6.1 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
A flock of sea eagles attack the coastal town of Santa Cruz, California. Why did the birds attack? Who will survive?
Starring: Alan Bagh, Ryan Lord, Julia CulbertThriller | Insignificant |
Sci-Fi | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.00:1
Original aspect ratio: 2.00:1
English: DTS-HD Master Audio 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 1.5 | |
Video | 2.0 | |
Audio | 3.5 | |
Extras | 3.5 | |
Overall | 2.5 |
When “Birdemic: Shock and Terror” was released in 2010, viewers laughed. It was a particularly inept filmmaking endeavor from writer/director James Nguyen, who seemed to have no idea how awful a movie he was making, marching forward with a tale of a bird attack in Half Moon Bay, California, utilizing some of the worst helming instincts imaginable. Cult film fans ate it up, and Nguyen returned to the scene of the crime with 2013’s “Birdemic: The Resurrection,” where he achieved some level of self-awareness, trying to recapture the vibe of the first installment while leaning into expanding ridiculousness with a larger budget and fan support. Viewers didn’t laugh. Ten years later, Nguyen returns to quite possibly his only source of income with “Birdemic 3: Sea Eagle,” which basically rehashes “Shock and Terror,” only this time around, the helmer is absolutely determined to establish the climate change message of the series, asking viewers to sit through an hour(!) of exposition, speeches, stillness, and Hitchcock appreciation before the birds return to attack humans. Viewers won’t laugh.
The AVC encoded image (2.00:1 aspect ratio) presentation for "Birdemic 3" is a real head-scratcher. The feature was made recently, enjoying a tremendous upgrade in technology over the last two installments. Cameras are also mostly idiot-proof as this point, but the viewing experience offered here doesn't reflect such a reality. "Birdemic 3" shows little consistency not only between scenes, but between shots, with some images bright and barely welcoming, while others are artificially dimmed, making the difference quite noticeable. And this doesn't appear to be a disc issue, but an effort from the production to match the bungled imagery of the earlier endeavors. See screencaps 6-8 to view the crazy differences during a single scene. Color goes nuclear, with heavy use of cyan, which is almost blinding at times. Skintones aren't consistent. But, again, this all appears to be an intentional artistic choice, looking to tank the HD capability of the production in the name of a bad joke. Compression and encoding isn't strong, with banding and blockiness common, limiting detail.
The 2.0 DTS-HD MA track also plays "Birdemic" games with the audio, finding levels changing throughout the mix, perhaps representing a production that has not clue about sound recording, or just pretending to be one to recapture the original "magic" of the first film? It's really hard to tell. Scoring cues provide a richer presence, leading with strong synth. Pop songs are also inviting, retaining crisp beats and clear vocals. Sound effects are basic, with screaming birds offered priority, and gun shots are reasonably snappy.
"Sea Eagle" is an 83-minute-long movie, and it takes 57 minutes before the birds of "Birdemic" arrive, dropped bluntly into a comatose film that's bogged down by scientific numbers and climate warnings. It's a great message, but the wrong picture, and Nguyen has no idea how to portion out his lessons, putting viewers to sleep long before bird attacks finally show up. The sea eagles do provide a jolt of violence, slitting throats and killing bikers, moms, and rappers, and the return of everyone's favorite software salesman, Rod (Bagh is billed here as a "special guest"), means time for shootouts with the enemy. It's not much, but it's something in a feature that's perfectly happy offering nothing, rehashing "Shock and Terror" moves while amplifying a conservation message Nguyen ultimately gives up on. Turns out, we're all doomed, and certainly paying customers will feel that way with "Sea Eagle," which finds the writer/director completely aware of his camp value, simply trying to replicate his past success. And yet, Nguyen still misses the mark with this crushingly lifeless continuation of a franchise nobody wants.
(Still not reliable for this title)
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