7.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Killers Ken and Joji undertake the killing of a man named Sakai. He utters some interesting last words before being shot dead, leading Ken and Joji on a trail of death and destruction.
Starring: Shô Aikawa (II), Jô Shishido, Hideo Murota, Miyuki Ono, Yû Fujiki| Foreign | Uncertain |
| Crime | Uncertain |
| Action | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
Japanese: LPCM 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 3.5 | |
| Audio | 3.5 | |
| Extras | 1.5 | |
| Overall | 3.5 |
Note: This film is available on Blu-ray as part of the V-Cinema Essentials: Bullets & Betrayal collection from Arrow Video.
In 1976 folks in the United States were celebrating the bicentennial anniversary celebration of a famous revolution, but another revolution
of
a technological rather than a political variety was just beginning to unfold across the ocean in Japan at virtually the same time. That was the year
that
VHS began its scrappy
upstart status against Betamax in a format war which in its day was probably at least as notorious as the one that decades later marked the rollout
of
high definition home video with competing HD-DVD and Blu-ray formats. Betamax of course ultimately lost that battle (rather incredibly both
Betamax
player and VCR production extended well into the 21st century, despite having been supplanted by disc formats), and by the time Toei had the
bright
idea to start producing direct to video releases in 1989, VHS was the dominant format. In a way it's kind of fascinating to compare and contrast
Toei's decision to provide "product" to its chain of video stores with the way the major Hollywood studios used to provide feature films for the
theater
chains they owned until United States v. Paramount Pictures, Inc. forced the studios to divest those properties in 1948. One way or the
other, despite economic tribulations in Japan which had severely impacted (theatrically exhibited) movie attendance, the direct to video market
exploded for Toei, so much so that other major (and minor) Japanese studios soon followed suit by offering their own straight to video productions,
though Toei had actually trademarked the term V-Cinema to describe their product. This collection of V-Cinema outings from Arrow
includes a nonet of titles that tend to feature hardscrabble criminal types, including the film that started the whole V-Cinema craze, Crime
Hunter: Bullets of Rage.


Danger Point: The Road to Hell is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.33:1. Arrow lumps all of the films together in their page devoted to the presentations in this set's insert booklet, as follows:
The films in this collection represent a period of film production in Japan in the late 1980s and early 1990s where films were made by the Toei Company specifically for home video. Beginning with Crime Hunter: Bullets of Rage, these "V-Cinema" titles were produced quickly and inexpensively, but afforded filmmakers significant freedom when it came to censorship, resulting in riskier content than what had been produced for cinema distribution.In brighter lit moments, which are thankfully frequent, Danger Point: The Road to Hell pops very nicely and provides some equally commendable detail levels. Some outdoor material in particular is among the best looking sequences in the entire V-Cinema set from Arrow. That plus is at least partially countered by some of the low light material, which can offer next to no shadow detail and which is frequently laden with a kind of blue / purple undertone. Grain is rather heavy at times, but only rarely has the mottled look that afflicts some of the other presentations in the set, though there are some passingly rough looking moments (see screenshot 7). Once again, very minor age related wear and tear can be spotted.
As such, the modest origins of these titles can be seen in these presentations. All films have been remastered by the Toei Company in high definition and are presented in the 1.33:1 home video format of the time.

Danger Point: The Road to Hell features LPCM 2.0 audio in the original Japanese. This is another pretty talk heavy effort, and one without even the regular interstitial interruptions of massive gunfire, but a glut of outdoor material and some urban settings at least provide intermittent opportunities for realistic ambient environmental effects. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.


Danger Point: The Road to Hell is a prime example of why audiences flocked to V-Cinema outings. The plot is admittedly basic, but there are enough character tidbits to keep the viewer engaged, and even without the nonstop violence of some of the other films in this set, Danger Point: the Road to Hell manages to provide visceral tension. Technical merits are generally solid and the main supplement very appealing. Recommended.
(Still not reliable for this title)

女囚さそり 殺人予告 / Joshuu sasori: Satsujin yokoku
1991

クライムハンタ- 怒りの銃弾
1989

1991

ザ・ヒットマン 血はバラの匂い / Chi wa bara no nioi
1991

カルロス
1991

XX ダブルエックス 美しき狩人 / XX: Utsukushiki karyuudo
1994

夜のストレンジャー 恐怖 / Yoru no sutorenjā Kyōfu
1991

北陸代理戦争 / Hokuriku dairi sensô | Limited Edition
1977

Great Collision / Boso panikku: Daigekitotsu / 暴走パニック 大激突
1976

現代やくざ 人斬り与太 / Gendai yakuza: hito-kiri yota
1972

Fango bollente
1975

省港旗兵 / Shěng gǎng qí bīng
1984

脅迫 | Odoshi | Limited Edition
1966

網走番外地 望郷篇 / Abashiri bangaichi: Bōkyō-hen | Masters of Cinema
1965

続・網走番外地 / Zoku Abashiri bangaichi | Masters of Cinema
1965

網走番外地 / Abashiri bangaichi | Masters of Cinema
1965

Crime City 3 | Beomjoidosi 3 | Limited Collector's Edition
2023

Mottomo kiken na yuugi / 最も危険な遊戯 / Games of Maximum Risk
1978

Ôkami yakuza: Tomurai ha ore ga dasu / 狼やくざ 葬いは俺が出す
1972

男の顔は履歴書
1966