5.5 | / 10 |
Users | 4.2 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Hellboy comes to England, where he must defeat Merlin's consort and Nimue the Blood Queen. But their battle will bring about the end of the world, a fate he desperately tries to turn away.
Starring: David Harbour, Ian McShane, Milla Jovovich, Penelope Mitchell, Sasha LaneAction | 100% |
Sci-Fi | 70% |
Adventure | 62% |
Comic book | 57% |
Fantasy | 55% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
Spanish: Dolby Digital 5.1
French: Dolby Digital 5.1
English, English SDH, French SDH, Spanish
Blu-ray Disc
Two-disc set (2 BDs)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region A (locked)
Movie | 2.5 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 2.0 | |
Overall | 3.0 |
Since at last count we’re up to basically — what is it now? —
three thousand or so* film versions of Spider-
Man, it probably shouldn’t come as any huge surprise that Hellboy is
itself getting the “reboot” treatment. Still, many fans may approach this “new, improved” (?) version with the same question that accompanies
many
other remakes: why? Original Hellboy author Mike Mignola is on hand in some supplements included on this release as stating
this version of Hellboy is closer to his original conception, and in fact according to Mignola includes copious moments lifted directly
from various stories offered in the Hellboy comic books (er, pardon me — graphic novels). And yet, still the lingering question
of
why pervades this version virtually from the get go. For example, some may wonder if it really “helps” things to include an
Arthurian element which also involves a witch who has been chopped into as many pieces as there are Spider-Man films, with each piece
being secreted away in hidden places with guardians watching over, in a plot device that is eerily similar (as in virtually identical) to ones found in
any
number of other films.
*I exaggerate of course, but not by that much, as evidenced by this
Wikipedia
page.
Note: Screenshots are sourced from the 1080p Blu-ray.
Hellboy is presented on 4K UHD courtesy of Lionsgate Films with a 2160p transfer in 2.40:1. The IMDb lists a couple of Arri Alexa models as
having digitally captured the imagery, with everything finished at a 4K DI. This is by and large a very impressive 4K UHD release from Lionsgate, and
in fact were not for what I perceived to be a lack of really significant improvement in shadow detail in a few key dark scenes, I probably would have
scored this at a 5.0. The uptick in detail is obvious from the first moment of imagery, with the chainmail and festering face of a corpse more precise
looking, and with the striking black and white photography (with one notable exception) really offering stunning contrast. Depth of field is also at least
marginally improved, though my hunch is a lot of the backgrounds were either finessed with or done completely by CGI. Once the film gets into its
color element, Dolby Vision really adds a number of enjoyable new highlights. The orange and yellow tones that are so prevalent have a number of
really interesting new interstitial tones discernable, and once again detail levels are noticeably improved across the board, including everything from
the textures on fabrics to some of the makeup. Even the CGI creations look a good deal more "substantial" in this iteration, with at least some
improvement in textures and overall definition. There are some deficits in improvement of shadow detail in my estimation, notably in some scenes like
the monastery where Nimue's head is found, or late in the film at St. Paul's. I hoped for and perhaps even expected there to be a pretty major
improvement, and while there arguably is, it didn't strike me as overly impressive. Everything else about this transfer is really aces, though,
and my hunch is fans of the film will be very well pleased with the look of this presentation in 4K.
Hellboy features a rather bombastic Dolby Atmos mix which provides a lot of surround activity as well as some fun vertical placement of effects. There are a number of well done panning effects that can whip both through and over the listener, and the sound design regularly populates the surround channels with discrete effects even in some of the relatively "quieter" scenes. Ambient environmental sounds are appealing placed around the soundfield in several outdoor sequences. Dialogue is rendered cleanly and clearly throughout this presentation, with fidelity remaining excellent and dynamic range extremely wide.
I'm kind of a nut for some of the late 19th century occult societies that are passingly referenced in this Hellboy, and that peculiar interest may have been enough to maintain my interest in what is really a kind of hodgepodge of storylines and characters. The Perlman - del Toro films didn't exactly set the box office on fire (one probable reason this version is helmed by Neil Marshall and stars David Harbour), but they had style in abundance and they were often downright fun (and funny) to watch. This Hellboy has moments of excitement, but it's too convoluted and never comes close to realizing the emotional content it seems to be aiming for. Technical merits are first rate for those considering a purchase.
15th Anniversary Edition
2004
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2017
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2012
Commemorative Edition | DC Universe Animated Original Movie #4
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