7.8 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Following the gorgeous, seemingly liberated Adriana as she chases her dreams in the Rome of "La dolce vita," "I Knew Her Well" is at once a delightful immersion in the popular music and style of Italy in the sixties and a biting critique of its sexual politics and the culture of celebrity. Over a series of intimate episodes, just about every one featuring a different man, a new hairstyle, and an outfit to match, the unsung Italian master Antonio Pietrangeli, working from a script he cowrote with Ettore Scola, composes a deft, seriocomic character study that never strays from its complicated central figure. "I Knew Her Well" is a thrilling rediscovery, by turns funny, tragic, and altogether jaw-dropping.
Starring: Stefania Sandrelli, Mario Adorf, Jean-Claude Brialy, Joachim Fuchsberger, Nino ManfrediForeign | 100% |
Drama | 96% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Italian: LPCM Mono (48kHz, 24-bit)
English
50GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 5.0 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 3.0 | |
Overall | 4.5 |
Winner of three Silver Ribbon Awards, including Best Director and Best Original Story, Antonio Pietrangeli's "I Knew Her Well" a.k.a. "Io la conoscevo bene" (1965) arrives on Blu-ray courtesy of Criterion. The supplemental features on the disc include an original trailer for the film; new video interview with actress Stefania Sandrelli; new video interview with Italian film scholar Luca Barattoni; and archival footage from a testing session. The release also arrives with an illustrated leaflet featuring an essay by journalist Alexander Stille. In Italian, with optional English subtitles for the main feature. Region-A "locked".
The beautiful girl
Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 10870p transfer, Antonio Pietrangeli's I Knew Her Well arrives on Blu-ray courtesy of Criterion.
The following text appears inside the leaflet provided with this Blu-ray release:
"This new 4K digital restoration was created in partnership with the Cineteca di Bologna from the 35mm original camera negative and a 35mm fine-grain positive. The original monaural soundtrack was remastered at 24-bit from the soundtrack negative. Clicks, thumps, hiss, hum, and crackle were manually removed using Pro Tools HD and iZotope RX4.
Colorist: Lee Kline/Criterion, New York."
The film has been recently restored in 4K and looks simply astonishing in high-definition. During the daylight footage depth and clarity are excellent, but the nighttime/darker footage frequently looks equally impressive as well. The blacks and whites are solid and there is a wide range of healthy grays. Light and well resolved grain is visible throughout the entire film. There are a few sequences where small fluctuations are visible, but they are part of the original cinematography. There are absolutely no traces of compromising sharpening adjustments. Image stability is terrific -- there are no bumps, awkward transitions, edge flicker, or other basic stability issues. Finally, there are no large scratches, debris, cuts, stains, or damaged frames to report in our review. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: Italian LPCM 1.0. Optional English subtitles are provided for the main feature.
Immediately after I received my disc I went straight to the segment with Glbert Becaud's "Toi". The song now sounds quite incredible. The rest of the wonderful tracks also do not disappoint -- the music is lush and has plenty of depth. Of course, it is pitched correctly. (This was a major issue on the old Italian DVD release). The dialog is clean, stable, and always easy to follow. There are no pops, audio dropouts, or digital distortions to report in our review.
The beautiful Stefania Sandrelli plays an ambitious provincial girl who believes that she has what it takes to become a movie star in the Eternal City in this very elegant, at times quite funny, but incredibly cynical film from the great director Antonio Pietrangeli. I have to say that I Knew Her Well is one of the most important additions to Criterion's catalog in a very long time because Pietrangeli's work, which has been undeservedly ignored in North America, is every bit as good as that of the grand masters of Italian cinema. The film has been recently restored in 4K and looks absolutely magnificent in high-definition. VERY HIGHLY RECOMMENDED.
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