6.7 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
Richard is a L.A. used car salesman on a quest to find the true meaning of his life. When he turns over his car lot to his inept assistants, he begins to write his first screenplay -- a woeful tale about a truck driver who runs over a little girl and gets shot to death trying to outrun the law. When Mammoth Pictures shows interest in the script, he must scramble to get it made, enlisting an assortment of oddball characters, including his washed-up, ex-filmmaker father, his lustful stepsister and his pregnant secretary, as his crew.
Starring: Patrick Warburton, Eugene Roche, Ron Morgan, Joe Durrenberger, Ernie Vincent| Comedy | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 5.0 | |
| Overall | 4.5 |
Darkness isn’t immediately apparent in 1999’s “The Woman Chaser,” but it arrives eventually in the feature, which is an adaptation of a Charles Willeford novel. It’s a slice of noir-ish cinema from co-writer/director Robinson Devor, who’s tasked with creating an odyssey into filmmaking and madness, managing a darkly comedic tone that’s accentuated by the casting of Patrick Warburton in the lead role, then fresh off his career-defining turn as David Puddy in “Seinfeld.” “The Woman Chaser” offers a strange look into the mind of a driven man, playing with masculine fantasies and Hollywood dreams, and the picture connects for the most part, finding Devor achieving a sense of style with a very limited budget. The last act isn’t quite as confident, but there’s interesting psychology on display in the offering, and odd behaviors to study.


The visual presentation (1.85:1 aspect ratio) for "The Woman Chaser" is listed as a "new 2K restoration from the 35mm original camera negative, with an uncut sequence sourced from a 35mm positive." It's a wonderfully film-like viewing experience, with heavy grain throughout the viewing experience. Detail delivers compelling skin particulars and fibrous period costuming. Los Angeles locations are dimensional, exploring carefully framed parts of the city. Interiors preserve decorative additions and depth. Black and white imagery is balanced, and delineation is satisfactory. The alternative color cut of "The Woman Chaser" is presented on this release, and remains an interesting look at the movie, though its noir-ish intent is better served in B&W.

The 2.0 DTS-HD MA mix provides a "theatrical stereo SR soundtrack" for the listening event. "The Woman Chaser" isn't an ambitious endeavor, sonically speaking, but clarity is retained with dialogue exchanges, handling performance choices and surges of intensity. Scoring supports with crisp instrumentation and dramatic position, leading with jazzier moods at times. Sound effects are distinct.


Devor does a capable job balancing the Hollywood adventure and Richard's psychological turmoil, soon battling everyone as he tries to protect his vision for "The Man Who Got Away," which is challenged by the reality of editing and exhibition plans. There's real spirit to the endeavor, even during its darkness, and Devor has a visual plan for the film, creating some compelling imagery along the way. Finding a way out of the story isn't quite as easy, and a few behavioral extremes suddenly arrive to complicate Richard's characterization, which fits the actual ending of the feature, but plays a little too sudden, yanking the endeavor into a dramatic direction instead of gracefully turning into one. "The Woman Chaser" has the right resolution, but an unwieldy third act, which takes something away from an otherwise confidently crafted and capably performed (whatever Warburton can do, he does it here) offering of madness in many forms.
(Still not reliable for this title)

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