6.9 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A man's job requires him to clean a house, which turns out to be haunted. In the course of trying to exorcise the ghost, he falls in love with her.
Starring: MacLeod Andrews, Natalie Walker (XVI), Sydney Vollmer, Amanda Miller, Ashley Hollingsworth DethyHorror | 100% |
Comedy | Insignificant |
Romance | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: LPCM 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 4.0 | |
Overall | 3.5 |
A film depicting the afterlife as a bureaucratic labyrinth is hardly a new idea, as evidenced by everything from Beetlejuice to Defending Your Life. What's kind of sweetly engaging about A Ghost Waits, though, is how it details the story of a "workaday" ghost named Muriel (Natalie Walker), who has been happily (?) haunting a house supposedly for centuries (despite the house not really looking all that old), but who finds herself unable to sufficiently frighten a handyman named Jack (MacLeod Andrews), who has been tasked with getting the place ready for yet another new set of tenants, since no one ever seems to want to rent the place for very long (guess why). While the film begins with a brief vignette showing Muriel "evicting" the latest hapless renters, the story then segues for quite a while to Jack, who in fact is at least as hapless as any of the renters have been, though perhaps for slightly different reasons. As is repeatedly documented throughout the film, while he evidently does have friends, no one seems especially moved to return his phone calls as he attempts to find a place to stay for a few days while his apartment house is being fumigated. When he arrives at the rental house to do an inspection and any needed repairs, he finds it rather strangely equipped with furniture and other accoutrements, as if the previous inhabitants had, well, left in a panic, something that at least affords him the chance to keep a roof over his head for a few days. While a few sound effects and a couple of POV shots indicate that Muriel is right there watching him, it takes a good, long while for her to finally manifest visually in front of Jack, which may be a bit of a structural deficit for some viewers.
A Ghost Waits is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.78:1. Arrow's insert booklet provides only the following fairly generic verbiage on the transfer:
A Ghost Waits is presented in its original 1.78:1 aspect ratio with uncompressed stereo audio. The High Definition master was provided by the filmmakers.This was shot with a camera I don't think I've encountered before in my official review duties, the Blackmagic, which evidently does have source capture resolutions of 4K, though I haven't been able to find any authoritative data as to what the DI's resolution might have been. As is mentioned in some of the supplements, the film was actually shot by two people, and was initially shot in color. The black and white cinematography is often quite striking, but there are definitely variabilities in contrast and gray scale, as can probably be made out by cycling through the screenshots I've uploaded to accompany this review. A lot of the film offers really sumptuously deep blacks and well articulated whites, with very nice fine detail levels (to the point you can virtually make out the white powder applied to Walker's face to make her appear "spectral"). Other moments, though, have a much grayer, hazier appearance, and there doesn't seem to be much logic as to when one "look" or the other predominates. I noticed no compression anomalies of any note.
A Ghost Waits features a fine sounding LPCM 2.0 track the supports the film's limited sound design. There are some fun moments, as in the use of an old style metronome to "announce" that Jack is dreaming (and/or having a nightmare), and a subdued underscore and more boisterous source cue provide a bit of energy, but the bulk of this film is almost verité like, capturing the ambient environmental sounds of the house (ghostly or otherwise), along with dialogue, which tends to pick up more in the second and third acts. Everything is rendered cleanly and clearly without any problems whatsoever.
- Audio commentary by writer / director Adam Stovall also includes his friend Corrie Loeffler
- Audio commentary by Adam Stovall and MacLeod Andrews
- Audio commentary by the cast and crew features Adam Stovall, Mike Potter, MacLeod Andrews, Sydney Vollmer, and Nick Thurkettle and M.J. Thomas.
- MacLeod Andrews (HD; 21:24)
- Deborah Parag (HD; 7:24)
- M.F. Thomas (HD; 11:32)
- Michael C. Potter (HD; 13:25)
- Sydney Vollmer (HD; 11:42)
- Margaret Darling (HD; 8:48)
- Mitch Bain (HD; 9:30)
- Adam Stovall (HD; 29:51)
- Interview (HD; 10:51)
- Post-Film Q & A (HD; 13:46)
A Ghost Waits has a rather unique style, both presentationally and even in at least some of its content, and if the film isn't quite as funny as it might have been, it's provocative in its own way, and Stovall has certainly marshalled his forces well for what was evidently a micro- budgeted feature. Arrow continues to curate "emerging" talent as well as, and arguably better than, many of its competitors in the home video market, and A Ghost Waits offers generally solid technical merits and a nice array of supplements, for those who are considering a purchase. With caveats noted, and especially for those on the lookout for new talent, Recommended.
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