7.9 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
San Francisco residents are slowly being replaced by replicas, and it's up to a handful of humans to stop the invasion!
Starring: Donald Sutherland, Brooke Adams, Jeff Goldblum, Veronica Cartwright, Leonard NimoyHorror | 100% |
Sci-Fi | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
4K Ultra HD
Region B (A, C untested)
Movie | 4.5 | |
Video | 0.0 | |
Audio | 5.0 | |
Extras | 4.0 | |
Overall | 4.5 |
Jack Finney. Who?, many would probably ask, as is overtly mentioned in one of the supplements on this disc. I personally first encountered Finney when I kind of stumbled across his absolutely fantastic novel Time and Again, which had a number of its elements, um, borrowed by Somewhere in Time many years later (we're still awaiting a "real" cinematic adaptation of the book, though there's a rather charming musical adaptation by Skip Kennon). But there are a number of "actual" cinematic adaptations of Finney's writing, including the original 1956 Invasion of the Body Snatchers, 5 Against the House, Assault on a Queen (with a screenplay by none other than Rod Serling), Maxie and (kind of incredibly) Good Neighbor Sam , the last of which may indicate just how febrile Finney's imagination was and how many widely disparate genres he was comfortable with. Good Neighbor Sam is also of interest since it involves an advertising copywriter, something Finney had been in a "former life", something that may have given him a leg up in crafting pithy pieces that often didn't spend a lot of time cutting to the veritable chase. Still, The Body Snatchers (as Finney's original short story was entitled) is probably the author's best remembered work, and there's a great reason for that: as another supplement on this disc mentions, there's always something to be afraid of "out there" in the big, wide, scary world, and the incipient paranoia that suffuses the tale can be directed at everything from Communism (as in the 1956 film) to what might be called New Age Groupthink (in this remarkably facile remake).
Note: While this release follows Arrow's standard
operating procedure of offering only a 4K disc (no additional
1080 disc), I've included
screenshots from Arrow's separate standalone 4K UHD and
1080 presentations here, since the 4K screenshots are
downsampled to 1080p/SDR. The
color in particular is
probably better indicated by the screenshots taken from
Arrow's 1080 presentation. Screenshots 1 through 5 are
from
Arrow's 1080 release, and
screenshots 6 through 10 are from their 4K UHD release.
Since this release does not contain a 1080 disc, the 2K video
score above has intentionally
been left blank.
Invasion of the Body Snatchers is presented in 4K
UHD courtesy of Arrow Video with an HEVC / H.265 encoded
2160p transfer in 1.85:1.
Kind of interestingly (and unusually), neither the 1080 nor the
4K UHD packages sent to me by Arrow contained an insert
booklet, though Arrow's
website indicates the first pressing of the 1080 release at
least had an insert booklet, so I'm unable to reproduce any
verbiage about the transfer
contained in that booklet here. Fans will know Kino Lorber released their own 4K disc a while back, and I'm assuming this was probably culled from
the same restoration, though I do not have the Kino release and can therefore not offer any authoritative comparison information. This
is another great looking 4K UHD presentation from Arrow,
one
that offers some nice detail levels throughout, especially on
some of the squishy looking
nascent pods, and this 4K UHD version aids, at least
marginally, in helping to elucidate some of the shadow detail
that increasingly comes into play in
the film's latter half, much of which takes place in some
dimly
lit environments. Dolby Vision / HDR provides not just
upticks
in shadow detail (which
admittedly can be marginal, though still observable) but also
in its rendering of highlights, which add some noticeable
energy to an already nicely vivid
palette in Arrow's 1080 version. The opening credits
sequence was optically printed and grain is kind of splotchy
and yellowish, but after that sequence
ends, things start resolving more tightly, and while grain can
be heavy in the darker moments in particular, it looks
beautifully organic and problem free.
Invasion of the Body Snatchers features either DTS- HD Master Audio 5.1 or DTS-HD Master Audio 2.0 options, and while the stereo track is perfectly listenable, I definitely recommend going with the surround track if your setup allows for it. As is discussed in the some of the supplements, the sound design of this film is kind of remarkable, helping to subliminally establish an off kilter, askew world where nothing is quite "right". The surround track opens up not just the at times appropriately "alien" sound effects, but a wealth of ambient environmental effects in both urban environments and even some of the cloistered interior spaces. Denny Zeitlin's great score is also well presented and more spacious sounding in the surround track. Dialogue and the occasional high frequency pod person scream are rendered cleanly and clearly throughout. Optional English subtitles are available.
I'll chip in to the "conversation" moderated by Kim Newman mentioned above by offering a couple of admittedly irrelevant but tangentially related anecdotes. In the unintended humor department, I was actually living in San Francisco when I saw the film for the first time, residing in a frankly pretty scuzzy boarding hotel on Market Street as I did some research for a planned Masters thesis kind of comically (considering this film's subtext) related to an occult group which had a presence in the city. The opening zoom into San Francisco briefly shows Market Street from above, more or less exactly where the boarding hotel was, and I've joked for years that that explained a lot about the other residents of the place. Also in the teaching an old dog new tricks department, the back cover of this release states most remakes are "on a hiding to nothing", which is evidently a British idiom I've never heard before, despite the fact that my Dad was born in England and I probably have more relatives in the UK than in the United States. Those personal comments aside, this remake is definitely not "on a hiding to nothing", and has a decidedly different tone than the original, but one which is just as viscerally disturbing. Arrow offers a 4K UHD presentation with excellent technical merits and some fun and enjoyable supplements. Highly recommended.
1978
Limited Edition
1978
Limited Edition
1978
Original Artwork | Limited Edition
1978
1978
1978
reissue
1956
Ray Harryhausen
1956
1958
Five Million Years to Earth
1967
Premium Collection
1951
1953
60th Anniversary Edition|Limited Edition
1954
1958
Eureka Classics
1957
The Alien Incident
1978
Warner Archive Collection
1958
1974
1957
1978
1977
1985
Limited Edition
1985
2013
Indicator Series
1957
Indicator Series
1955