5.7 | / 10 |
Users | 3.0 | |
Reviewer | 1.5 | |
Overall | 2.1 |
Imprisoned in Eastern Europe, former Special Forces agent Mike Riggins (Dolph Lundgren) jumps at the chance when he's offered his freedom in exchange for tracking down American Ana Gale (Gina May), who's been abducted by a brutal underground leader. But after rescuing Gale, he discovers he's been used to locate her for nefarious purposes. Now he must get Gale to the U.S. Embassy while fighting off a host of bad guys in this thrilling action flick.
Starring: Dolph Lundgren, Gina May, Michael Paré, Mike Straub, James ChalkeAction | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: Dolby TrueHD 5.1
English: Dolby Digital 2.0
English, Spanish
25GB Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
Movie | 1.0 | |
Video | 3.0 | |
Audio | 3.0 | |
Extras | 0.5 | |
Overall | 1.5 |
Dolph Lundgren’s acting career began back in 1985 when he played Captain Ivan Drago in Rocky IV. His streak as an action star continued through the early 90’s, with cult films such as Masters of the Universe, The Punisher (not the one starring Thomas Jane) and Universal Soldier. As we’ve seen before, Hollywood is not kind to the aging action star; especially if they have questionnable acting skills in the first place. Just look at the recent filmography of Jean Claude Van Damme, Steven Seagal, or Wesley Snipes, and it will become readily apparent who dominates the straight-to-video market. With that in mind, we’re given Dolph Lundgren’s newest production, which feels just as dated as anything he completed 20 years ago. Name recognition is an amazing thing when it comes to finding continued work, though that appears to be all Lundgren has left going for him. It will be interesting to see how Lundgren holds up in the upcoming Sylvester Stallone helmed release of The Expendables, since his continued involvement in films like Direct Contact will inevitably lead to an abrupt end to his acting career.
Presented in 1080p utilizing the AVC codec (at an average bitrate of 26Mbps), Direct Contact offers a mediocre visual experience. Clarity is reasonably good during approximately 80 percent of the film, but wavers into non-distinct territory far too often to earn high marks. Some of the worst-looking scenes take place during vehicle chases, where motion-blurring rears its ugly head. Additionally, you'll notice a number of random shots strewn throughout the production that appear out of focus or slightly blurred. Aside from detail, color saturation is somewhat dull, with yellow and green tones dominating the majority of the runtime. Black levels are reasonably deep, but could have been much better in low-light interior shots, and contrast is less than stellar during scenes that take place indoors, with a noticeable loss of shadow detail in portions of the background. Lastly, there's a significant layer of noticeable grain which creates a noisy effect in several sequences and may bother those with a particular aversion to the peppered look of noise in the background. In the end, Direct Contact demonstrates a few sparks of hope along the way, but fails to generate visuals that rise above its low budget roots.
The primary audio offering on the disc is a Dolby TrueHD 5.1 mix in the native language of English. I'd typically be pleased with the inclusion of a lossless audio track, but this is a perfect example of little to no benefit in making the upgrade. The sound effects are cheesy, the musical score is laughable, and the delivery of dialogue can be downright atrocious. I wasn't entirely sure if I was having trouble making out the lines spoken by several characters because they had awful accents, or because of a muddled recording, but there are several awful dialogue sequences in the film. The effects are marginally better, with several action sequences that spread to the rear soundstage, but the repetitive slapping sound of kicks or punches, coupled with the hilarious sounds created for the engines of the vehicles make the entire experience less and less exciting. In all seriousness, the sport bike Lundgren zips around on during an early chase scene sounds more like a scooter than a motorcycle, and the Hummers driven by the bad guys are given an engine noise that could easily be mistaken for a tractor. On the positive side, there were a couple of impressive explosions that populate the LFE channel, and gunfire is surprisingly crisp and realistic.
In summary, If you're able to set your expectations to match the cheesy nature of the audio experience, you might be able to tolerate the track better than I did.
The only extra provided on the disc is a collection of five trailers for other films from First Look Studio (all presented in standard definition).
I'd imagine it's no secret by now that I despise this film. If I weren't reviewing the title, I likely would have shut it off within the first 10 to 20 minutes. I'm always one for giving a film a fair shake by sticking it out through the end, but Direct Contact easily earned a spot on my list of films that don't deserve an ounce of respect. With bad acting, a lazy plot and dismal production values, this is one action film that should be avoided at all costs. For any avid Dolph Lundgren fans that feel they might be able to look past the films shortcomings, I'd suggest you consider a rental instead of a purchase, since I doubt you'll ever choose to watch the film again.
(Still not reliable for this title)
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