7.9 | / 10 |
Users | 4.6 | |
Reviewer | 4.0 | |
Overall | 4.5 |
A cab driver inadvertently becomes the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles.
Starring: Tom Cruise, Jamie Foxx, Jada Pinkett Smith, Mark Ruffalo, Peter BergCrime | 100% |
Thriller | 96% |
Drama | 55% |
Action | 40% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French: Dolby Digital 5.1 (640 kbps)
Spanish: Dolby Digital 5.1 (640 kbps)
Portuguese: Dolby Digital 5.1
English, English SDH, French, Portuguese, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 3.0 | |
Overall | 4.0 |
Nobody notices.
He may not fall into the same grouping in which the Spielbergs, Camerons, Scorseses, and
Tarantinos of the world reside, but Director Michael Mann has made one heck of a name for
himself around the Hollywood landscape and is widely regarded as one of the finest Action/Drama
helmsman around town, his films always exceptionally-crafted, wonderfully acted, and
painstakingly real in feel. Of the three, he's perhaps best known for the attention to detail in his
films, particularly in his ability to make his environments into characters and lend realism to
gunfights that aren't glamorized but instead based on realistic tactics, scenarios, and training. As
was the case in Heat -- the picture
widely regarded as Mann's crowning achievement -- his 2004 Thriller Collateral boasts a
first-class story, fantastic acting, and a sense of realism that's rarely found in Hollywood; the
picture may be escapist entertainment at its core, but Mann ensures through a gritty tone and
plausible scenarios that the film never drifts all that far into fantasy land and maintains a
carefully-executed balance between placing the audience in the middle of a frightful night in Los
Angeles and creating a tense but fun and entertaining atmosphere.
Tom Cruise introduces a new dance move at Club Fever.
Collateral earns a wonderful Blu-ray transfer from Paramount. This 1080p, 2.40:1-framed image, comprised of about 85% digital footage (per Michael Mann in one of the supplemental features), looks marvelous on Blu-ray. Viewers will indeed note the presence of heavy noise in many scenes that's resultant from the digital photography, particularly evident in lower-light shots. Nevertheless, Paramount's Blu-ray boasts an exceptionally strong color palette that sometimes takes a slight turn towards a slight green tint, but the many hues -- primarily Max's red and yellow cab and the numerous neon signs seen throughout Los Angeles -- sparkle against the darker backdrops. Even Vincent's gray suit and hair are meticulously rendered, and the result is an image that's consistently vibrant even through the nighttime shoot. Fine detail is breathtakingly meticulous as well in some places, but a bit mushy and soft in others; most every close-up scene fares well in revealing pores in faces, lines in clothing, or the textures of various surfaces inside Max's cab even through the thick bouts of noise, but it's in the film's better-lit locales -- the interior of a hospital or under the bright lights of a gas station -- that details truly sparkle and the Blu-ray boasts a practically faultless image that's made of some of the finer detailing and depth to be found on any disc. Flesh tones are generally neutral but reflective of the various lighting conditions, and blacks are mostly stable and true though several scenes seem to waver between a detail-aborbing shade and a slightly washed-out look. Though there's an obvious digital sheen to much of the movie, it nevertheless looks splendid, and Paramount's Blu-ray release of Collateral has faithfully and meticulously preserved Michael Mann's vision for the movie.
Collateral's Blu-ray features a steady, sometimes intense, and always wonderfully pristine DTS-HD MA 5.1 lossless soundtrack. Though not the most powerful, prodigious, or immersive listen, Collateral boasts strong clarity and a fine support structure that makes it a rather seamless listen. Listeners will note pleasant ambience throughout the film, whether the hustle-and-bustle of a busy airport in one of the movie's opening scenes or the general din of Los Angeles streets that's defined by honking horns, squeaking brakes, and other sounds of the big city. Never overpowering but nicely inserted so as to create a fairly strong atmosphere, the surround channels work predominantly as a support structure for the film rather than as a source of a deluge of discrete information. Nevertheless, the back channels do enjoy several spurts of more intense action, particularly during the "Club Fever" sequence as heard in chapter 16 as dance beats, the general din of the club, and a pulsating low end spill from every speaker and effectively place the listener on the floor. Smoother Jazz sounds from a posh L.A. night club or the various pieces of James Newton Howard's (I Am Legend) fine score are all delivered with impeccable clarity in every scene and through the entire range. Additionally, the film features several spurts of gunfire with each shot ringing out with a powerful authority, whether heard outdoors in the "is that my briefcase, homey?" scene or later in the aforementioned "Club Fever" shootout; each shot features a potent low end and a sharp thud, not to mention a good sense of echoing through the streets in the exterior shots. Rounded out by seamless dialogue reproduction, Collateral's DTS soundtrack delivers a fine listening experience.
Paramount's Blu-ray release of Collateral delivers a fine selection of bonus materials, the
collection headlined by a commentary track with Director Michael Mann. Mann delivers a quality
track, speaking on the his attraction to the project, its structure, character traits, shooting
locations, the advantages of employing digital photography for the movie, differences between
the script
and the
final film, L.A.'s ethnic communities, scene construction, the thematic elements of the
picture,
Tom Cruise's combat training, and plenty more. He sometimes describes the on-screen action,
but
does so as a means of reinforcing ideas or better describing the hows and whys behind a scene
rather than as an excuse to fill airtime.
Mann delivers a strong track that never becomes superfluous or dull; fans of the
film,
the filmmaker, and the world of filmmaking will enjoy this track immensely. City of Night:
The Making of 'Collateral' (480p, 40:59) is an extended piece that looks heavily at the
elements found in the story, the construction of the characters and the importance of building
them up even through backgrounds that aren't necessarily evident in the film, Cruise's
hardcore training for the role and how it helped better the film, Jamie Foxx's acting and
driving training, the lengths the additional cast went to to lend realism to their secondary roles,
shooting digitally, shooting locations, stunts, the score, and even the color
scheme of the
taxi. There's a wealth of information to be found here, and City of Night proves a
well-above-average making-of piece that fans will enjoy.
Next up are several smaller features. Special Delivery (480p, 1:09) takes an interesting
and all-too-brief look at a task Cruise undertook to prepare for the role. Shooting on
Location: Annie's Office (480p, 2:34) takes a closer look at the construction of one of the
film's crucial sequences and, again, the advantages of shooting Collateral digitally. Next
is Tom Cruise & Jamie Foxx Rehearse (480p, 4:13), a short piece that showcases the
two lead actors rehearsing several scenes, intercut with the final corresponding scene from the
film. Visual Effects: MTA Train (480p, 2:27) examines the implementation of special
effects into the film's finale. Rounding out this collection of extras is a deleted scene with Michael
Mann commentary (480p, 1:57) and the film's teaser (1080p, 2:11) and theatrical (1080p,
2:18) trailers.
Not exactly an "exciting" movie but one that's certainly hard-hitting, thoughtful, wonderfully constructed, splendidly acted, and boasting a strong sense of realism, Collateral proves a high quality entry into the Michael Mann canon and one of the better films in Actor Tom Cruise's long career. For Jamie Foxx, it's another in a growing string of exceptional performances by an actor that doesn't seem to get quite the recognition he deserves but can always be counted on for a first-class performance no matter what the part calls for. Collateral is ultimately an anti-buddy movie that juxtaposes thought processes, ways of life, and moral compasses, but also suggests that man is capable of turning to the opposite end of the spectrum when need be, whether that means getting ugly when the going gets tough or buying flowers for a sickly woman in the hospital. Mann captures this dichotomy superbly and blends it into both the cramped interior of a taxi and the vast world of Los Angeles where, Vincent so simply states, "nobody notices" anything that's happening around them, good, bad, or otherwise. What is worth noticing is Paramount's superb Blu-ray release of Collateral. Boasting a wonderful 1080p transfer that's at times inherently messy but nevertheless strongly detailed and colored, a quality lossless soundtrack, and a nice selection of extras, Collateral is a catalogue title that's a worthy addition to any Blu-ray library. Highly recommended.
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