6.1 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
Nearly 5,000 years after he was bestowed with the almighty powers of the Egyptian gods-and imprisoned just as quickly-Black Adam is freed from his earthly tomb, ready to unleash his unique form of justice on the modern world.
Starring: Dwayne Johnson, Aldis Hodge, Pierce Brosnan, Noah Centineo, Sarah ShahiAction | 100% |
Comic book | 73% |
Sci-Fi | 64% |
Fantasy | 59% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
French (Canada): Dolby Digital 5.1
Spanish: Dolby Digital 5.1
Portuguese: Dolby Digital 5.1
English SDH, French, Portuguese, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy
DVD copy
Slipcover in original pressing
Region A (B, C untested)
Movie | 2.0 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 2.5 | |
Overall | 2.5 |
Jaume Collet-Serra's Black Adam might have fared better in the mid-1990s: it's got a skateboarding kid, a Smashing Pumpkins music cue and, most importantly, focuses on a brooding comic book anti-hero. But it could only have gained life in today's cinematic landscape where an endless wave of bloated Marvel and DC epics debut every month, allowing even some of the industry's lesser-known figures their time in the big-screen spotlight. Black Adam isn't necessarily a terrible movie because of its character: it's just an unfocused mess of a film whose tonal shifts prevent any kind of an emotional connection from being made. Its closest relative in the DC Universe might be 2019's Aquaman, which started off well enough but went overboard with detours, Pitbull, and epic battles before mercifully rolling the credits.
It's a pretty convoluted opening, be sure -- enough that you may have just skimmed the last paragraph, and I wouldn't blame you -- but at least feels engaging enough in the moment. That balance is fleeting, though, as Black Adam is soon crowded with supporting characters including four members of the Justice Society: Hawkman (Aldis Hodge), Dr. Fate (Pierce Brosnan), Cyclone (Quintessa Swindell), and Atom Smasher (Noah Centineo). The latter two are especially out of place, like a Hail Mary attempt to appeal to the teenage demographic, and "skateboard kid" is perhaps even more unbearable -- he's basically a pale imitation of Eddie Furlong in Terminator 2. All the while, Teth-Adam ends up feeling like a supporting character in his own movie; this is partly due to Johnson's one-note performance, but mostly because there's just too much going on here. The non-stop, massive CGI-laden battles prove exhausting, while emotional beats fizzle due to clichéd dialogue and out-of-character decisions made to pad the running time. As a whole its story isn't as clearly bloated as, say, Aquaman or Wonder Woman, but at least those films had a more relatable human element at their core... or at least a little bit of self-awareness, which is something Black Adam completely lacks.
Aside from a few weak attempts at comedy along the way, Black Adam unavoidably maintains the ultra-serious and dark atmosphere that's
bogged down the genre for more than a decade; he isn't exactly a heroic figure, after all. Yet the film's tonal inconsistencies prevent it from carving
out any real identity for itself, and as a result Black Adam feels like yet another step in the wrong direction for DC. Luckily, its parent film
Shazam dodged that bullet in 2019 with a well-balanced and much more effective approach that stayed mostly true to its title character,
and I'm really hoping that its forthcoming sequel
will mercifully help us begin to move past all these muted color costumes, boosted black levels, and chunks of first-draft dialogue delivered with a
straight face. Spectacle aside, this one's a dud... and due to its lackluster box office sales, word's already out that there won't be a sequel
so don't get your hopes up for that post-credits scene with Superman. For now, Black Adam's remaining fans will have to nurse their
wounds with Warner Bros.' 4K and
Blu-ray combo packs, which at least serve up a top-tier A/V presentation and a few basic extras.
Despite its native 4K source material, Warner Bros.' 1080p transfer offers a respectable compromise that should please fans who haven't moved on to 4K yet. Most of my comments regarding the 4K disc's 2160p, HDR10-enhanced transfer in my review of that title apply here in more limited quantities... but even with the lack of high dynamic range and that format's higher native resolution, what you get here is a nicely detailed, crisp, and overall robust image with very good color saturation that should look quite nice on small to mid-sized displays. The only potentially avoidable drawback here is disc encoding: despite this being a dual-layered 50GB disc and just 16GB smaller than its 4K counterpart (albeit with an additional hour or so of HD bonus features), I could spot a few compression-related issues here and there such as very mild banding and black crush on extremely deep shadows. These problems are few and far between, though, and a bit more acceptable due to their more regular presence on this format. Overall, it's a great-looking disc.
The Dolby Atmos is almost as equally impressive, serving up a fairly massive atmosphere that, as always, unfolds to a robust Dolby TrueHD 7.1 Master Audio mix if your receiver doesn't support the newer format. The film's subject matter and heavy doses of action all but guarantee a crisp and immersive soundstage with no shortage of channel separation, and rear presence, not to mention regular use of the height channels when its any of its characters take to the air. Dialogue is crisp and easily understood, mixed well within background parameters and likewise reaching into the rears depending on volume and location. Overall, it's an enveloping effort that, save for a little underperformance in the LFE channel (at least to my ears), does a pretty respectable job of bringing the theatrical experience home.
Optional subtitles including English (SDH) are offered during the main feature and most extras, while portions of foreign dialogue appear with default English player-generated subtitles; these can likewise be removed.
This two-disc release ships in a dual-hubbed keepcase with plain-wrap cover artwork and a Digital Copy redemption code. The included bonus features are all brief but well-rounded and are found on the Blu-ray disc.
Reportedly a passion project for Dwayne Johnson that he'd been trying to make for more than a decade, Jaume Collet-Serra's Black Adam is a bloated chore that mostly falls flat. It suffers from almost every weakness that's plagued comic book films for years now: too dark, too crowded, and too long, with odd tonal shifts and a glut of supporting characters (some of which prove to be more interesting than the main character) that all but sink the ship. It has a few fleeting bright spots and some of its visual effects and technical achievements are impressive, but that's basically damning with feint praise. Those who enjoyed the film, however, will appreciate Warner Bros.' 4K and Blu-ray editions, both of which offer suitably great A/V presentations and a collection of short but well-rounded bonus features.
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