6 | / 10 |
Users | 0.0 | |
Reviewer | 2.0 | |
Overall | 2.0 |
Years after retiring from the world of free fighting martial arts, a man returns to the deadly world of fighting after his best student is killed in the tournament.
Starring: Yasuaki Kurata, Meg Lam, Simon Yam, Anzu Lawson, Bolo YeungForeign | 100% |
Drama | Insignificant |
Adventure | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: LPCM 2.0 Mono
English
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 2.0 | |
Video | 2.5 | |
Audio | 3.5 | |
Extras | 0.5 | |
Overall | 2.0 |
Note: This film is available as part of
Bloodfight / Ironheart.
Bolo Yeung is 74 as this review is being written, and at least according to some online sources, he’s still alive and kicking (emphasis on that kicking
part) enough to be making films as relatively recently as 2015 (or 2017 with regard to a United States release) for an outing known as The Whole World at Our Feet. That said, Yeung is probably
best
remembered for some martial arts infused entries from days of yore, having appeared in a number of still beloved films like Enter the Dragon, Drunken Master, and perhaps most memorably (at least for relatively younger fans), Bloodsport (note that the link points to
another
double feature Blu-ray that also offered Timecop). In one of those all too
obvious “coincidences”, Yeung followed up his turn in Bloodsport with the similarly named Bloodfight, which offers Yeung in
what
amounts to a glorified cameo. Three years after Bloodfight came out, Yeung had a bit more of a featured role in Ironheart, a
film
which caught my personal eye since it was shot in my hometown of Portland, Oregon.
Bloodfight is presented on Blu-ray courtesy of the MVD Rewind Collection, an imprint of MVD Visual, with an AVC encoded 1080p transfer in 1.78:1. This is a problematic looking presentation on occasion, starting with some really bad wobble during the credits that may make some prone to swallow a dose or two of Dramamine. There's abundant damage on display, but kind of interestingly it tends to show up in fits and starts with some moments of rather bad scratches and other nicks and blemishes giving way to relatively problem free moments. The biggest issue here for some may be the color timing, which is often skewed toward a kind of sickly green-yellow tone, something that can make things like flesh tones look positively unnatural. All of this said, detail levels can be fairly good in close-ups, though less appealing in even midrange shots, let along wide framings. Things often look very washed out and at certain moments whites tend to bloom. There are certainly at least passing moments here that I'd rate at 3 to maybe even 3.5 levels, but the overall impression left of this is one of noticeable damage that is also kind of fuzzy and weirdly hued.
Bloodfight features an LPCM 2.0 Mono track that is a bit boxy sounding but which delivers dialogue, effects and music with decent fidelity and clarity. There are some rather thick accents throughout the film which may make the optional English subtitles appealing for some listeners. I noticed no real signs of any major age related wear and tear other than the general thinness of the sound.
Calling Bloodfight a "Bolo Yeung film" may be a bit of a stretch, since the star is unquestionably Yasuaki Kurata, and Yeung is really only featured as a kind of "sidebar villain". The film is very oddly structured, at least for a tale that boils down to a revenge scenario. Technical merits are iffy on the video side of things, but audio sounds generally fine if somewhat boxy, for those who are considering a purchase.
(Still not reliable for this title)
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