parda was a fan of giallo movies. As one does when they’re young and filled with dreams, he elected to pick up a Super 8 camera and try to replicate the viewing experience, aiming to deliver a little Argento-scented mayhem with his friends in Long Island, NY. 1996’s “5 Dead on the Crimson Canvas” is the result of such labor, offering a homemade version of Italian filmmaking, and such ambition actually gets the endeavor halfway there. There’s a killer-in-black on the loose, a variety of suspects, a handful of victims, and touches of sleaziness to reach exploitational goals. Parda has an idea of what he wants to accomplish, but he’s missing one major thing: screen momentum. “5 Dead on the Crimson Canvas” is a painfully dull offering of giallo turns and unstable characters, going slow and clunky with its presentation of murder and mystery, though the potency of such puzzling is certainly debatable.


An information card opens the "5 Dead on the Crimson Canvas" viewing experience. While the movie was shot on Super 8 film, post-production occurred on videotape, leaving Degausser Video with only a video master to use for the Blu-ray release, requiring "extensive image and sound restoration." Fine detail isn't possible here, leaving a general sense of frame information to be found in "5 Dead on the Crimson Canvas," and even that's a struggle at times. Characters appearances are basic, fighting softness, age, and blockiness, which dilutes most of the feature's intended grisliness and mystery at times. Colors aren't vivid, but a general feel for the intended look of the picture remains, as the effort takes some dips into heavy reds, and artwork maintains varied hues. Delineation isn't ideal when exploring a shadowy endeavor, with flatter blacks. Source is in acceptable condition.

The 2.0 DTS-HD MA is dealing with a completely dubbed endeavor that was originally shot without sound. Dialogue exchanges are pronounced and mostly retain intelligibility, dealing with the broad nature of the acting. Scoring selections tend to dominate most scenes, periodically overpowering performances, smothering a few lines along the way. Sound effects are blunt.


"5 Dead on the Crimson Canvas" can't get too revved up in style due to its no-budget restraints, but Parda tries to replicate the Argento Way as much as possible. It's a valiant effort to mimic giallo atmosphere, and perhaps that's enough for most viewers. There's murder, sex, and mystery, but what's truly shocking about "5 Dead on the Crimson Canvas" is how glacial it is, failing to snowball into a demented chiller as the helmer focuses on characters having banal conversations, while the more macabre side of the feature never comes alive. It's not slow-burn, it's straight-up inert, and while Parda is focused on celebrating his cinematic influences, his disregard for pacing is downright torturous at times.

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