6.1 | / 10 |
| Users | 1.0 | |
| Reviewer | 2.0 | |
| Overall | 2.0 |
| Horror | 100% |
| Thriller | 48% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1
English: Dolby Digital 2.0
None
25GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region A (B, C untested)
| Movie | 1.5 | |
| Video | 3.5 | |
| Audio | 4.0 | |
| Extras | 2.5 | |
| Overall | 2.0 |
It’s amazing what public relations press sheets tout, sometimes buried far into the description of whatever product whose supposed claims to fame they’re extolling. Take for example the printed hype accompanying Splintered, a horror film that, at least according to its plot précis, seems to be cobbled together from a bunch of well worn clichés: you know, a bunch of teenagers, an abandoned building, an otherworldly creature out for blood. But this little tidbit instantly caught my eye: “. . .[Splintered] was nominated for Most Memorable Mutilation for the arm removal scene at Spike TV’s 2009 Scream Awards”. Okay, so we all know film awards have so completely oversaturated the market that it seems like every film wins something, but certainly Most Memorable Mutilation must go down as one of the most hilarious “awards” that films are eligible to “win”. (It probably comes as no surprise that 2009’s coveted Most Memorable Mutiliation award was won by Saw V for the pendulum trap sequence.) Splintered traffics in many hoary horror tropes but does so so haphazardly that it might have received a second Most Memorable Mutilation nomination for its lack of coherence. The film has some undeniably moody moments, it features an unusual setting (North Wales), and it really, truly wants to be somehow “relevant” (a term that should hardly ever be used in conjunction with the horror genre), but it attempts to gain that relevance with a troubling coda that supposedly casts everything that has gone before in a new light but which in actuality trivializes what is a very real horror for untold thousands of people while doing little to shed light on the pretend horror that splatters across the screen.


Splintered is presented on Blu-ray courtesy of Well Go USA with an AVC encoded 1080p transfer in 2.35:1. This is yet another RED shot horror feature that delights in extreme tweaking in the DI phase, leaving the film intentionally desaturated and/or filtered a lot of the time, once again in shades of green and blue, which seem to be the preferred hues for all up and coming horror directors nowadays. One of the chief issues with the film and this transfer is that the vast majority of the film is simply too dark, to the point that nothing can be made out a lot of the time. I never saw Splintered theatrically (my hunch is very few did), and so I can't comment about whether this was endemic to the theatrical exhibition, but what is on display here is an almost complete lack of shadow detail and outright crush a lot of the time. The film is so dark so consistently that it was actually difficult to find sufficiently lit moments to get decent looking screencaps for this review (one reason three shots come from one of the few daytime scenes in the film, where Sophie's friends are in a field). The grim filtering tends to rob the image of at least a little fine detail in all but extreme close-ups. Things are noticeably better in the handful of brightly lit sequences, though even those are filtered to such an extent that colors never really look natural.

Splintered lossless DTS-HD Master Audio 5.1 audio mix is quite good, though in a kind of surprising twist it's rarely as bombastic as many of this kind of horror film tends to get. We of course get the usual glut of jump cuts accompanied by bursts of LFE, and there's some nice surround activity with regard to things that go bump in the night in the orphanage, but this is a curiously restrained soundtrack quite a bit of the time. Fidelity is excellent, though dialogue can be a bit hard to make out due to some heavy British accents (and unfortunately this Blu-ray has no subtitles to aid in deciphering what the characters are saying). Dynamic range is quite good throughout the film and immersion is decently consistent if never as over the top as some horror fans are probably going to want.


Director Simeon Halligan has a good eye and a lot of Splintered looks quite fine, even if performances aren't exactly Oscar caliber and some of the fight scenes are ineptly done. What Halligan really needs more than anything is a better screenplay to film. Splintered takes too many worn out ideas and doesn't do anything unexpected or innovative with them. There really aren't any outright scares in this film, despite an abundance of gruesome killings. Hard core horror fans may find this an okay enough popcorn munching rental experience, but even those fans may be dozing off long before Sophie finds her inner demon slayer and kills the nightmares that have been haunting her.

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