7 | / 10 |
| Users | 3.5 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
It is the eve of the Darcys’ annual Lady Anne ball at their magnificent Pemberley home and Elizabeth’s fifth ball as lady of the house. Darcy and Elizabeth are relaxing with their guests after supper when the festivities are brought to an abrupt halt. A scream calls them to the window and a hysterical Lydia Bennett tumbles out of a carriage screaming murder. What follows is the sombre discovery of a dead man in Pemberley woods, a brother accused of murder, and the beginning of a nightmare which will threaten to engulf Pemberley and all the Darcy's hold dear.
Starring: Matthew Rhys, Anna Maxwell Martin, Matthew Goode, Trevor Eve, Tom Ward| Drama | 100% |
| Period | 52% |
| Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 2.0
English SDH
50GB Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
| Movie | 2.5 | |
| Video | 4.0 | |
| Audio | 3.0 | |
| Extras | 0.0 | |
| Overall | 3.0 |
There’s little room for invention when it comes to the world of author Jane Austen, with her works adapted countless times, while parodies and spin-offs have managed to extend the celebration, reveling in her tea-and-heartache formula. BBC’s three-part “Death Comes to Pemberley” (based on a novel by P.D. James) is a sequel to Austen’s most visible work, “Pride and Prejudice,” catching up with beloved and loathed characters six years after the book’s conclusion. Instead of warmth and introspection, “Death Comes to Pemberley” is a murder mystery, taking on semi-whodunit tone as old antagonisms are stoked by new revelations of misconduct.


The AVC encoded image (1.78:1 aspect ratio) presentation manages a difficult HD workload of evening sequences lit by candlelight and daytime adventures around the estate and other locations. Contrast isn't always secure, looking a tad muddy at times. Colors show a little more energy, with communicative hues emerging from ornate dresses and Pemberley decorations, while skintones are natural, pinkish yet appropriately drained. Detail is satisfactory when characters are lit in full, with a fresh sense of skin and artistic achievements to study. Some banding is detected, along with pockets of noise.

The 2.0 DTS-HD MA sound mix provides a basic listening experience, balancing outdoor and interior atmospherics with dialogue exchanges. Male voices sound mildly beefed up, with lower tones boosted right to the edge of distortion, contributing to an artificial presence that's not annoying but noticeable. Scoring is flat but serviceable, never taking command of moments. It's not a mix built for excitement, leaving most of its activity to the basics, and they are passable.

There is no supplementary material on this disc.

Something is just off about "Death Comes to Pemberley." The cast doesn't seem challenged by the material, the locations are gorgeous but remain routine spreads of nature, and the core conflict eventually winds down to winded exchanges of heated dialogue and the halfhearted stoking of old memories. Urgency is missing from this update, along with any kind of soulfulness that often endears Austen's work to her readers.
(Still not reliable for this title)

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