8.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
Troubled Italian filmmaker Guido Anselmi struggles with creative stasis as he attempts to get a new movie off the ground. Overwhelmed by his work and personal life, the director retreats into his thoughts, which often focus on his loves, both past and present, and frequently wander into fantastical territory. As he tries to sort out his many entanglements, romantic and otherwise, Anselmi finds his production becoming more and more autobiographical.
Starring: Marcello Mastroianni, Claudia Cardinale, Anouk Aimée, Sandra Milo, Rossella Falk| Drama | 100% |
| Foreign | 75% |
| Surreal | 19% |
| Fantasy | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Italian: LPCM Mono (48kHz, 24-bit)
English
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Region A (locked)
| Movie | 5.0 | |
| Video | 0.0 | |
| Audio | 4.5 | |
| Extras | 4.5 | |
| Overall | 4.5 |
Federico Fellini's "8 ½" (1963) arrives on 4K Blu-ray courtesy of Criterion. The supplemental features on the release include archival audio commentary; filmed introduction by Terry Gilliam; interviews with Lina Wertmuller, cinematographer Vittorio Storaro, and actress Sandra Milo; the documentary "Fellini: A Director's notebook"; rare stills and photographs; and more. In Italian, with optional English subtitles for the main feature. Region-Free.


Criterion's release of 8 ½ is a 4K Blu-ray/Blu-ray combo pack. The 4K Blu-ray disc is Region-Free. However, the Blu-ray disc is Region-A "locked".
The following text appears inside the leaflet provided with this release:
"Completed by Cinecitta S.p.A. and Centro Cperimentale di Cinematographia--Cineteca Nazionale for the Fellini 100 Project, this new 4K restoration was created from the 35mm original camera negative, which was made available by RTI-Mediaset and Infinity. The originalmonaural soundtrack was restored and remastered from various 35mm optical and positive elements by the Criterion Collection."
Please note that all screencaptures included with this article are taken from the 4K Blu-ray and downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray.
The release introduces a native 4K presentation of the 4K restoration of 8 ½ completed in Italy in 2019. Previously, the 4K appeared on Blu-ray, as part of the Essential Fellini box set. The native 4K presentation is not graded with Dolby Vision or HDR.
I would describe the overall quality of the native 4K presentation as very good. If you are moving directly from the original Blu-ray release to the 4K Blu-ray, you would be enormously impressed because the previous master reveals limitations that were very typical for the DVD era. Scanning and mastering technology has evolved a lot, so what is on the 4K Blu-ray actually has different native qualities. This being said, I must immediately point out that the native 4K presentation could have been a bit more convincing. Why? Because there is a bit of softness on it that appears to have been introduced by careful digital corrections. Delineation, clarity, and depth are still very, very good, but I think that what was done, which was likely justified as rebalancing work, should have been avoided. The grayscale is wonderful, too. Blacks are rich but do not appear boosted, while grays and white are wonderfully balanced. The density levels of the visuals are outstanding. Also, I would like to point that a lot of the crucial lighting looks better now. There are still some areas where it creates rather harsh contrasts, but the old master tends to exacerbate this effect quite a lot. Image stability is excellent. The entire film looks pristine as well.

There is only one standard audio track on this release: Italian LPCM 1.0. Optional English subtitles are provided for the main feature.
The lossless track, which was restored in 2020 by Criterion, is very healthy. If you turn up the volume a lot, you won't notice any instability or age-related anomalies in the upper register. Clarity and sharpness are as good as they can be. Dynamic contrasts are modest, but in the majority of Federico Fellini's films they usually are. In 8 ½ , there are a few areas where you may notice some minor lip-sync issues, but they have always been there. It is how the film was finalized.

4K BLU-RAY DISC

The liberal use of the term masterpiece has made it incredibly difficult to recognize the truly great and timeless films that deserve the highest praise. Federico Fellini's 8 ½ is one of them. While a visual stunner, it is a truly great and timeless film because its musings on success and life will always be relevant. Criterion's upcoming combo pack introduces a native 4K presentation of the recent 4K restoration of 8 ½ that was prepared in Italy. VERY HIGHLY RECOMMENDED.

Otto e mezzo / Federico Fellini's 8½
1963

Otto e mezzo | Federico Fellini's 8½ | 4K restoration
1963

1960

Fellini's Intervista
1987

1954

1953

Giulietta degli spiriti
1965

1973

Fellini's Roma
1972

The Swindle
1955

Le notti di Cabiria
1957

Vivre sa vie: Film en douze tableaux / My Life to Live
1962

Lo sceicco bianco
1952

Det sjunde inseglet
1957

Les quatre cents coups
1959

1969

Luci del varietà
1950

À bout de souffle
1960

1966

Il deserto rosso
1964

Ladri di biciclette
1948

La grande bellezza
2013