6.9 | / 10 |
| Users | 5.0 | |
| Reviewer | 3.5 | |
| Overall | 3.7 |
A self-obsessed young man makes his way to the party-to-end-all-parties on the last day on Earth, but ends up saving the life of a little girl searching for her father. Their relationship ultimately leads him on the path to redemption.
Starring: Jessica De Gouw, Sarah Snook, Daniel Henshall, Nathan Phillips, David Field (I)| Thriller | Insignificant |
| Sci-Fi | Insignificant |
| Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English: Dolby Digital 2.0
English SDH
25GB Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (C untested)
| Movie | 3.5 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 0.5 | |
| Overall | 3.5 |
Okay, Australia, this has to stop. Twice now in relatively recent reviews, I’ve talked about the weird concatenation of Apocalyptic dramas taking place Down Under. On the Beach. Mad Max. Tank Girl. The Rover. Well, it’s time to add another one to the list: These Final Hours, a surprisingly well done and even at times relatively thought provoking end of the world film that posits a troubled young man trying to come to terms with the last few hours of his existence while also shepherding an abandoned little girl to some port of relative safety. Quiet and introspective in the same way that On the Beach was, but then surprisingly feral and violent in the same manner as The Rover, These Final Hours is an often fascinating character study that is helped immensely by pitch perfect performances by Nathan Phillips as James, the man on the run (from what and to where even he doesn’t seem to know) and an awesome Angourie Rice as Rose, a little girl who has to grow up awfully fast before all life comes to a fiery end.


These Final Hours is presented on Blu-ray courtesy of Well Go USA with an AVC encoded 1080p transfer in 2.40:1. As mentioned above in the main body of the review, the film is quite striking from a visual standpoint, with director Zak Hilditch and cinematographer Bonnie Elliott repeatedly exploiting a saffron bathed ambience which suggests indolence and, ultimately, death. Perhaps surprisingly, detail and fine detail are never really compromised in any meaningful way with this rather aggressive color grading, and in fact close-ups offer superb fine detail (see screenshots 4 and 16, for just two examples). The sequence in the fallout shelter is aggressively blue in hue (see screenshot 14), and here a bit of fine detail is lacking, at least when compared to the bulk of the enterprise. Outdoor shots often provide great depth of field (see screenshots 3 and 5). The image is typically very sharp and well defined, though contrast is occasionally intentionally pushed, leading to slight blooming in the lightest gradients. There are also some very minor instances of banding, especially with the camera aimed at various light sources, but overall this is a really excellent and interesting looking release.

These Final Hours features a nicely immersive lossless DTS-HD Master Audio 5.1 track which ping pongs between frenetic activity like the hustle and bustle at the end of the world party and quieter, more expansive moments as James drives through a barren countryside. Ambient environmental sounds are well placed throughout the surrounds, offering both claustrophobic and agoraphobic elements in about equal measure. Dialogue is very cleanly presented and well prioritized. Fidelity is fine and dynamic range fairly wide in this problem free track.


I confess I saw the write up on the press materials of These Final Hours and kind of sighed to myself, "What—another Australian post-apocalyptic movie?" I was therefore pleasantly surprised by the sober, mostly unsentimental but accessible take writer-director Zak Hilditch brought to this project, focusing on two lost souls trying to get someplace (maybe any place) before disaster strikes. Not completely successful but still engaging virtually every step of the way, the film provides showcases for stars Nathan Phillips and (especially) Angourie Rice. Strikingly photographed, the release boasts excellent technical merits on Blu-ray and comes Recommended.

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