7.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Conrad Brooks must stop a werewolf from killing him.
Starring: Conrad Brooks| Horror | 100% |
| Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.35:1
Original aspect ratio: 1.33:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 1.0 | |
| Video | 2.5 | |
| Audio | 3.0 | |
| Extras | 5.0 | |
| Overall | 3.5 |
Conrad Brooks was a B-movie actor primarily known for his association with notorious director Ed Wood, and he would be the first person to remind you of this connection. Brooks participated in the making of “Glen or Glenda,” “The Sinister Urge,” and “Plan 9 from Outer Space,” enjoying the attention of such career achievements, and he has a superfan in Dave “The Rock” Nelson. A monster cinema maniac, Nelson developed a desire, perhaps obsession, to make little pictures indulging his greatest genre fantasies, cranking out titles while paying no attention to technical achievements. It’s all about the love of the game for Nelson, who tries to blend his favorite things in 1994’s “Conrad Brooks vs. Werewolf,” which puts the actor in the danger zone, portraying…well, himself, as he spends a sunny afternoon in Baltimore running around a pier and a cemetery, chasing Nelson in a Halloween mask. The intent is to generate a shot-on-video romp with older men and a helmer who really has little idea what he’s doing. It’s meant to be fun, but “Conrad Brooks vs. Werewolf,” from the moment it begins, transforms into a small screen dead zone, with viewers treated to amateur acting and backyard filmmaking that puts in no effort to become the schlocky blast it imagines itself to be.


"Conrad Brooks vs. Werewolf" was shot with a commercial grade camera, and editing is deck-to-deck, leaving the viewing experience pretty standard looking for a no-budget, home movie-like endeavor from the era. Editorial damage is common, including many blackouts, and overall age is hard to miss. Detail isn't there for the SOV production, offering only a general understanding of frame information, and even that's not always the case as basic focus is challenged at times. Color also wrestles with the duped look of the picture, offering fade and age. Only the most powerful of hues remains, including greenery and the brown fur of the monster.

The 2.0 DTS-HD MA also deals with technical limitations and age. Dialogue exchanges are passable, with line-readings mostly yelled, helping the battle against background noise. Music is limited to maybe a single song, with most of the listening experience devoted to whatever Nelson's microphone is able to pick up, leaving chirping birds the uncredited composers of the movie.


Conrad spends most of the movie trying to find Werewolf, and once he locates the monster, the rest of the picture is focused on ways to dispatch the beast. This includes the use of a soiled t-shirt, which Brooks peels off his own body to weaponize. "Conrad Brooks vs. Werewolf" is a brutal viewing experience with no momentum or compelling goofiness. It's made simply to delight Nelson, who doesn't care about filmmaking essentials (such as performances and editing), out to live his dream, which apparently involves creating leisurely "homages" for those with the patience to sit through them.

Slipcover in Original Pressing
1986

2022

The Dirty Old Man
1969

1964

Slipcover in Original Pressing
2003

Tempi duri per i vampiri / Hard Times for Dracula
1959

2014

Dracula père et fils
1976

1971

1974

1988

Slipcover in Original Pressing
1984

Limited Edition to 3000 - SOLD OUT
1973

2004

Vinegar Syndrome Archive | Limited Edition
1996

1966

Slipcover in Original Pressing
1973

Slipcover in Original Pressing
1995

Slipcover in Original Pressing
1990

1965