6.7 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
A brash 22-year-old FBI agent trumps up charges of Communist spying against a Chinese laundryman. Ten years later, he wants to make amends to the man and his teenage daughter.
Starring: Matt Dillon, Joan Chen, Bruno Kirby, Teri Polo, Tzi Ma| Crime | Uncertain |
| Drama | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
2112 kbps
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 2.5 | |
| Audio | 4.0 | |
| Extras | 0.0 | |
| Overall | 3.5 |
Golden Gate (1993) dramatizes the FBI's pursuit of suspected Communists in San Francisco's Chinatown beginning in 1952 and continuing with the bureau's crackdown of student radical groups at a university campus (which resembles Berkeley) in the late 1960s. It follows in the tradition of "G-men" pictures of the 1930s, I Was a Communist for the F.B.I. (1951), and The FBI Story (1959). The Bay Area's FBI chief (played by Jack Shearer, who does an excellent impression of Hoover) assigns rookie Agent Kevin Walker (Matt Dillon) and his older partner Ron Pirelli (Bruno Kirby) to locate and charge any Chinese immigrants who may have suspicious ties to Red China and Communist activities. They arrest laundryman and labor organizer Chen Jung Song (Tzi Ma), but he's later let go due to a lack of hard evidence. San Francisco's FBI chief is disappointed in the lack of indictments so to impress the bureau, Agent Walker fabricates false evidence to charge Chen. (Kevin had seen a newspaper advertisement with Chen requesting supplies from locals to mail their relatives in China.) He charges Chen as a Communist spy. Chen is tried and convicted. Kevin notices the reaction of Chen's 8-year-old daughter, Marilyn Song (Theresa Huynh), who he sees again after the trial. When Chen is released ten years later from San Quentin State Prison, Pirelli (who's now Agent Walker's supervisor) orders his ex-partner to surveil Chen. Kevin witnesses what a broken man Chen has become, ostracized by his community. He attempts to make amends with Chen but this leads to a climatic chase to the parapet of the Golden Gate Bridge. Kevin feels guilty about what he put Chen through. When he sees an older Marilyn (Joan Chen) through his telescope, he becomes mesmerized by her beauty. (Marilyn is now a law student.) Too embarrassed and guilt-ridden to admit what he subjected her father to, Kevin poses as a lawyer from San Quentin's Public Defender's Office. He explains to Marilyn that he got to know Chen while he was in prison. Kevin and Marilyn begin a romance.


MGM has given Golden Gate an MPEG-4 AVC encode on this BD-25. Touchstone Home Video first issued the film on LaserDisc with a pan and scan transfer. It did not reach DVD till 2012 when TGG Direct released it as a double feature on two different releases: one with Dillon's City of Ghosts (on the other disc) and another where it was bundled with Queen and Country on separate discs. I haven't seen the DVD transfers but have watched the LD thrice. I've included screen captures from Touchstone's discs to compare with the Blu-ray. The MGM disc suffers from poor compression. The disc really only uses 18 GB of space and the image certainly suffers. Look at how noisy the alleyway scene is in Screenshot #10. Compression-related artifacts are visible in darker shots. DNR tools have been applied. Check out how pasty faces are in frame grab #s 2, 4, 22, 24, and 26. MGM also "turned on another light" when it prepped the picture for Blu-ray. You'll notice brightness boosting in capture #s 14, 18, 20, and 28. Facial tones have a warmer complexion on the 1080p transfer than they do on the LD. But there is some good news to the HD disc. It's framed in the OAR of 1.85:1 and boasts vibrant hues during the nightclub scenes. Colors are generally well defined on the BD, including the mahogany wood wall paneling in the FBI offices (see capture #5). But fine detail is lacking in long shots. MGM has encoded the feature at an average video bitrate of 23000 kbps.
Screenshot #s 1-10, 12, 14, 16, 18, 20, 22, 24, 26, 28, & 30 = MGM 2023 Blu-ray (1.85:1)
Screenshot #s 11, 13, 15, 17, 19, 21, 23, 25, 27, 29, & 31 = Touchstone Home Video 1993 LaserDisc (1.33:1)
MGM has provided ten chapters, which are only accessible on the fly. (The LD has nineteen chapter breaks.)

MGM has supplied a DTS-HD Master Audio 2.0 Stereo mix (2112 kbps, 24-bit), which fares better here than the image does. The mix sounds similar to the PCM stereo track on the LD. Words can be clearly heard. Individual sounds are distinct from ones that precede and follow. Elliot Goldenthal's score is one of the best parts of the film. "Bopathonix Hex" and "Whisper Dance" (as the cues are titled on Varèse Sarabande's album) add a lively presence on the Blu-ray's lossless mix. The score's bass is used effectively. Billy Drewes's performance on saxaphone stands out. The score sometimes has a light jazz and bluesy feel. Goldenthal wrote what I believe is a love theme for Dillon and Chen's characters, which is played on bamboo flute, strings, and dulcimer. The score has a nice oriental sound to it. The way the dulcimer is played here reminds me of how Kitaro uses it in Heaven and Earth (1993), which also features Joan Chen. Goldenthal's music and the period songs are well-presented on this DTS-HD MA track.
Optional English subtitles can be switched on through the menu or via remote.

Not a single bonus feature is to be found on this disc.

Golden Gate is a great-looking movie shot by DP Bobby Bukowski. MGM's Blu-ray contains an inconsistent transfer that's sometimes noisy and other times show grain filtered out. One positive is that colors show their pop in brighter-lit scenes. The film does a solid job of showing how bad Chinese Americans were treated by the feds. A weakenss is that Joan Chen isn't introduced till into the third reel. The film succeeds best in showing the changes Matt Dillon undergoes between the three time periods. It's also worth seeing one of British director John Madden's (Shakespeare in Love) earliest big-screen features. While this is an average transfer on a budget release, I'm slightly inflating my overall review score because I highly doubt that there will be another release of this film for a long time. Golden Gate is DEFINITELY RECOMMENDED.
(Still not reliable for this title)

Warner Archive Collection
1931

Warner Archive Collection
1962

1941

Warner Archive Collection
1940

1952

Warner Archive Collection
1933

1929

Warner Archive Collection
1958

90th Anniversary
1932

1967

1938

Warner Archive Collection
1955

Warner Archive Collection
1933

1961

1949

1944

1922

Limited Edition to 3000 - SOLD OUT
1957

1955

Limited Edition
1958