Blu-ray.com recently sat down with Vincent Cassel, the star of the upcoming
film
'Mesrine: Killer Instinct', which will be released in UK theaters on August 7th.
The
film tells the story of gangster Jacques Mesrine, one of France's most
notorious criminals. Almost 30 years after his death, the tale of hold ups, prison
breaks, and kidnappings is reenacted via the the Cesar Award-winning team of
writer/director Jean-Francois Richet and the actor we are interviewing today,
Vincent Cassel.
Blu-ray.com Please tell us who is Jacques Mesrine?
Vincent Cassel: Jacques Mesrine is a very famous gangster in France
who died in 1979, shot down by the police in the middle of the street. His body
was displayed on TV as a statement from the government. He was one of the
first gangsters to use the media for his own sake. In that sense he became like
a rock star in France. In 1979, the year he died, he was the favourite celebrity
of the French people. I think he really tried to find a lot of excuses for his
actions, but I think he really wanted to be a gangster since his childhood.
BD: He was a very complex and nasty character, why was it
appealing for you to play Jacques Mesrine?
VC: Well the fact that it wasn't that clear, that he was ambiguous,
full of paradoxes and antagonism. I never wanted to judge the character ever
but we wanted to do it with Jean-Francois Richet and Gerard Depardieu in a
way which showed all the different aspects of his character, letting the
audience judge him if they wanted to. He is a bad guy, but not as bad as we
read in the media. He left behind him this image of being a Robin Hood-style
figure, but he wasn't because he never gave anything back to the poor. He was
a showman. He really controlled the media for his own sake, creating a
persona, the only positive thing about this is that he had the courage to live up
to the persona he created.
BD: Could you identify why he was so popular with the masses, with
the French people?
VC: Well first of all, not all French people like Mesrine, some people
are really scared of him and they are freaked out just by the sound of his voice,
but in the poor section of French society, he was the one figure that made fun
of the government, threatening them. He had the courage to do all this and he
was ready to pay the price for it. I think that's why the projects in the suburbs
are still so much in love with the image of Jacques Mesrine today.
BD: It's obviously a very French story so for the international market
it has been described as a French Scarface or Goodfellas for example do you
agree that there are similarities with those films?
VC: Well all three films are telling the story of gangsters, Mesrine
really existed, all the facts in the movie are not created by some writer, they
really happened. I think even though you may not have heard about the
character just to know that it was real gives you another perspective on the
movies.
BD: And mentioning Robert De Niro, another similarity is that in order
to portray Mesrine you had to put on 20 Kilos, you had to change your physical
appearance. How did that change you as a person?
VC: Well I think that it is always a dream for an actor to go through a
drastic transformation like that, the only problem is that you have to find the
right movie to do that in otherwise it's ridiculous. This was definitely the film for
me. You are talking about Robert De Niro but you could also talk about Eric
Bana in Chopper, or Tom Hardy in Bronson, I mean it's one way of acting. I'm
always very impressed when I see somebody do that and do it properly, it was
something I really wanted to do. But now I know it's really bad for you
physically, I don't think I will do it again.
BD: This performance won you a Cesar in France, a French Oscar, do
you know yet what impact this has had on your career or do you feel that
there is something changing in your career as a result of the Cesar?
VC: No I don't think anything will change as a result of the Cesar, but
I think things have changed because I am getting older and I know a little
more about what I like and what I don't like. You know, the more you grow the
more you master your thing – especially if it's really personal - acting is very
personal for me and I started 20 years ago so you know I grow as I get older,
I'm like a French wine hopefully.
BD: This is a 70s story but do you see a contemporary resonance to
it? At the time there was a right-winged government, we have one now. At the
time, Mesrine was campaigning against high security prisons, we still have
problems in prisons today. Do you think there is an anti-establishment
resonance that is relevant for today?
VC: I'm sure you can find similarities, echoes from the past with what
is happening today but at the same time it's not on purpose, honestly. It's not
like the movie is trying to criticize the system today in France, this is not the
purpose of the movie at all.
BD: If we go back to the film you spent nine months shooting the
two films, travelling all around the world with a huge cast, with people coming
in and out for short periods of time, what was it like for you to be Mesrine for
nine months and what was the day-to-day routine?
VC: Well, I have always looked at this whole adventure as good luck
really, I never thought to complain about anything. Many times I came back
home to my hotel room and I would get on my computer and Jean-Francois
Richet the director and myself would debrief online. I remember on many
occasions we were talking about the scenes we'd shot that day and what we
were supposed to do the next day but so many times at the end we'd have to
remind ourselves the luck we had making this movie. Because it is true, when
you are an actor and you make movies with a strong subject matter and you
have the money to shoot it the way you want to with an incredible cast in
different countries you know its luck, I think. I consider myself as being really
lucky with this project and I'm trying not to forget about it.
BD: Gerard Depardieu is in MESRINE: KILLER INSTINCT, he is a
generational actor and you are one too. Is there a feeling of passing the baton
between the two actors. What was it like to work with him?
VC: Well first of all I'm not sure that Gerard Depardieu wants to give
his baton to anybody and I think he is totally right because he still has a lot of
things to do. I hope I will work with him again. He is an actor that I really
admire. Years ago they asked me if I would like to interview somebody, for me
it was Gerard Depardieu, straight away, no contest because Gerard Depardieu is
an actor of his generation, and I think that's what I am too, particularly in his
earlier roles, maybe more so than the present. I feel that I have been trying to
do the same in my era, on certain levels I can identify myself with him.
BD: As an actor, it took 7 years to make the films and you had to be
focused on this. How difficult is it as an actor to choose a role? Sometimes it
doesn't work out, the film is not as good as you expected it to be, what makes
you decide to take on board a certain role?
VC: It's not logical at all. I think you have to trust yourself, to hear
your inner voice. By the second page in the script you should really know
whether you should make a movie or not – I really believe that. If it's your
career then you better think because you have to calculate everything, you
have to follow your guts. You should remember what you thought at first
because usually this is the best advice.