7.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
Hydra - a small bar in the middle of Tokyo. There's Takashi, standoffish guy working where he hides his another identity of a highly skilled hit man now has to face a brutal killing game that he has been pointed as a target.
Starring: Masanori Mimoto| Foreign | 100% |
| Crime | 10% |
| Action | 2% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
Japanese: DTS-HD Master Audio 5.1
Japanese: Dolby Digital 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 4.0 | |
| Audio | 4.5 | |
| Extras | 0.5 | |
| Overall | 3.0 |
The fact that the hero of this film is named Takashi may give fans of a certain director with the surname Miike a bit of a giggle, at least when some brutal if sometimes gonzo violence breaks out, including in an opening scene set in a men's room. I have long been on record as saying I personally really could live without ever having to see another scene of guys engaging in dialogue as they pee, and in that regard, at least this film's initial sequence has no dialogue, just a disturbing murder of a man who is attempting to pee, so maybe I'll consider that progress. The action is fast and furious, but a few salient facts are disclosed, including that the victim was a cop and that there's evidently a kind of black ops group ironically called the Tokyo Life Group which arranges for the murders and the subsequent removal of "evidence". The film then segues to a bar bearing the titular name, where that aforementioned Takashi Sato (Masanori Mimoto) works as a cook. Hydra deliberately keeps its cards pretty close to its vest in terms of doling out information about Takashi, and the mystery surrounding him continues to permeate the rest of the tale, which ultimately of course involves the Tokyo Life Group and not so coincidentally the pretty woman for whom Takashi works, Rina Kishida (Miu).


Hydra is presented on Blu-ray courtesy of Well Go USA with an AVC encoded 1080p transfer in 2.39:1. The film actually bears a 2019 copyright date, but that said, there still doesn't seem to be much technical data online about the shoot, at least that I could find. This is an interesting looking presentation at times, with a number of grading and/or lighting regimens put in place that can give things a slightly harsh, even lurid, quality at times. As can probably be readily gleaned from some of the screenshots accompanying this review, some sequences are heavily graded toward blues, greens and yellows at varying times, and there are noticeable ebbs and flows in fine detail as some of these techniques come into play. Some of the moody dark material that is also graded toward blues probably fares worst in this regard, at least in terms of fine detail levels. One recurrent scene featuring Takashi in his apartment offers almost John Wick-ian levels of purple. Some interstitial flashback material can be desaturated and seem like it's black and white, but there are actually kind of interesting pops of muted color even in these scenes at times. For example, during one flashback that gets into a memory of dripping water (I'm not making this up), look at the color of the plastic bowl water is dripping into, and some other flashback material almost has a slightly sepia toned look to it.

Hydra features an intermittently bombastic DTS-HD Master Audio 5.1 mix in the original Japanese. One of the things that may keep this film from attaining top marks from audiophiles who like their surround activity, well, fast and furious, is that after the opening sequence, things definitely quiet down substantially, at least in terms of rambunctious accounts of physical attacks. That said, the Hydra setting itself offers some decently spacious renderings of background clamor, and later moments featuring things like gunfire and more hand to hand combat help to reestablish some immersion. Dialogue is rendered cleanly and clearly throughout. As is Well Go USA's custom, a lossy Dolby Digital 2.0 track is also included, and optional English subtitles are available.


Films about hired hitmen who are trying to get out of the business but who get roped back in for one reason or another are frankly a dime a dozen, and Hydra may not offer enough new material or a unique enough perspective to really deliver a solidly impressive story. Things might have been a bit better developed, and the story more compellingly structured to offer more up front information about Takashi in order to make the audience actually care about him. Technical merits are generally solid for those who are considering making a purchase.
(Still not reliable for this title)

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