5.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 1.5 | |
| Overall | 1.5 |
Five college students take a vacation in a remote cabin in the Texarkana swamps, unaware that a mysterious Bigfoot-like creature has been repeatedly sighted in the area.
Starring: Melissa Carnell, Texas Battle, Stephanie Honoré, Shavon Kirksey, Damon Lipari| Horror | Uncertain |
| Thriller | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
English: Dolby Digital 5.1 (640 kbps)
English: LPCM 2.0
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 2.0 | |
| Audio | 1.0 | |
| Extras | 1.5 | |
| Overall | 1.5 |
As we await the arrival of direct-to-video horror auteur Brian T. Jaynes's Humans Vs Zombies, it's an appropriate moment to examine the writer-director's previous venture, one of the many sequels to the 1972 docudrama, The Legend of Boggy Creek. Jaynes's effort has engendered wildly divergent reactions, as a quick glance at the comments submitted by Amazon purchasers will demonstrate. One of the reasons, I suspect, is that Jaynes is the reverse of many low-budget horror aspirants today. He does care about character and story, and his Boggy Creek: The Legend Is True spends most of its running time building, slowly and deliberately, to a grim finale in a manner that will bore anyone not intrigued by the nuances of interactions among people. Where Jaynes falls short is where most of today's technocratic filmmakers excel: Boggy Creek suffers from technical shortcomings that Blu-ray only serves to magnify. More on that in the Video and Audio sections. The original Boggy Creek creature was known as the "Fouke Monster" after Fouke, Arkansas, the site of the 1972 film. The film was made by Charles B. Pierce, who came from Texarkana, the twin cities that straddle the Texas/Arkansas border. Fouke residents told of encounters with a mysterious creature, and reenactments were staged. The menace, however, was primarily to farm animals and pets. A hunter of livestock isn't enough to scare today's audience; so Jaynes and his writing partner, Jennifer Minar, turned to the standard horror trope cleverly deconstructed in the recent The Cabin in the Woods: a group of young people served up as victims. Jaynes and Minar just wrote the routine better than we're used to seeing it, so much so that they reminded everyone just how bad most scripts really are today.


Both IMDb and a close reading of the credits indicate that Boggy Creek was shot digitally (on the Panasonic Varicam, according to IMDb). More direct evidence appears in the film itself in a phenomenon I have seen in Blu-ray and DVD extras but never before in a feature film: combing artifacts—obvious and distracting ones, mostly in the first half of the film. These are not a result of a 1080i encode; the Blu-ray from Hannover House is a 1080p, AVC-encoded disc. No, these artifacts appear to be part and parcel of the original material, probably a result of some misadjustment of the Varicam's variable shutter rate (which is one its chief selling points). Maybe someone tried to fix the problem in post and failed, or maybe no one noticed. I've included examples in the extra screenshots (nos. 11-14), but they only hint at the extent of the distraction caused by watching parts of the image separate and recombine on your screen while viewing the film. (You may need to expand the images to their full size to see the "scissoring" effect that combing creates.) Even without this glaring flaw, the image for Boggy Creek demonstrates that digital capture isn't automatically superior. It's clean and noiseless, but detail is inconsistent. Some shots are sharp and focused, while others are soft and fuzzy as if film had been exposed through gauze or a diffusion filter. This does not appear to be a deliberate effect, because there's no apparent pattern to the variations. An occasional shot in direct sunlight appears overexposed, resulting in a texture that is almost granular. Black levels are adequate, but the production rarely has to show deep blacks, because the script specifies a full moon. The color palette is never richly saturated, even when it comes to red blood; I suspect this was necessary to help "sell" the creature effects. Other than the aforementioned combing, I didn't notice any other artifacts, but then again I was sufficiently distracted by those and the sound issues (see below) that I might have missed them.

What happened in post-production? While some Blu-ray purists will immediately fixate on the lack of a lossless track, the real issue, as always, is the mix itself. At the maximum bitrate of 640 kbps, the Dolby Digital 5.1 track does a thoroughly capable job of presenting the film's soundtrack, and that's the problem—the track is a botch job. Voices often sound hollow and off-center, as if there were no center channel at all, and the dialogue had been poorly split between the front and left mains. Worse still, the mix sounds like it was never finished. Ambiant noise switches on and off from shot to shot, as it would in a temp edit using production sound; the effect is far too common and haphazard to represent a deliberate choice. It's simply a distraction. Bass levels are too loud and boomy at times when they aren't needed, so that they lack the requisite impact when they are. The movie literally sounds like the production ran out of money part way through post, and someone made the decision to release the film's soundtrack in whatever state it was in.

All of the extras are in hi-def at 1080p and presented at 1.78:1.

Jaynes has talent as a storyteller, and he clearly has a knack both for casting and for directing actors. But a director also has to be master of the technical craft of filmmaking, or at least have people working for him on whom he can rely. Boggy Creek should have been an interesting discovery, and I'd love to be able to recommend it. Instead, I find myself in the unfortunate position of warning purchasers that the technical flaws of the film—the film, not the Blu-ray —make this one to skip. Let's hope lessons were learned for Humans Vs Zombies, which, at least from the trailer, looks promising.
(Still not reliable for this title)

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