Boggy Creek: The Legend is True Blu-ray Movie

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Boggy Creek: The Legend is True Blu-ray Movie United States

Hannover House | 2010 | 87 min | Not rated | Sep 13, 2011

Boggy Creek: The Legend is True (Blu-ray Movie)

Price

List price: $14.95
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Buy Boggy Creek: The Legend is True on Blu-ray Movie

Movie rating

5.8
 / 10

Blu-ray rating

Users0.0 of 50.0
Reviewer1.5 of 51.5
Overall1.5 of 51.5

Overview

Boggy Creek: The Legend is True (2010)

Five college students take a vacation in a remote cabin in the Texarkana swamps, unaware that a mysterious Bigfoot-like creature has been repeatedly sighted in the area.

Starring: Melissa Carnell, Texas Battle, Stephanie Honoré, Shavon Kirksey, Damon Lipari
Director: Brian T. Jaynes

HorrorUncertain
ThrillerUncertain

Specifications

  • Video

    Video codec: MPEG-4 AVC
    Video resolution: 1080p
    Aspect ratio: 1.78:1

  • Audio

    English: Dolby Digital 5.1 (640 kbps)
    English: LPCM 2.0

  • Subtitles

    None

  • Discs

    25GB Blu-ray Disc
    Single disc (1 BD)

  • Playback

    Region A (B, C untested)

Review

Rating summary

Movie3.0 of 53.0
Video2.0 of 52.0
Audio1.0 of 51.0
Extras1.5 of 51.5
Overall1.5 of 51.5

Boggy Creek: The Legend is True Blu-ray Movie Review

Technical Difficulties Are Preventing Us from Giving You the Creeps

Reviewed by Michael Reuben May 4, 2012

As we await the arrival of direct-to-video horror auteur Brian T. Jaynes's Humans Vs Zombies, it's an appropriate moment to examine the writer-director's previous venture, one of the many sequels to the 1972 docudrama, The Legend of Boggy Creek. Jaynes's effort has engendered wildly divergent reactions, as a quick glance at the comments submitted by Amazon purchasers will demonstrate. One of the reasons, I suspect, is that Jaynes is the reverse of many low-budget horror aspirants today. He does care about character and story, and his Boggy Creek: The Legend Is True spends most of its running time building, slowly and deliberately, to a grim finale in a manner that will bore anyone not intrigued by the nuances of interactions among people. Where Jaynes falls short is where most of today's technocratic filmmakers excel: Boggy Creek suffers from technical shortcomings that Blu-ray only serves to magnify. More on that in the Video and Audio sections.

The original Boggy Creek creature was known as the "Fouke Monster" after Fouke, Arkansas, the site of the 1972 film. The film was made by Charles B. Pierce, who came from Texarkana, the twin cities that straddle the Texas/Arkansas border. Fouke residents told of encounters with a mysterious creature, and reenactments were staged. The menace, however, was primarily to farm animals and pets.

A hunter of livestock isn't enough to scare today's audience; so Jaynes and his writing partner, Jennifer Minar, turned to the standard horror trope cleverly deconstructed in the recent The Cabin in the Woods: a group of young people served up as victims. Jaynes and Minar just wrote the routine better than we're used to seeing it, so much so that they reminded everyone just how bad most scripts really are today.


Boggy Creek follows the traditional plot in which a group of young people (here, they're college students) go on holiday to a remote location—and yes, it is a cabin in the woods—only to encounter something unexpected, terrifying and deadly. But they don't meet the monster until well into the movie, and by then the audience has spent over an hour getting to know them. If that kind of filmmaking bores you, then Boggy Creek will too. A viewer has to be interested enough in people, in what they say and hold back, in the pauses and evasions in conversation, and in the life that preceded their arrivals, to be entertained by the interactions of the surprisingly talented young cast. I don't want to overstate the case; Jaynes and Minar aren't Eugene O'Neill, and they haven't written drama for the ages. But they've created characters that are several cuts above the usual cartoon cutouts that populate cookie-cutter slice-and-dice horror films.

The cabin in question belongs to Jennifer Dupree (Melissa Carnell), who inherited it from her father (Bryan Massey), to whom she was devoted and who died recently, the apparent victim of a hit-and-run accident on the nearby highway. Jennifer hasn't been to the cabin in years, because she has vivid and sad memories of watching her parents argue there when she was little. They split up, and now Jennifer lives with her mother (Jennifer Sipes), from who she's currently estranged.

The original plan was for Jennifer to get away for a week with her best friend, Maya Jones (Shavon Kirksey), who's as easygoing as Jennifer is buttoned-up. But Maya scuttles the plan by inviting her father's godson, Dave Marshall (Damon Lipari), to join them. When she breaks the news to Jennifer, Maya vouches for Dave's good looks and character and suggests that maybe a romance will be good for her friend. Unfortunately for both of them, Maya didn't know about Dave's girlfriend, a "high maintenance" number named Brooke (Stephanie Honore), who accompanies Dave with a big smile and claws bared.

Maya also forgot to mention that she'd invited her own boyfriend, an overgrown kid named Tommy (Texas Battle, Final Destination 3). With five people, four of them in couples, and only two bedrooms, the house is now thoroughly overcrowded, but Jennifer takes this in stride. She's too lost in her memories to care. That quality intrigues Dave, who has his own reasons for feeling detached (which I won't reveal). He and Jennifer find themselves frequently talking, and Brooke finds herself frequently fuming.

To make sure we remember what the film is really about—and to give us critical information, in the best Hitchcock tradition—Jaynes introduces two additional plot elements. The first is a sheriff and his squeamish deputy (Carl Savering and Frederic Doss), who are following a bloody trail of mangled bodies. In between puking, the deputy keeps telling his boss, "You know what did this!", to which the sheriff replies that he should shut up and call the coroner. One of the scenes they encounter involves a dismembered body in a pickup truck for which, according to the disc's extras, a lengthier sequence of attack was filmed than appears in the finished cut. Another results from an attack on a pair of campers that's shown in all its gory detail.

The second additional plot element is the shotgun-toting inhabitant of the neighboring cabin, Casey Guthrie (Cody Callahan), whom Jennifer encounters at key points in the film. A cryptic obsessive with a thousand-yard stare, Casey tells terrible tales of how his pretty wife was snatched by a creature in the woods and warns Jennifer and her friends to leave. In any other film, he'd be much older and a red herring, but Jaynes cast an actor not much older than the kids in the cabin, which instantly makes Casey seem somehow credible (though not especially helpful).

Everything comes to a head when the vacationers embark on an overnight camping trip in the woods, minus Brooke, who has stormed off in a jealous huff to encounter . . . do I really need to say it? As the ending approached, I wondered whether Jaynes could possibly wind it all up in a manner that didn't cheat. To my relief and admiration, he succeeded.


Boggy Creek: The Legend is True Blu-ray Movie, Video Quality  2.0 of 5

Both IMDb and a close reading of the credits indicate that Boggy Creek was shot digitally (on the Panasonic Varicam, according to IMDb). More direct evidence appears in the film itself in a phenomenon I have seen in Blu-ray and DVD extras but never before in a feature film: combing artifacts—obvious and distracting ones, mostly in the first half of the film. These are not a result of a 1080i encode; the Blu-ray from Hannover House is a 1080p, AVC-encoded disc. No, these artifacts appear to be part and parcel of the original material, probably a result of some misadjustment of the Varicam's variable shutter rate (which is one its chief selling points). Maybe someone tried to fix the problem in post and failed, or maybe no one noticed. I've included examples in the extra screenshots (nos. 11-14), but they only hint at the extent of the distraction caused by watching parts of the image separate and recombine on your screen while viewing the film. (You may need to expand the images to their full size to see the "scissoring" effect that combing creates.)

Even without this glaring flaw, the image for Boggy Creek demonstrates that digital capture isn't automatically superior. It's clean and noiseless, but detail is inconsistent. Some shots are sharp and focused, while others are soft and fuzzy as if film had been exposed through gauze or a diffusion filter. This does not appear to be a deliberate effect, because there's no apparent pattern to the variations. An occasional shot in direct sunlight appears overexposed, resulting in a texture that is almost granular.

Black levels are adequate, but the production rarely has to show deep blacks, because the script specifies a full moon. The color palette is never richly saturated, even when it comes to red blood; I suspect this was necessary to help "sell" the creature effects. Other than the aforementioned combing, I didn't notice any other artifacts, but then again I was sufficiently distracted by those and the sound issues (see below) that I might have missed them.


Boggy Creek: The Legend is True Blu-ray Movie, Audio Quality  1.0 of 5

What happened in post-production? While some Blu-ray purists will immediately fixate on the lack of a lossless track, the real issue, as always, is the mix itself. At the maximum bitrate of 640 kbps, the Dolby Digital 5.1 track does a thoroughly capable job of presenting the film's soundtrack, and that's the problem—the track is a botch job. Voices often sound hollow and off-center, as if there were no center channel at all, and the dialogue had been poorly split between the front and left mains. Worse still, the mix sounds like it was never finished. Ambiant noise switches on and off from shot to shot, as it would in a temp edit using production sound; the effect is far too common and haphazard to represent a deliberate choice. It's simply a distraction. Bass levels are too loud and boomy at times when they aren't needed, so that they lack the requisite impact when they are. The movie literally sounds like the production ran out of money part way through post, and someone made the decision to release the film's soundtrack in whatever state it was in.


Boggy Creek: The Legend is True Blu-ray Movie, Special Features and Extras  1.5 of 5

All of the extras are in hi-def at 1080p and presented at 1.78:1.

  • Behind the Scenes (10:49): A brief compilation of on-set and on-location footage from various scenes, including an extended sequence that didn't make the film, although its aftermath is discovered by the two cops. The longest portion shows the prosthetic "gag" involved in creating one of the creature's gory fatalities.

  • Photo Gallery: Twenty-two photos that appear to be publicity stills. Some of them are too explicit to serve as traditional "lobby cards" (which, in any case, are rarely if ever used these days).

  • Trailers (3.34): This section contains trailers for Boggy Creek and Humans Vs Zombies. The Boggy Creek trailer contains mock interview footage not seen in the final film, and it's unclear whether it was created specially for the trailer or was taken from scenes cut from the film.


Boggy Creek: The Legend is True Blu-ray Movie, Overall Score and Recommendation  1.5 of 5

Jaynes has talent as a storyteller, and he clearly has a knack both for casting and for directing actors. But a director also has to be master of the technical craft of filmmaking, or at least have people working for him on whom he can rely. Boggy Creek should have been an interesting discovery, and I'd love to be able to recommend it. Instead, I find myself in the unfortunate position of warning purchasers that the technical flaws of the film—the film, not the Blu-ray —make this one to skip. Let's hope lessons were learned for Humans Vs Zombies, which, at least from the trailer, looks promising.