8.6 | / 10 |
Users | 3.9 | |
Reviewer | 4.5 | |
Overall | 3.9 |
Master criminal Neil McCauley is trying to control the rogue actions of one of his men, while also planning one last big heist before retiring. Meanwhile, Lieutenant Hanna attempts to track down McCauley as he deals with the chaos in his own life, including the infidelity of his wife and the mental health of his stepdaughter. McCauley and Hanna discover a mutual respect, even as they try to thwart each other's plans.
Starring: Al Pacino, Robert De Niro, Val Kilmer, Jon Voight, Tom SizemoreCrime | 100% |
Drama | 89% |
Thriller | 86% |
Action | 38% |
Heist | 32% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French: DTS 5.1 (48kHz, 24-bit)
Spanish: Dolby Digital 2.0 (320 kbps)
German: DTS 5.1
Italian: Dolby Digital 2.0
Japanese: Dolby Digital 2.0
English SDH, French, German, Italian, Japanese, Spanish, Danish, Finnish, Norwegian, Swedish
Blu-ray Disc
Three-disc set (3 BDs)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region free
Movie | 4.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 4.0 | |
Overall | 4.5 |
There was still a 20th Century Fox when I reviewed Heat way back in 2017, and while this new 4K UHD release sports the slightly (and to my ears weirdly) rejiggered name of 20th Century Productions (aren't we in a new century now, folks?), now of course owned and distributed by Disney, there may still be a bit of a disconnect between the iconic name associated with being "family friendly" and film that is anything but.
Note: Screenshots are sourced from the 1080 disc.
Heat is presented in 4K UHD courtesy of Disney / Buena Vista and 20th Century Productions with a 2160p transfer in 2.40:1. I haven't
been able to find any authoritative source as to whether this was culled from the same master as Fox's 1080 release, which was reportedly done
from a then new 4K scan, since the only information I could find simply offered a generic and frankly unhelpful in this instance "4K
remaster". That said, this is an
interesting presentation which to my eyes offered some noticeable if often pretty subtle differences from both of the previous 1080 releases. I'd say
in terms of brightness,
overall this one may tow a kind of fine line between the darker 20th Century Fox 1080 presentation and lighter Warner 1080 presentation, though
interestingly this struck me actually more with regard to some of the more brightly, even naturally, lit outdoor or daytime set scenes than the often
shadowy ambience that otherwise pervades Mann's sensibilities here, where one might naturally assume HDR would add nuance to the mix (which it
may in fact do, though perhaps not to the extent some might expect). The term "dynamic range" gets bandied about quite a bit, and in that regard,
I'd
suggest that the dynamic range here between lighter moments and darker moments is appealingly wide, though kind of interestingly arguably not so
much when it actually comes to the palette, which is inherently often tamped down and deliberately lacking what is traditionally called "pop". In fact
what struck me here was a kind of slate gray look a lot of the time, which is admittedly already in
20th Century Fox's 1080 version but which seems somewhat emphasized here, which almost makes things look monochromatic or even desaturated
and would seem to
subvert what "HDR" may at least (rightly or wrongly) be thought of as providing. While I wouldn't term changes here extreme by any measure,
there are some differences in tonal values, with both some of the
lustrous blue tones in nighttime scenes, as well as some of the yellow and orange tinged moments having very vibrantly impressive presentations,
and I'd argue slightly different "looks" from Fox's 1080 version. One
of the nicest things about this transfer for me was the overall tightly resolved grain field. I almost get a little trepidatious when approaching shot on
film features coming out on 4K UHD, since the increased resolution can sometimes make grain look dirty or swarm like. While there are moments
here
where grain can look just a tad yellow (you can see it in some of those aforementioned blue tinged nighttime scenes, as in the sequence with Jon
Voight
and Robert De Niro that leads into some police action with Al Pacino relatively early in the film), grain looks natural and adds a nice texture to the
proceedings. As Ken mentioned in his review and I'll concurred in my 1080 review, you'll be able to spot some softness, and I'd say maybe even
some
slight variations in focus pulling, and there's a bit of fuzziness that can be detected in passing as a result that tends to be noticeable on the edges of
objects.
This 4K UHD release offers a DTS-HD Master Audio 5.1 track which to my ears was interchangeable with the one on Fox's 1080 release, and so I'll simply repeat some of my comments from my review of the Fox 1080 release. The film is kind of an aural roller coaster at times, cartwheeling between some good, boisterous action sequences and much quieter, if equally intense, dialogue scenes. This surround track delivers good immersion in the expected sections where on screen action takes center stage, contrasting nicely with dialogue scenes which tend to be anchored front and center. The low end gets occasional workouts here, though Heat may not completely satisfy audiophiles who want their caper films filled with nonstop effects in overdrive. Optional English, French, Spanish, German, Italian and Japanese subtitles are available.
4K UHD Disc
- 2016: Academy of Motion Picture Arts and Sciences (1080p; 1:03:23) is a nicely in depth conversation with Al Pacino, Robert De Niro and Michael Mann, moderated by Christopher Nolan.
- 2015: Toronto International Film Festival (1080p; 30:27) is an engaging session with Michael Mann, both before and after a screening of the film.
Hey, lots of bad things happen to people, both in the good and bad variety of humans, in Disney movies, so maybe Heat now being distributed by that venerable company isn't so strange after all. This is a winning presentation that offers some subtle but noticeable changes from Fox's own 1080 version, and the Fairy Godmother or whoever is in charge of supplements wisely waved her magic wand to include them here. Perhaps because of some built in stylistic quirks, this may not be the mind blowing upgrade some were expecting, but I found technical merits to be commendable. Recommended.
1995
Director's Definitive Edition | Remastered | With Collectible Coasters and Kingsman: The Golden Circle Movie Money
1995
Director's Definitive Edition | Remastered
1995
1995
1995
Director's Definitive Edition | Remastered
1995
1995
1995
1971
2004
2011
2010
The Dirty Harry Collection
1973
Limited Edition
1991
2001
2006
The Dirty Harry Collection
1983
The Dirty Harry Collection
1976
The Dirty Harry Collection
1988
2016
2015
2002
Director's Cut
1996
2016
1995
1972
1994
Import
1978