6.6 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
Jaded by the "incestuous, New York, socialite sh_t" that sells at prominent art galleries, Nate embarks on a quest for a more authentic brand of contemporary art. When a coked-up YouTube search leads to a music video from Delawarean Goth rappers Young Torture Killers, an Insane Clown Posse knock-off, Nate knows he's found his subjects. He soon drags his friend-with-benefits Bernadette to rural Delaware to shoot the group playing in their parents' basement. To "immerse himself" in the group's culture and add an extra layer of realism to his work, Nate befriends the rappers and makes return trips to get to know them. But as his relationship with group develops, he becomes increasingly aware that, while you can take the boy out of the art world, you can't take the art world out of the boy.
Starring: Keith Poulson, Sophia Takal, Brent Butler, Duane C. Wallace, Kate Lyn Sheil| Comedy | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: Dolby Digital 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 4.0 | |
| Overall | 4.0 |
Before he took on the world of performance art in 2019’s “Project Space 13,” writer/director Michael M. Bilandic took aim at the world of contemporary art in 2013’s “Hellaware.” The helmer is clearly disturbed by the New York City art scene, using his career to satirize the pretentious and the ridiculous, this time examining a young artist’s desperation to separate himself from the competition, working with the strange darkness of an Insane Clown Posse-like rap group to inspire his latest effort to make a name for himself. “Hellaware” has a premise with potential, but Bilandic likes to keep his commentary minimal and humor bone-dry, making for a short but disappointingly slack viewing experience.


The AVC encoded image (1.78:1 aspect ratio) presentation offers decent detail for the HD-shot feature, exploring facial surfaces and different spaces, including apartment life and gallery particulars. Colors are stable, with more varied hues on band makeup application and lighting choices, which offer brighter primaries. Delineation is satisfactory. Some blockiness is detected.

The 2.0 DTS-HD MA mix provides clear dialogue exchanges from a range of performance capabilities, keeping everything intelligible, including some mumbled lines. Music retains a supportive presence throughout the listening experience, with fuller beats and clear instrumentation. Atmospherics are appreciable as well.


Contemporary art critics and New York City denizens might extract a bit more pleasure out of "Hellaware," but Bilandic isn't building to anything overwhelming with the movie, content with mild passes at comedic moments and well-worn satiric targets.
(Still not reliable for this title)

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