8.1 | / 10 |
Users | 4.1 | |
Reviewer | 3.5 | |
Overall | 3.8 |
The City by the Bay faces the terror of a serial killer known as Scorpio, tough as nails Inspector Harry Callahan is assigned to track him down.
Starring: Clint Eastwood, Harry Guardino, Reni Santoni, John Vernon (I), Andrew Robinson (I)Crime | 100% |
Thriller | 82% |
Drama | 76% |
Action | 23% |
Film-Noir | 22% |
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: Dolby TrueHD 5.1 (48kHz, 16-bit)
English: Dolby Digital 5.1 (640 kbps)
French: Dolby Digital Mono
Spanish: Dolby Digital Mono
Portuguese: Dolby Digital Mono
Japanese: Dolby Digital Mono
Italian: Dolby Digital Mono
German: Dolby Digital Mono
Spanish: Dolby Digital Mono (Spain)
Japanese is hidden
English, English SDH, French, German, German SDH, Italian, Italian SDH, Japanese, Portuguese, Spanish, Danish, Dutch, Finnish, Norwegian, Swedish
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.5 | |
Video | 3.5 | |
Audio | 3.0 | |
Extras | 3.5 | |
Overall | 3.5 |
Icon. If there's a more suitable word to describe Clint Eastwood's "Dirty" Harry Callahan, I've yet to come across it. Over the last four decades, the embittered San Francisco Police Department inspector has become an indelible symbol of blunt-force justice; an unwavering gunslinger bound by his own code of conduct; a fearsome, pistol-packing trinity composed of discerning judge, decisive jury, and grim-faced executioner. In the same vein, director Don Siegel's Dirty Harry is, for all intents and purposes, a legitimate classic. It not only birthed the modern crime drama as we know it, it single-handedly influenced -- either directly or indirectly -- nearly every action film and police procedural that's emerged since its 1971 theatrical debut. Even more remarkable is the fact that both the genre-defining film and its imposing Smith & Wesson warrior are as commanding and relevant today as they were thirty-eight years ago.
You've got to ask yourself one question: do I feel lucky? Well... do ya, punk?
I have to admit I braced myself for the worst when I slid Dirty Harry into my Blu-ray player. But, to my relief, Warner's restoration and subsequent 1080p/VC-1 transfer exceeded my expectations. It has its share of problems, sure -- the studio's at-times dire dose of edge enhancement is a distraction, minor color bleeding and macroblocking haunt a shadowy club sequence, faint source noise occasionally interferes with the integrity of the image, and dust, grime, and scratches still pop up here and there -- but the good far outweighs the bad. Colors are bold and vibrant, contrast is warm and healthy, and black levels are fairly well-resolved (in all but a few rare instances). Detail is impressive as well, offering more refined textures and cleaner object definition than I thought I'd encounter. More importantly, the picture doesn't suffer from any significant artifacting, color banding, persistent crush, or pesky noise reduction. Grain-haters will shake their heads and scoff at its every filmic frame, but I found the overall presentation to be both attractive and proficient. Will the transfer make casual viewers swoon? Hardly. Videophiles cheer? Not quite. Even so, Dirty Harry fans will be pleased with Warner's efforts, and find their high definition dollar has been well spent.
Remixing a dated audio source is always a tricky proposition -- particularly when the source in question is a worn and weathered thirty-seven-year old mono track -- but Warner has managed to breathe a decent breath of life into Dirty Harry's Dolby TrueHD 5.1 surround track. Dialogue is warm and centered (albeit quite pinched at times), and Eastwood's throaty growl sounds as menacing as it should. Effects don't fare nearly as well (gunshots are hollow, punches are too pulpy, and car crashes are decidedly rooted in the '70s), but considering the age of William Randall's sound design and the one-channel nature of the film's original presentation, it would be silly to expect much more. Likewise, while the rear speakers are used sparingly and LFE output is shrill and tame by today's standards, the track's ambient properties and overall dynamics are above average for a decades-old catalog title.
My apologies if it seems like I'm shrugging off every criticism with an apathetic aside, but a film like Dirty Harry will never offer the sonic prowess of a twenty-first century production. Even if the studio went back to the drawing board, scrapped the original sound design, and created an entirely new and more immersive soundscape, the resulting track would sound ridiculous once the actors' dialogue was reinserted into the mix. I'm afraid disgruntled newcomers will just have to learn to appreciate faithful efforts like this one and invest their ire elsewhere.
Despite a lengthy collection of special features, Dirty Harry's supplemental package left me cold. A film critic commentary, several made-for-TV documentaries, and a few vintage bonuses can hardly take the place of a solid retrospective. As it stands, the only fresh piece on the disc is too short and flashy to do the film, or its star, much justice. I'll admit it's tough to complain about six hours of content, but a more updated overview could have accomplished just as much in half the time.
Dirty Harry's digibook release is a strong one. It offers an attractive, wholly competent presentation of Don Siegel and Clint Eastwood's classic film, a decent TrueHD lossless 5.1 remix, and a generous supplemental package. Callahan fans will be a bit more impressed with the disc than newcomers but, at such an affordable price, most everyone will feel that they've made a wise purchase.
The Dirty Harry Collection
1976
The Dirty Harry Collection
1973
The Dirty Harry Collection
1988
The Dirty Harry Collection
1983
1968
Reissue
1977
Director's Definitive Edition | Ultimate Collector's Edition
1995
2002
2004
2006
2013
2014
2001
2008
Import
1978
2013
1990
2014
1972
2004