6.4 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Based on Sinclair Lewis's novel "Arrowsmith". A medical researcher is sent to a plague outbreak, where he has to decide priorities for the use of a vaccine.
Starring: Ronald Colman, Helen Hayes, Richard Bennett (I), Alec B. Francis, Myrna Loy| Drama | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.2:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 0.5 | |
| Overall | 3.5 |
A pre-Code drama directed by mandatorily sober John Ford, Arrowsmith was adapted from the same-named 1925 Pulitzer Prize-winning novel by Sinclair Lewis with assistance from microbiologist Paul de Kruif. Despite a number of toned-down elements relating to its main character's womanizing ways in the original book (which technically makes it "the sanitized version"), this Oscar-nominated 1931 film still features a number of questionable changes and themes at the heart of its medically-driven story. Even so, its root narrative was one of the first major novels about the rapidly-developing field of scientific study so, when viewed through the lens of history, Arrowsmith still stands as a fairly interesting effort that can at least be seen as a stepping stone towards more durable genre entertainment.

The newlyweds move to Leora's rural hometown in South Dakota, where Arrowsmith leads a small medical practice. Despite earning the respect of many local residents, he finds everyday country medicine frustrating and intellectually limiting. his real passion is still laboratory research, so he spends his spare time conducting experiments while also dabbling in veterinary medicine. Finally, Arrowsmith's work pays off: he develops a breakthrough serum capable of curing a deadly livestock disease, which attracts great attention and brings him full-circle back to a research job with Professor Gottlieb alongside an elite team of contemporaries. It's here that Arrowsmith works tirelessly to refine a new experimental serum with potential applications against infectious diseases, but his eventual success practically happens by accident. His chance to test the medicine more broadly arrives when renowned Swedish epidemiologist Dr. Gustav Sondelius (Richard Bennett) hand-picks Arrowsmith to combat a devastating outbreak of bubonic plague on a remote island in the West Indies. Despite the considerable dangers involved, Leora decides to join him.
Once on the island, Arrowsmith is faced with a tough moral dilemma. Believing that proper scientific testing requires controlled experiments, he insists on administering the serum to only part of the population while withholding it from another group to determine its true effectiveness. (More on that soon.) Local officials and fellow physicians, including Dr. Oliver Marchand (Clarence Brooks), struggle with the morality of allowing some patients to remain untreated during a deadly epidemic. The devoted doctor's commitment to scientific rigor is repeatedly tested as the human cost of his research increases, and personal tragedy also affects his life while the plague hangs overhead.
While Arrowsmith earns points for its charming leads and ever-winding narrative, this melodrama carries a distinctly bitter aftertaste. It's unafraid to present the locals as "savages" who are essentially experimented on when the serum is still being tested; this is a problem than can be partially forgiven with historical context in mind but, it's still objectively off-putting. But what the studio did decide to drastically dial back is the novel's portrayal of Arrowsmith as a womanizer. He's still an emotionally negligent husband, but here remains "faithful". Meanwhile, a pre-Thin Man Myrna Loy portrays socialite Joyce Lanyon (his second wife in the book); she's first presented as Arrowsmith's potential mistress and later as something entirely different. Both interactions are stilted and feel unfinished, and it's widely rumored that as much as 10 minutes of scenes expanding their relationship were cut from the film and no longer survive.
It all adds up to a fitfully engaging but uneven film, and one that sits a step below what you might expect from the talent involved here.
Nonetheless, Warner Archive's new Blu-ray edition of Arrowsmith is a welcome effort sourced from a particularly interesting "best
preservation element" whose recent restoration doesn't follow the boutique label's usual workflow but offers massive improvements over all
previously available home video releases.

This 1080p transfer of Arrowsmith begins with a brief statement (partially seen in screenshot #25) that outlines its recent restoration, which largely took place in 2023 as a joint venture between the Library of Congress and the Film Foundation with funding provided by the Hobson/Lucas Family Foundation. Its source was a near-pristine 35mm nitrate print owned by star Ronald Colman which was donated to the Academy of Motion Picture Arts and Sciences in 1947, transferred to the Library of Congress in 1970, and scanned in 4K in 2023. Additional digital restoration was handled by Roundabout Entertainment, and final disc encoding was presumably undertaken by Warner Archive in recent months. As seen in these direct-from-disc screenshots, Arrowsmith looks exemplary here and much closer in quality to an actual first-generation source than originally anticipated. Despite intermittent softness and sporadic black level fluctuations (especially during the opening sequence), this is a remarkably crisp and film-like presentation that should even impress viewers with larger displays. Dirt and debris are basically absent, and the aforementioned ending is well done with no signs of banding, black crush, macro blocking, or other related compression artifacts. In all respects, this is outstanding work and fits in very neatly with Warner Archive's ever-growing library of top-tier Blu-rays.

Arrowsmith's restored audio isn't quite as immediately impressive as the visual, though it's obvious that the source material likely has baked-in limitations that prevent it from reaching more objective heights. In any case, this DTS-HD 2.0 Master Audio mono track -- which, as always, splits the original mono into two channels for wider playback -- still gets the job done with reasonably crisp dialogue and well-prioritized sound effects. The limited original score by Alfred Newman unavoidably sounds somewhat shrill at the high end and other (likewise unavoidable) traces of damage can be heard along the way, but this is overall a satisfying effort that likely far outpaces previous mixes.
Optional English (SDH) subtitles are offered during the main feature only.

This one-disc release ships in a keepcase with vintage poster-themed artwork and includes one bonus feature.

John Ford's Arrowsmith was nominated for four Oscars (including Best Picture) after its 1931 release; it hasn't aged extremely well since then but still carries two solid performances from its leads and plenty of melodramatic twists and turns. Warner Archive's recent Blu-ray, which features a brand-new 4K restoration by the Library of Congress and the Film Foundation, brings it back to life in grand fashion for a new generation of film fans to carefully evaluate with scientific precision. Recommended to the right crowd, largely for its historical and visual merits.
(Still not reliable for this title)

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