8.4 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
In poverty-stricken postwar Rome, a man is on his first day of a new job that offers hope of salvation for his desperate family when his bicycle, which he needs for work, is stolen. With his young son in tow, he sets off to track down the thief.
Starring: Lamberto Maggiorani, Enzo Staiola, Lianella Carell, Gino Saltamerenda, Vittorio AntonucciDrama | 100% |
Foreign | 94% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
Italian: LPCM Mono (48kHz, 24-bit)
English: Dolby Digital Mono (192 kbps)
English
50GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 5.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 4.0 | |
Overall | 4.5 |
Vittorio De Sica's "Bicycle Thieves" (1948) arrives on Blu-ray courtesy of Criterion. The supplemental features on the disc include the documentary film "Working with De Sica"; a program on the history of Italian neorealism; and documentary film about legendary screenwriter Cesare Zavatini directed by Carlo Lizzani. The release also arrives with a 34-page illustrated booklet featuring critic Godfrey Cheshire's essay "A Passionate Commitment to the Real", reminiscences by Vittorio De Sica and his collaborators, and technical credits. In Italian, with optional English subtitles for the main feature. Region-A "locked".
Antonio
Presented in its original aspect ratio of 1.37:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Vittorio De Sica's Bicycle Thieves arrives on Blu-ray courtesy of Criterion.
The following text appears inside the booklet provided with this Blu-ray release:
"This new digital transfer was created in 4K resolution on a Scanity film scanner from a 35mm safety fine-grain master made from the original camera negative. The restoration was performed by Digital Film Restore in Chennai, India. The original monaural soundtrack was remastered at 24-bit from a 35mm optical soundtrack print. Clicks, thumps, hiss, hum, and crackle were manually removed using Pro Tools HD and iZotope RX4.
Colorist: Lee Kline/Criterion, New York.
4K scanning: Sony Colorworks, Culver City, CA."
The film has looked quite rough on previous DVD and Blu-ray releases. Fading and stability issues, in particular, have been quite prominent. While some unevenness remains during transitions where it is easy to see that time has left its mark, overall balance and especially fluidity are greatly improved. Many close-ups look cleaner and crisper, while the large panoramic shots are better balanced. During the darker/nighttime footage the improvements are quite substantial, though shadow definition can fluctuate because of inherited limitations. During the daylight footage brightness levels are more convincing, with areas where sunlight is prominent now looking much stronger. Grain is rather well distributed and resolved, but minor fluctuations can be spotted. Some corrections have been applied to rebalance the image as best as possible, but its integrity isn't affected. There are no traces of problematic sharpening adjustments. Debris, cuts, scratches, stains, and damage marks have been removed as best as possible. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: Italian LPCM 1.0. Optional English subtitles are provided for the main feature.
It immediately becomes clear that various stabilization enhancements have been made. The high-frequencies remain somewhat weak -- at times it is easy to tell where some light distortions have been minimized as best as possible -- but clarity is improved. Balance is also better. The overall range of nuanced dynamics remains limited, but the film's original sound design is hardly impressive.
Vittorio De Sica's Bicycle Thieves is one of the simplest and most powerful films ever made. It tells the story of a desperate father and his young son who begin looking for an elusive thief in a city overwhelmed by poverty and hardships. It is grim and quite rough at times, but it oozes warmth and hope that touch the heart in a very special way. The film has been recently restored in 4K and the current presentation is indeed the best one that I have seen to date. VERY HIGHLY RECOMMENDED.
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