8.3 | / 10 |
Users | 4.7 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Troubled Italian filmmaker Guido Anselmi struggles with creative stasis as he attempts to get a new movie off the ground. Overwhelmed by his work and personal life, the director retreats into his thoughts, which often focus on his loves, both past and present, and frequently wander into fantastical territory. As he tries to sort out his many entanglements, romantic and otherwise, Anselmi finds his production becoming more and more autobiographical.
Starring: Marcello Mastroianni, Claudia Cardinale, Anouk Aimée, Sandra Milo, Rossella FalkDrama | 100% |
Foreign | 74% |
Surreal | 19% |
Fantasy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Italian: LPCM Mono (48kHz, 24-bit)
English
50GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 5.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 4.5 | |
Overall | 4.5 |
One of the greatest films ever made, Federico Fellini's "8 ½ " (1963) arrives on Blu-ray courtesy of Criterion. Amongst the supplemental features on the disc are: an introduction by director Terry Gilliam; interviews with Lina Wertmuller, cinematographer Vittorio Storaro, and actress Sandra Milo; the documentary "Fellini: A Director's notebook"; Vassili Silovic's film "Nino Rota: Between Cinema and Concert"; an audio commentary with with Fellini friend and documentarian Gideon Bachmann and NYU film professor Antonio Monda; and more. A fully illustrated 30-page booklet has been included as well. With optional English subtitles. Region-A "locked".
The Director
Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Federico Fellini's 8 ½ arrives on Blu-ray courtesy of Criterion.
In the booklet provided with this Blu-ray release, Criterion state the following: "This new high-definition transfer was created on a Spirit Datacine from a restored 35mm fine-grain master positive made from the original negative. Thousands of instances of dirt, debris, scratches, splices, warps, jitter, and flicker were manually removed using MTI's DRS system and Pixel Farm's PFClean system, while Digital Vision's DVNR system was used for small dirt, grain, and noise reduction."
Fine object detail, contrast and clarity have all benefited tremendously from the upgrade to 1080p. Many of the close-ups throughout the film are substantially better looking when compared to Criterion's DVD release of Fellini's film. The color-scheme is also notably stronger; the blacks are rich and well saturated while the whites look natural. Generally speaking, the film's grain structure is intact; some mild noise corrections, however, have been applied. Aside from a few unstable frame transitions, there are no serious stability issues to report in this review. Finally, large scratches, debris, splices, or dirt are not visible (I noticed only one cut that appeared very early into the film, right before Marcello gets out of his car and then exits the tunnel - however, I assume, that it must have been impossible to remove it completely). (Note: This is a Region-A "locked" Blu-ray disc. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one audio track on this Blu-ray disc: Italian LPCM 1.0. For the record, Criterion have provided optional English subtitles for the main feature.
According to the booklet provided with this Blu-ray disc, the uncompressed soundtrack was remastered at 24-bit from various 35mm optical positives and negatives. Nevertheless, I think that it is very well balanced - the dialog is exceptionally easy to follow and Nino Rota's lovely score surprisingly crisp. Those of you who have never seen Fellini's 8 ½ before will probably notice that occasionally there are some minor lip-sync issues, but this is something that was common for Italian films that were made at the time. Finally, I did not hear any overly disturbing pops, cracks, or hissings to report in this review.
Commentary - this is the same audio commentary that was included on Criterion's DVD release of Fellini's 8 ½ . It combines an audio essay, read by actress Tanya Zaicon, and interviews with Fellini friend and documentarian Gideon Bachmann and NYU film professor Antonio Monda. It was recorded in New York and Berlin in 2001.
Introduction - director Terry Gilliam quickly explains what makes Fellini's 8 ½ such an important film as well as the type of impact the film had on his career. (8 min, 1080i).
Fellini: A Director's notebook - the Italian director made this hour-long "documentary" for producer Peter Goldfrab and NBC in 1969. A meditation on his films - including those he had abandoned and those he had not yet made - it follows the path laid out by 8 ½ and leading to such later self-reflexive films as Fellini's Roma and Orchestra Rehearsal. (52 min, 1080p). Also included is a letter Fellini sent to producer Peter Goldfrab, in which he outlined his plans for Fellini: A Director's Notebook. (In text format).
The Last Sequence - Federico Fellini originally intended for 8 ½ to end with a surreal sequence in a train car - sets were built and footage was shot, but all that remains are still photographs. From this starting point, Mario Sesti's fifty-two-minute documentary details the story of the original ending how it came to be replaced. (51 min, 1080i).
Nino Rota: Between Cinema and Concert - this is the same documentary by Vassili Silovic that was included on Criterion DVD release of 8 ½ . It focuses on Maestro Rota's work and his collaborations with Fellini. In German, with optional English subtitles. (48 min, 1080i).
Sandra Milo - the Italian actress talks about her first encounter with Fellini, the shooting of 8 ½ , etc. In Italian, with optional English subtitles. (27 min, 1080i).
Lina Wertmuller - in this video interview, the Italian director recalls her collaboration with Fellini on 8 ½, and explains how Fellini helped her direct her first film. Mrs. Wertmuller also discusses the important role women had in Fellini's life. In Italian, with optional English subtitles. (18 min, 1080i).
Vittorio Storaro - the famous cinematographer discusses Gianni Di Venanzo's unique use of light, his work with Fellini on 8 1/2, etc. In English. (18 min, 1080i).
Trailer - (3 min, 1080i).
Photographs by Gideon Bachmann -
Stills Gallery -
Booklet - a 30-page illustrated booklet featuring an excerpt from I, Fellini; a series of interviews with the Italian director by Charlotte Chandler; Tullio Kezich's essay "When He Became I"; Alexander Sesonske's essay "A Film with Itself As Its Subject"; and "I, Fellini (reprise)".
As expected, Criterion's treatment of Federico Fellini's 8 ½ does not disappoint. In fact, this epic film has never looked this good. Let's hope that in 2010 Criterion would delight us with even more classic Italian films on Blu-ray. Perhaps some of Michelangelo Antonioni, Pietro Germi, Ettore Scola, Luciano Salce, and Valerio Zurlini's films? VERY HIGHLY RECOMMENDED.
Otto e mezzo / Federico Fellini's 8½
1963
Otto e mezzo | Federico Fellini's 8½ | Remastered
1963
1960
1973
Fellini's Intervista
1987
Vivre sa vie: Film en douze tableaux / My Life to Live
1962
1953
1954
Giulietta degli spiriti
1965
Fellini's Roma
1972
The Swindle
1955
Le notti di Cabiria
1957
Det sjunde inseglet
1957
Les quatre cents coups
1959
Lo sceicco bianco
1952
Il deserto rosso
1964
À bout de souffle
1960
1969
1966
1960
Luci del varietà
1950
La grande bellezza
2013